Designed words for a designed world: the international concrete poetry movement, 1955-1971
"Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Montreal & Kingston, London, Chicago
McGill-Queen's University Press
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too closely to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, in this book--the first major study of concrete poetry's international character--Jamie Hilder asks fundamental questions about the ways in which the work has been critically received over the past fifty years. Designed Words for a Designed World positions the work of the movement within a new global context, pointing out how its international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century."-- |
| Beschreibung: | xvi, 277 Seiten Illustrationen |
| ISBN: | 9780773547339 9780773547346 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043707403 | ||
| 003 | DE-604 | ||
| 005 | 20160923 | ||
| 007 | t | ||
| 008 | 160809s2016 a||| |||| 00||| eng d | ||
| 020 | |a 9780773547339 |c cloth |9 978-0-7735-4733-9 | ||
| 020 | |a 9780773547346 |c paper |9 978-0-7735-4734-6 | ||
| 035 | |a (OCoLC)958163814 | ||
| 035 | |a (DE-599)BVBBV043707403 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-20 |a DE-12 | ||
| 084 | |a EC 6410 |0 (DE-625)20679: |2 rvk | ||
| 100 | 1 | |a Hilder, Jamie |d 1977- |e Verfasser |0 (DE-588)139090428 |4 aut | |
| 245 | 1 | 0 | |a Designed words for a designed world |b the international concrete poetry movement, 1955-1971 |c Jamie Hilder |
| 264 | 1 | |a Montreal & Kingston, London, Chicago |b McGill-Queen's University Press |c 2016 | |
| 300 | |a xvi, 277 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Includes bibliographical references and index | |
| 520 | |a "Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too closely to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, in this book--the first major study of concrete poetry's international character--Jamie Hilder asks fundamental questions about the ways in which the work has been critically received over the past fifty years. Designed Words for a Designed World positions the work of the movement within a new global context, pointing out how its international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century."-- | ||
| 648 | 7 | |a Geschichte 1955-1971 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Concrete poetry / History and criticism | |
| 650 | 7 | |a Concrete poetry |2 fast | |
| 650 | 0 | 7 | |a Konkrete Poesie |0 (DE-588)4073689-1 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Konkrete Poesie |0 (DE-588)4073689-1 |D s |
| 689 | 0 | 1 | |a Geschichte 1955-1971 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-7735-9921-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-0-7735-9920-8 |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029119705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029119705 | ||
Datensatz im Suchindex
| _version_ | 1804176493697302528 |
|---|---|
| adam_text | DESIGNED
WORDS
FOR
A
DESIGNED
WORLD
The
International
Concrete Poetry
Movement,
1955-1971
JAMIEHILDER
McGill-Queen s University Press
Montreal amp; Kingston • London • Chicago
CONTENTS
Figures ix
Acknowledgments xv
1 Introduction 3
2 A Poetics of the Global 39
3 Fifty Years Progress in Five 95
4 Concrete Poetry and Conceptual Art:
A Misunderstanding 145
5 Information in Form: The Tension of Things-Words
in Space-Time 787
Conclusion: Designed Words in the World 236
Notes 243
References 255
Index 271
|
| any_adam_object | 1 |
| author | Hilder, Jamie 1977- |
| author_GND | (DE-588)139090428 |
| author_facet | Hilder, Jamie 1977- |
| author_role | aut |
| author_sort | Hilder, Jamie 1977- |
| author_variant | j h jh |
| building | Verbundindex |
| bvnumber | BV043707403 |
| classification_rvk | EC 6410 |
| contents | Includes bibliographical references and index |
| ctrlnum | (OCoLC)958163814 (DE-599)BVBBV043707403 |
| discipline | Literaturwissenschaft |
| era | Geschichte 1955-1971 gnd |
| era_facet | Geschichte 1955-1971 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03202nam a2200421 c 4500</leader><controlfield tag="001">BV043707403</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160923 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160809s2016 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780773547339</subfield><subfield code="c">cloth</subfield><subfield code="9">978-0-7735-4733-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780773547346</subfield><subfield code="c">paper</subfield><subfield code="9">978-0-7735-4734-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)958163814</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043707403</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 6410</subfield><subfield code="0">(DE-625)20679:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hilder, Jamie</subfield><subfield code="d">1977-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)139090428</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Designed