Postmodern music, postmodern listening:
Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand. |
| Beschreibung: | xxvii, 372 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781501306020 9781501306013 |
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| 520 | |a Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand. | ||
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Datensatz im Suchindex
| _version_ | 1804176479275188224 |
|---|---|
| adam_text | Contents
List of Illustrations x
Editor’s Introduction Robert Carl xii
Preface Jann Pasler xvii
Postmodern Music, Postmodern Listening xxv
Foreword xxvi
Acknowledgments xxviii
BOOK I: IDEAS 1
Part 1 Chapters on Postmodern Concepts of Music 3
1 The Nature and Origins of Musical Postmodernism 5
1.1. The Postmodern Attitude 5
1.2. Postmodern Views on Unity, Intertextuality, and Eclecticism 7
1.3. Characteristics of Postmodern Music 9
1.4. Postmodernism vs. Modernism 11
1.5. Postmodernism and History 14
1.6. The Origins of Postmodernism in Contemporary Culture 16
1.7. Why Today’s Composers Write Postmodern Music 19
2 Postmodernism (Not) Defined 23
2.1. Postmodernism 23
2.2. Quotations in Search of a Definition 24
2.3. Postmodernism and Modernism 26
2.4. Irony and Parody 29
2.5. Past and Present 31
2.6. High and Low 32
2.7. What Is Musical Postmodernism? 34
3 Modernism, Postmodernism, the Avant Garde, and Their Audiences 37
3.1. Musical Modernism and Postmodernism 37
VI
Contents
3.2. The Avant Garde 42
3.3. The Avant Garde in the 1960s: Modernist or Postmodernist,
American or European? 50
3.4. The Music of Cage: Modernist and Postmodernist 52
3.5. Modernism, Education, and Lineage 54
3.6. Alienation from the Audience 55
Part 2 Chapters on Concepts of Postmodern Music 59
4 Postmodernism and Related Isms in Todays Music 61
4.1. Meta-Narratives 61
4.2. Styles of Postmodernism 65
4.3. Postmodernism, Latter-Day Modernism, and Antimodernism 68
4.4. Postmodernism and Vernacular Music 76
5 Unity, Organicism, and Challenges to Their Ubiquity 83
5.1. Unity and the Composer 83
5.2. The Ubiquity of Unity 84
5.3. Synchronic and Diachronic Unity 86
5.4. Unity and Organicism in Schoenberg 88
5.5. Unity and Organicism after Schoenberg 90
5.6. Unity and Organicism in Schenker and Others 93
6 Beyond Unity 97
6.1. Music that Defies the Unity Mystique 97
6.2. The Need for Analyses of Disunity 100
6.3. Chaos and Chaos Theory 105
6.4. A Taxonomy of Musical Unity 112
7 Postmodern Listening 115
7.1. The Listener and the Musical Text 115
7.2. The Listener as Creator 117
7.3. Communication and Expression 122
7.4. Postmodern Music Analysis and the New Musicology 129
7.5. Multiple Narratives 152
7.6. Semiosis and the Problem of Musical Communication 135
7.7. Postmodernism and Communication 139
7.8. Intertextuality Revisited 141
7.9. A Simple Example 143
Contents
vii
7.10. A More Complex Example: Is the Meaning in the Music or in the
Perceiver? 146
7.11. Is Musical Communication Possible? 147
8 Postmodern Musical Time: Real or Unreal? 151
8.1. Multiply-Directed Time 151
8.2. Gestural Time 153
8.3. Time Out of Phase 155
8.4. Time in Recent Modernist and Postmodernist Music 157
8.5. Deconstructing the Concept of Real Musical Time 160
8.6. Time Taken vs. Time Evoked 163
8.7. Real Time in Electroacoustic Music 166
8.8. Intertextuality and Real Time 168
8.9. Real Time and Postmodernism 170
8.10. Real Time and Modernism 171
8.11. Speed and Unrepeatability 172
8.12. Real Times in a Work by Szymanski 173
9 Surrealism, Neoclassicism, and Postmodernism 177
9.1. Did Music Have a Surrealist Period? 177
9.2. Music in the Time of Surrealism 181
9.3. Are Musical Surrealism and Postmodernism the Same? 184
Part 3 Postmodern Chapters on the Concept of Music 189
10 Economics, Politics, Technology, and Appropriation 191
10.1. Postmodern Music as Commodity 191
10.2. Postmodern Music as Commodity (continued) 193
10.3. The Politics of Modernism and Postmodernism in New York 196
10.4. Subversive Music? 201
10.5. Appropriation 204
10.6. Technology and Postmodernism 208
10.7. Commercialization and Aesthetics 208
10.8. Marketing Musical Commodities 210
11 Beyond the Beyond: Postmodernism Exemplified 215
11.1. Some Thoughts 215
11.2. The Otana Bee Story 216
11.3. More Quotations 217
11.4. A Tale 217
Contents
viii
11.5. Non-Musical Artworks that Exhibit Traits Found in Musical
Postmodernism 219
11.6. Repetition and Other Matters 219
11.7. Good and Bad Music 221
11.8. Another Tale 223
11.9. Yet Another Tale 224
11.10. Thoughts from Poland and Elsewhere 224
11.11. Multiculturalism 226
11.12. Two Surprises 230
11.13. Postmodernism and Feminism 232
11.14. Why Tell Stories in a Book on Music? 233
11.15. Almost the End 234
11.16. The End 234
BOOK II: CASE HISTORIES 235
12 Postmodernism in the Finale of Mahler’s Seventh Symphony 237
12.1. Overview 237
