Cinematic Appeals: The Experience of New Movie Technologies
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2013]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource ‹B›Figures: ‹/B›68 |
| ISBN: | 9780231535786 |
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Datensatz im Suchindex
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| author | Rogers, Ariel |
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| discipline | Soziologie |
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| era_facet | Geschichte 1950-2010 |
| format | Electronic eBook |
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| spelling | Rogers, Ariel Verfasser aut Cinematic Appeals The Experience of New Movie Technologies Ariel Rogers New York, NY Columbia University Press [2013] © 2013 1 online resource ‹B›Figures: ‹/B›68 txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time Geschichte 1950-2010 gnd rswk-swf Genres, other Cinematography Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Rezeption (DE-588)4049716-1 gnd rswk-swf Technische Innovation (DE-588)4431027-4 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Technische Innovation (DE-588)4431027-4 s Rezeption (DE-588)4049716-1 s Geschichte 1950-2010 z 1\p DE-604 Filmtechnik (DE-588)4017144-9 s Kino (DE-588)4129654-0 s 2\p DE-604 http://www.degruyter.com/doi/book/10.7312/roge15916 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rogers, Ariel Cinematic Appeals The Experience of New Movie Technologies Genres, other Cinematography Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Rezeption (DE-588)4049716-1 gnd Technische Innovation (DE-588)4431027-4 gnd Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd Filmtechnik (DE-588)4017144-9 gnd |
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| title | Cinematic Appeals The Experience of New Movie Technologies |
| title_auth | Cinematic Appeals The Experience of New Movie Technologies |
| title_exact_search | Cinematic Appeals The Experience of New Movie Technologies |
| title_full | Cinematic Appeals The Experience of New Movie Technologies Ariel Rogers |
| title_fullStr | Cinematic Appeals The Experience of New Movie Technologies Ariel Rogers |
| title_full_unstemmed | Cinematic Appeals The Experience of New Movie Technologies Ariel Rogers |
| title_short | Cinematic Appeals |
| title_sort | cinematic appeals the experience of new movie technologies |
| title_sub | The Experience of New Movie Technologies |
| topic | Genres, other Cinematography Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Rezeption (DE-588)4049716-1 gnd Technische Innovation (DE-588)4431027-4 gnd Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Genres, other Cinematography Technological innovations Digital cinematography Motion picture audiences Technology in motion pictures Rezeption Technische Innovation Kino Film Filmtechnik USA |
| url | http://www.degruyter.com/doi/book/10.7312/roge15916 |
| work_keys_str_mv | AT rogersariel cinematicappealstheexperienceofnewmovietechnologies |