The Visual Object of Desire in Late Medieval England:
Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, a...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
University of Pennsylvania Press
[2015]
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| Schriftenreihe: | The Middle Ages Series
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches.In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource 30 illus |
| ISBN: | 9781512808292 |
| DOI: | 10.9783/9781512808292 |
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| 520 | |a Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches.In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life | ||
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Datensatz im Suchindex
| _version_ | 1824408285213622272 |
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| adam_text | |
| any_adam_object | |
| author | Stanbury, Sarah |
| author_facet | Stanbury, Sarah |
| author_role | aut |
| author_sort | Stanbury, Sarah |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV043712586 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781512808292 (OCoLC)914192312 (DE-599)BVBBV043712586 |
| dewey-full | 820.9/001 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/001 |
| dewey-search | 820.9/001 |
| dewey-sort | 3820.9 11 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.9783/9781512808292 |
| era | Geschichte 1380-1450 gnd Geschichte 1300-1500 gnd |
| era_facet | Geschichte 1380-1450 Geschichte 1300-1500 |
| format | Electronic eBook |
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| geographic | England (DE-588)4014770-8 gnd |
| geographic_facet | England |
| id | DE-604.BV043712586 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T15:08:44Z |
| institution | BVB |
| isbn | 9781512808292 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029124814 |
| oclc_num | 914192312 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-859 DE-860 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-473 DE-BY-UBG DE-859 DE-860 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 online resource 30 illus |
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| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of Pennsylvania Press |
| record_format | marc |
| series2 | The Middle Ages Series |
| spelling | Stanbury, Sarah Verfasser aut The Visual Object of Desire in Late Medieval England Sarah Stanbury Philadelphia, Pa. University of Pennsylvania Press [2015] © 2008 1 online resource 30 illus txt rdacontent c rdamedia cr rdacarrier The Middle Ages Series Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches.In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life Geschichte 1380-1450 gnd rswk-swf Geschichte 1300-1500 gnd rswk-swf Genre Studies, general Literary Studies Christian art and symbolism in literature English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Frömmigkeit (DE-588)4018672-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Geschichte 1300-1500 z 1\p DE-604 Frömmigkeit (DE-588)4018672-6 s 2\p DE-604 Christliche Kunst (DE-588)4010109-5 s Geschichte 1380-1450 z 3\p DE-604 https://doi.org/10.9783/9781512808292 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stanbury, Sarah The Visual Object of Desire in Late Medieval England Genre Studies, general Literary Studies Christian art and symbolism in literature English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd Kunst (DE-588)4114333-4 gnd Frömmigkeit (DE-588)4018672-6 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4010109-5 (DE-588)4114333-4 (DE-588)4018672-6 (DE-588)4035964-5 (DE-588)4014770-8 |
| title | The Visual Object of Desire in Late Medieval England |
| title_auth | The Visual Object of Desire in Late Medieval England |
| title_exact_search | The Visual Object of Desire in Late Medieval England |
| title_full | The Visual Object of Desire in Late Medieval England Sarah Stanbury |
| title_fullStr | The Visual Object of Desire in Late Medieval England Sarah Stanbury |
| title_full_unstemmed | The Visual Object of Desire in Late Medieval England Sarah Stanbury |
| title_short | The Visual Object of Desire in Late Medieval England |
| title_sort | the visual object of desire in late medieval england |
| topic | Genre Studies, general Literary Studies Christian art and symbolism in literature English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd Kunst (DE-588)4114333-4 gnd Frömmigkeit (DE-588)4018672-6 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Genre Studies, general Literary Studies Christian art and symbolism in literature English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Idols and images in literature Christliche Kunst Kunst Frömmigkeit Literatur England |
| url | https://doi.org/10.9783/9781512808292 |
| work_keys_str_mv | AT stanburysarah thevisualobjectofdesireinlatemedievalengland |