12.2. Ambiguities in the Opening 239
12.3. The Rondo Theme 241
12.4. Second Rondo Statement 244
12.5. Out-of-Phase Articulations 246
12.6. The Major-Third Cycles 254
12.7. Themes and Theme Groups 257
12.8. Lack of Development 258
12.9. Breaking Out 260
12.10. The Augmented Triad 261
12.11. Does the Movement Work? 262
12.12. Mahler as Postmodernist? 263
13 Unity and Disunity in Nielsens Sinfonía Semplice 265
13.1. Sinfonia Semplice and Postmodernism 265
13.2 Ambiguity at the Outset 266
13.3. The Three Fugues in the First Movement 273
13.4. First Movement Climax 279
13.5. Simplicity and Complexity, Unity and Disunity 280
13.6. Second Movement 282
13.7. Third Movement 286
13.8. Fourth Movement 289
Contents ix
APPENDIX: ESSAYS ON POSTMODERNISM AND JONATHAN KRAMER 295
Editor s Note 297
1. Postmodern Music, Postmodern Performing Deborah Bradley-Kramer 299
2. Are We Postmodern Yet? Brad Carton 309
3. Music in the Anthropocene John Luther Adams 315
4. On (re-)Hearing Kramer: Five Reactions to Postmodern Music,
Postmodern Listening John Halle 319
5. Uncommon Kindness: Reflections on Jonathan Kramer
Duncan Neilson 335
6. Kramer Post Kramer Martin Bresnick 343
Biographies 349
Bibliography 351
Index 363
|
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| id | DE-604.BV043699015 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:32:50Z |
| institution | BVB |
| isbn | 9781501306020 9781501306013 |
| language | English |
| lccn | 016003590 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029111486 |
| oclc_num | 957664801 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-473 DE-BY-UBG DE-703 DE-11 |
| owner_facet | DE-29 DE-12 DE-473 DE-BY-UBG DE-703 DE-11 |
| physical | xxvii, 372 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc |
| record_format | marc |
| spelling | Kramer, Jonathan D. 1942-2004 Verfasser (DE-588)133645444 aut Postmodern music, postmodern listening by Jonathan D. Kramer ; edited by Robert Carl New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc 2016 xxvii, 372 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand. Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 gnd rswk-swf Nielsen, Carl 1865-1931 Sinfonien FS 116 (DE-588)300264143 gnd rswk-swf Geschichte 1900-2000 Musik Music 20th century Philosophy and aesthetics Music 21st century Philosophy and aesthetics Postmodernism Postmoderne (DE-588)4115604-3 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Postmoderne (DE-588)4115604-3 s Musikwahrnehmung (DE-588)4126097-1 s Musikästhetik (DE-588)4040808-5 s DE-604 Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 u Nielsen, Carl 1865-1931 Sinfonien FS 116 (DE-588)300264143 u Carl, Robert 1954- (DE-588)141545879 edt Erscheint auch als Online-Ausgabe, PDF 978-1-5013-0603-7 Erscheint auch als Online-Ausgabe, ePub 978-1-5013-0604-4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029111486&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kramer, Jonathan D. 1942-2004 Postmodern music, postmodern listening Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 gnd Nielsen, Carl 1865-1931 Sinfonien FS 116 (DE-588)300264143 gnd Musik Music 20th century Philosophy and aesthetics Music 21st century Philosophy and aesthetics Postmodernism Postmoderne (DE-588)4115604-3 gnd Musikästhetik (DE-588)4040808-5 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)300098081 (DE-588)300264143 (DE-588)4115604-3 (DE-588)4040808-5 (DE-588)4126097-1 (DE-588)4040802-4 |
| title | Postmodern music, postmodern listening |
| title_auth | Postmodern music, postmodern listening |
| title_exact_search | Postmodern music, postmodern listening |
| title_full | Postmodern music, postmodern listening by Jonathan D. Kramer ; edited by Robert Carl |
| title_fullStr | Postmodern music, postmodern listening by Jonathan D. Kramer ; edited by Robert Carl |
| title_full_unstemmed | Postmodern music, postmodern listening by Jonathan D. Kramer ; edited by Robert Carl |
| title_short | Postmodern music, postmodern listening |
| title_sort | postmodern music postmodern listening |
| topic | Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 gnd Nielsen, Carl 1865-1931 Sinfonien FS 116 (DE-588)300264143 gnd Musik Music 20th century Philosophy and aesthetics Music 21st century Philosophy and aesthetics Postmodernism Postmoderne (DE-588)4115604-3 gnd Musikästhetik (DE-588)4040808-5 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Mahler, Gustav 1860-1911 Sinfonien Nr. 7 Nielsen, Carl 1865-1931 Sinfonien FS 116 Musik Music 20th century Philosophy and aesthetics Music 21st century Philosophy and aesthetics Postmodernism Postmoderne Musikästhetik Musikwahrnehmung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029111486&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kramerjonathand postmodernmusicpostmodernlistening AT carlrobert postmodernmusicpostmodernlistening |