This essay accompanies a digital interactive that tracks the exhibition and ownership history of The Greek Slave, from the plaster model through the six marble versions Hiram Powers (1805–73) produced between 1843 and 1866. The sum of these histories is a story of mobility, a decades-long journey th...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Droth, Martina 1970- (VerfasserIn)
Format:	Elektronisch Artikel
Sprache:	English
Veröffentlicht:	[2016]
Schlagworte:	Powers, Hiram > 1805-1873 > Griechische Sklavin
Online-Zugang:	Volltext
Zusammenfassung:	This essay accompanies a digital interactive that tracks the exhibition and ownership history of The Greek Slave, from the plaster model through the six marble versions Hiram Powers (1805–73) produced between 1843 and 1866. The sum of these histories is a story of mobility, a decades-long journey that was set in motion in Italy and took many different paths across Europe, England, and North America. Unlike most of the content in this special issue, the digital interactive primarily offers information rather than interpretation. It presents historical sources that allow us to track the movement of each Greek Slave from the date of its completion, showing the routes it traveled, the venues where it was displayed, each time and place it was bought and sold, and the ways in which its reputation, fame, and value changed along the way. Although exhibition and provenance histories of the six statues have been published before, notably in Richard P. Wunder’s catalogue raisonné of 1991, much new material—and more accurate empirical data—has been uncovered since.[1] The present project has assembled a clearer and more complete picture by drawing upon the huge digital databases of primary resources that are now available to researchers and reproducing a selection of these documents in the interactive.[2] This project, then, could only be published on a digital platform.
ISSN:	1543-1002