words for a designed world</subfield><subfield code="b">the international concrete poetry movement, 1955-1971</subfield><subfield code="c">Jamie Hilder</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Montreal & Kingston, London, Chicago</subfield><subfield code="b">McGill-Queen's University Press</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 277 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too closely to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, in this book--the first major study of concrete poetry's international character--Jamie Hilder asks fundamental questions about the ways in which the work has been critically received over the past fifty years. Designed Words for a Designed World positions the work of the movement within a new global context, pointing out how its international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1955-1971</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Concrete poetry / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Concrete poetry</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Konkrete Poesie</subfield><subfield code="0">(DE-588)4073689-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Konkrete Poesie</subfield><subfield code="0">(DE-588)4073689-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1955-1971</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-7735-9921-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-0-7735-9920-8</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029119705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029119705</subfield></datafield></record></collection> |
| id | DE-604.BV043707403 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:33:04Z |
| institution | BVB |
| isbn | 9780773547339 9780773547346 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029119705 |
| oclc_num | 958163814 |
| open_access_boolean | |
| owner | DE-20 DE-12 |
| owner_facet | DE-20 DE-12 |
| physical | xvi, 277 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | McGill-Queen's University Press |
| record_format | marc |
| spelling | Hilder, Jamie 1977- Verfasser (DE-588)139090428 aut Designed words for a designed world the international concrete poetry movement, 1955-1971 Jamie Hilder Montreal & Kingston, London, Chicago McGill-Queen's University Press 2016 xvi, 277 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of ground-breaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too closely to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, in this book--the first major study of concrete poetry's international character--Jamie Hilder asks fundamental questions about the ways in which the work has been critically received over the past fifty years. Designed Words for a Designed World positions the work of the movement within a new global context, pointing out how its international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century."-- Geschichte 1955-1971 gnd rswk-swf Concrete poetry / History and criticism Concrete poetry fast Konkrete Poesie (DE-588)4073689-1 gnd rswk-swf Konkrete Poesie (DE-588)4073689-1 s Geschichte 1955-1971 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-7735-9921-5 Erscheint auch als Online-Ausgabe, PDF 978-0-7735-9920-8 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029119705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hilder, Jamie 1977- Designed words for a designed world the international concrete poetry movement, 1955-1971 Includes bibliographical references and index Concrete poetry / History and criticism Concrete poetry fast Konkrete Poesie (DE-588)4073689-1 gnd |
| subject_GND | (DE-588)4073689-1 |
| title | Designed words for a designed world the international concrete poetry movement, 1955-1971 |
| title_auth | Designed words for a designed world the international concrete poetry movement, 1955-1971 |
| title_exact_search | Designed words for a designed world the international concrete poetry movement, 1955-1971 |
| title_full | Designed words for a designed world the international concrete poetry movement, 1955-1971 Jamie Hilder |
| title_fullStr | Designed words for a designed world the international concrete poetry movement, 1955-1971 Jamie Hilder |
| title_full_unstemmed | Designed words for a designed world the international concrete poetry movement, 1955-1971 Jamie Hilder |
| title_short | Designed words for a designed world |
| title_sort | designed words for a designed world the international concrete poetry movement 1955 1971 |
| title_sub | the international concrete poetry movement, 1955-1971 |
| topic | Concrete poetry / History and criticism Concrete poetry fast Konkrete Poesie (DE-588)4073689-1 gnd |
| topic_facet | Concrete poetry / History and criticism Concrete poetry Konkrete Poesie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029119705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hilderjamie designedwordsforadesignedworldtheinternationalconcretepoetrymovement19551971 |