The Beyoncé effect: essays on sexuality, race and feminism
Since her late–1990s debut as a member of the R&B trio Destiny’s Child, Beyoncé Knowles has garnered both praise and criticism. While some consider her an icon of female empowerment, others see her as detrimental to feminism and representing a negative image of women of color. Her music has a de...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Since her late–1990s debut as a member of the R&B trio Destiny’s Child, Beyoncé Knowles has garnered both praise and criticism. While some consider her an icon of female empowerment, others see her as detrimental to feminism and representing a negative image of women of color. Her music has a decidedly pop aesthetic, yet her power-house vocals and lyrics focused on issues like feminine independence, healthy sexuality and post-partum depression give her songs dimension and substance beyond typical pop fare. This collection of new essays presents a detailed study of the music and persona of Beyoncé—arguably the world’s biggest pop star. Topics include the body politics of respectability; feminism, empowerment and gender in Beyoncé’s lyrics; black female pleasure; and the changing face of celebrity motherhood. - Adrienne Trier-Bieniek is the chair of sociology and anthropology at Valencia College in Orlando, Florida. She is the editor of numerous books on popular culture |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 220 Seiten Illustrationen, Diagramme |
| ISBN: | 9780786499748 |
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| 520 | |a Since her late–1990s debut as a member of the R&B trio Destiny’s Child, Beyoncé Knowles has garnered both praise and criticism. While some consider her an icon of female empowerment, others see her as detrimental to feminism and representing a negative image of women of color. Her music has a decidedly pop aesthetic, yet her power-house vocals and lyrics focused on issues like feminine independence, healthy sexuality and post-partum depression give her songs dimension and substance beyond typical pop fare. This collection of new essays presents a detailed study of the music and persona of Beyoncé—arguably the world’s biggest pop star. Topics include the body politics of respectability; feminism, empowerment and gender in Beyoncé’s lyrics; black female pleasure; and the changing face of celebrity motherhood. - Adrienne Trier-Bieniek is the chair of sociology and anthropology at Valencia College in Orlando, Florida. She is the editor of numerous books on popular culture | ||
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Datensatz im Suchindex
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| adam_text | Table of Contents
Acknowledgments vi
Introduction 1
Feminists Debate Beyonce
Janell Hobson 11
Beyonce as Intersectional Icon? Interrogating the Politics of
Respectability
Marla H. Kohlman 27
Beyonce as Aggressive Black Femme and Informed Black
Female Subject
Anne M. Mitchell 40
Policing Beyonces Body: “Whose Body Is This Anyway?”
Noel Siqi Duan 55
Ini Not Myself Lately: The Erosion of the Beyonce Brand
Kristin Lieb 75
The Visual Album: Beyonce, Feminism and Digital Spaces
Jamila A. Cupid and Nicole Files-Thompson 94
Beyonce and Social Media: Authenticity and the Presentation
of Self
Melissa Avdeefe 109
Flawless Feminist or Fallible Freak? An Analysis of Feminism,
Empowerment and Gender in Beyonces Lyrics
Tía C.M. Tyree and Melvin L. Williams
vii
124
viii Table of Contents
Birthing Baby Blue: Beyoncé and the Changing Face of
Celebrity Birth Culture
Natalie Jolly 143
Beyoncé and Blue: Black Motherhood and the Binds of
Racialized Sexism
Sonita R. Moss 155
BDSM, Gazes and Wedding Rings: The Centering of Black
Female Pleasure and Agency in Beyoncé
Evette Dionne Brown 177
Creole Queen: Beyoncé and Performing Plaçage in the
New Millennium
Kimberly J. Chandler 193
Sex(uality), Marriage, Motherhood and “Bey Feminism”
Elizabeth Whittington Cooper 203
About the Contributors 215
Index 219
|
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| spelling | The Beyoncé effect essays on sexuality, race and feminism edited by Adrienne Trier-Bieniek Jefferson, North Carolina McFarland & Company, Inc., Publishers [2016] © 2016 viii, 220 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Since her late–1990s debut as a member of the R&B trio Destiny’s Child, Beyoncé Knowles has garnered both praise and criticism. While some consider her an icon of female empowerment, others see her as detrimental to feminism and representing a negative image of women of color. Her music has a decidedly pop aesthetic, yet her power-house vocals and lyrics focused on issues like feminine independence, healthy sexuality and post-partum depression give her songs dimension and substance beyond typical pop fare. This collection of new essays presents a detailed study of the music and persona of Beyoncé—arguably the world’s biggest pop star. Topics include the body politics of respectability; feminism, empowerment and gender in Beyoncé’s lyrics; black female pleasure; and the changing face of celebrity motherhood. - Adrienne Trier-Bieniek is the chair of sociology and anthropology at Valencia College in Orlando, Florida. She is the editor of numerous books on popular culture Beyoncé 1981- Criticism and interpretation Beyoncé 1981- (DE-588)129053813 gnd rswk-swf Sex in music Feminism and music Music and race Feminismus (DE-588)4222126-2 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Beyoncé 1981- (DE-588)129053813 p Feminismus (DE-588)4222126-2 s Ethnische Identität (DE-588)4153096-2 s DE-604 Trier-Bieniek, Adrienne M. 1979- (DE-588)1043654364 edt Erscheint auch als Online-Ausgabe 978-1-4766-2558-4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029120249&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Beyoncé effect essays on sexuality, race and feminism |
| title_auth | The Beyoncé effect essays on sexuality, race and feminism |
| title_exact_search | The Beyoncé effect essays on sexuality, race and feminism |
| title_full | The Beyoncé effect essays on sexuality, race and feminism edited by Adrienne Trier-Bieniek |
| title_fullStr | The Beyoncé effect essays on sexuality, race and feminism edited by Adrienne Trier-Bieniek |
| title_full_unstemmed | The Beyoncé effect essays on sexuality, race and feminism edited by Adrienne Trier-Bieniek |
| title_short | The Beyoncé effect |
| title_sort | the beyonce effect essays on sexuality race and feminism |
| title_sub | essays on sexuality, race and feminism |
| topic | Beyoncé 1981- Criticism and interpretation Beyoncé 1981- (DE-588)129053813 gnd Sex in music Feminism and music Music and race Feminismus (DE-588)4222126-2 gnd Ethnische Identität (DE-588)4153096-2 gnd |
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