From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media
It is a tenet of postmodern writing that the subject—the self—is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the premodern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Te...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
University of Pennsylvania Press
[2015]
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| Schriftenreihe: | Penn Studies in Contemporary American Fiction
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| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | It is a tenet of postmodern writing that the subject—the self—is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the premodern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issue of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. Gaggi concentrates on a few paradigmatic works in each chapter; he contrasts van Eyck's Wedding of Arnolfini with the photography of Cindy Sherman and Barbara Kruger; examines fiction that centers on an elusive subject in works by Conrad, Faulkner, and Calvino; and explores the ability of such films as Coppola's One from the Heart and Altman's The Player to emancipate the subject through cinematography and editing.In considering electronic media, Gaggi takes his argument to an entirely new level. He focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource 8 illus |
| ISBN: | 9781512802283 |
| DOI: | 10.9783/9781512802283 |
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Datensatz im Suchindex
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| author | Gaggi, Silvio |
| author_facet | Gaggi, Silvio |
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| author_sort | Gaggi, Silvio |
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| dewey-sort | 3700.1 |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.9783/9781512802283 |
| format | Electronic eBook |
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| spelling | Gaggi, Silvio Verfasser aut From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media Silvio Gaggi Philadelphia, Pa. University of Pennsylvania Press [2015] © 1997 1 online resource 8 illus txt rdacontent c rdamedia cr rdacarrier Penn Studies in Contemporary American Fiction Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) It is a tenet of postmodern writing that the subject—the self—is unstable, fragmented, and decentered. One useful way to examine this principle is to look at how the subject has been treated in various media in the premodern, modern, and postmodern eras. Silvio Gaggi pursues this strategy in From Text to Hypertext, analyzing the issue of subject construction and deconstruction in selected examples of visual art, literature, film, and electronic media. Gaggi concentrates on a few paradigmatic works in each chapter; he contrasts van Eyck's Wedding of Arnolfini with the photography of Cindy Sherman and Barbara Kruger; examines fiction that centers on an elusive subject in works by Conrad, Faulkner, and Calvino; and explores the ability of such films as Coppola's One from the Heart and Altman's The Player to emancipate the subject through cinematography and editing.In considering electronic media, Gaggi takes his argument to an entirely new level. He focuses on computer-controlled media, specifically examples of hypertextual fiction by Michael Joyce and Stuart Moulthrop. Besides recognizing how the computer has enabled artists to create works of fiction in which readers themselves become decentered, Gaggi also observes the impact of literature created on computer networks, where even the limitations of CD-ROM are lifted and the notion of individual authorship may for all practical purposes be lost Literary Studies Semiotics, other Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Elektronische Medien (DE-588)4151918-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Selbst (DE-588)4121653-2 s Künste (DE-588)4033422-3 s Postmoderne (DE-588)4115604-3 s 1\p DE-604 Elektronische Medien (DE-588)4151918-8 s 2\p DE-604 https://doi.org/10.9783/9781512802283 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gaggi, Silvio From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media Literary Studies Semiotics, other Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd Postmoderne (DE-588)4115604-3 gnd Elektronische Medien (DE-588)4151918-8 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)4121653-2 (DE-588)4115604-3 (DE-588)4151918-8 (DE-588)4033422-3 |
| title | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
| title_auth | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
| title_exact_search | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
| title_full | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media Silvio Gaggi |
| title_fullStr | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media Silvio Gaggi |
| title_full_unstemmed | From Text to Hypertext Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media Silvio Gaggi |
| title_short | From Text to Hypertext |
| title_sort | from text to hypertext decentering the subject in fiction film the visual arts and electronic media |
| title_sub | Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media |
| topic | Literary Studies Semiotics, other Arts Themes, motives Creation (Literary, artistic, etc.) Selbst (DE-588)4121653-2 gnd Postmoderne (DE-588)4115604-3 gnd Elektronische Medien (DE-588)4151918-8 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Literary Studies Semiotics, other Arts Themes, motives Creation (Literary, artistic, etc.) Selbst Postmoderne Elektronische Medien Künste |
| url | https://doi.org/10.9783/9781512802283 |
| work_keys_str_mv | AT gaggisilvio fromtexttohypertextdecenteringthesubjectinfictionfilmthevisualartsandelectronicmedia |