Environmental sound artists: in their own words
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxvii, 204 Seiten Illustrationen |
| ISBN: | 9780190234621 9780190234614 |
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Datensatz im Suchindex
| _version_ | 1804176485673598976 |
|---|---|
| adam_text | Contents
Foreword by Joel Chadabe vii
Preface ix
Acknowledgments xvii
Introduction by Jonathan Cilmurray xix
L Sonifrcations of Global Environmental Data 3
Andrea Polli
2. Sewer Pipe Organ 9
Philip Blackburn
3* Biophonic Sound Sculptures in Public Spaces 19
Bernie Krause
4. A Philosophical Report from Work-in-Progress 27
David Dunn
5. Listening to the Earth 35
John Bullitt
6. The Place Where You Go to Listen: An Ecosystem of Sound and Light 43
John Luther Adams
7. Meltwater 49
Cheryl E. Leonard
8. Hearing Curved Space 59
JeffTalman
9. River Listening 69
Leah Barclay
vi I Contents
10. Sun Boxes 77
Craig Colorusso
11. Bridge Music and Tower Music 83
Joseph Bertolozzi
12. Data as Music: Why Musically Encoded Bonification Design
Offers a Rich Palette for Information Display 93
Marty Quinn
13. Sonic Landscapes (finding a sense of place with my ears) 103
Bruce Odland
14. Sonic Migrations: Listening in-between, sensing place 113
Ximena Alarcon
15. Sound Architecture 123
Zimoun
16. The Sonic Ecology of Structures 129
China Blue
17. Why Bring Nature into Your Music? 137
David Rothenberg
18. The Dawn Chorus 145
Gordon Hempton
19. Bivvy Broadcasts 153
Dawn Scarfe
20. A Philosophy of Eco-acoustics in the Interdisciplinary Project
“Fragments of Extinction” 159
David Monacchi
21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999 169
Christopher DeLaurenti
22. The Listening Experience of Paramnesia 177
Aki Pasoulas
23. Musical Heuristics in Six Ecoacoustic Quintets 187
Matthew Burtner
Index
197
Environmental sound artists: in their own words, is an incisive and imaginative look at the
international environmental sound art movement. While the field of environmental sound art is diverse and
includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious
and strategic integration of environmental impulses and natural processes.
This book presents a current perspective on the environmental sound art movement through a collection
of writings by important environmental sound artists. Breaking through the limitations and gradual breakdown
of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres,
technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant
because it addresses political, social, economic, scientific, and aesthetic issues. Awareness and concern for
the environment has connected and unified artists across the globe and has achieved a solidarity and clarity
of purpose that is singularly unique and optimistic. As this book illustrates, the environmental sound art move-
ment is borderless and thriving.
FREDERICK BIANCHI is a composer and music technologist. Recognized
internationally for his musical compositions, installations, and innovative music tech-
nology development, Bianchi has been associated with interactive music applications
since the mid-1980s. His pioneering work in real time Virtual Orchestra development
received a patent in 2004 and has been used in over two hundred thousand per-
formances including collaborations with Lucent Technologies and Cirque du Soleil.
Bianchi is currently Professor of Music at the Worcester Polytechnic Institute where
he is Director of Computer Music Research.
V. J. M A N Z 0 is Assistant Professor of Music Technology and Cognition at
Worcester Polytechnic Institute. He is a composer and guitarist with research inter-
ests in theory and composition, artificial intelligence, interactive music systems, and
music learning. V.J. is the author of MAX/MSP/Jitt for Music, Foundations of Music
Technology, and co-author of Interactive Composition on creating and performing
interactive music, all published by Oxford University Press. For more information
visitvjmanzo.com.
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| title | Environmental sound artists in their own words |
| title_auth | Environmental sound artists in their own words |
| title_exact_search | Environmental sound artists in their own words |
| title_full | Environmental sound artists in their own words Frederick Bianchi, V.J. Manzo |
| title_fullStr | Environmental sound artists in their own words Frederick Bianchi, V.J. Manzo |
| title_full_unstemmed | Environmental sound artists in their own words Frederick Bianchi, V.J. Manzo |
| title_short | Environmental sound artists |
| title_sort | environmental sound artists in their own words |
| title_sub | in their own words |
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