The tango machine: musical culture in the age of expediency
In Argentina, tango isn't just the national music-it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. In this book, Morgan James Luker explores that odd parado...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2016]
|
| Schriftenreihe: | Chicago studies in ethnomusicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In Argentina, tango isn't just the national music-it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. In this book, Morgan James Luker explores that odd paradox by tracing the many ways Argentina draws upon tango as a resource for a wide array of economic, social, and cultural-that is to say, non-musical-projects. In doing so, he illuminates new facets of all musical culture in an age of expediency when the value and meaning of the arts is less about the arts themselves and more about how they can be used. Luker traces the diverse and often contradictory ways tango is used in Argentina in activities ranging from state cultural policy-making to its export abroad as a cultural emblem, from the expanding nonprofit arts sector to tango-themed urban renewal projects. He shows how projects such as these are not peripheral to an otherwise "real"; tango-they are the absolutely central means by which the values of this musical culture are cultivated. By richly detailing the interdependence of aesthetic value and the regimes of cultural management, this book sheds light on core conceptual challenges facing critical music scholarship today. - |
| Beschreibung: | 216 Seiten |
| ISBN: | 9780226385402 9780226385549 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043696790 | ||
| 003 | DE-604 | ||
| 005 | 20170607 | ||
| 007 | t | ||
| 008 | 160802s2016 xxu |||| 00||| eng d | ||
| 010 | |a 015049862 | ||
| 020 | |a 9780226385402 |c hbk. |9 978-0-226-38540-2 | ||
| 020 | |a 9780226385549 |c pbk. |9 978-0-226-38554-9 | ||
| 035 | |a (OCoLC)967870382 | ||
| 035 | |a (DE-599)BVBBV043696790 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-703 |a DE-12 |a DE-11 |a DE-20 | ||
| 050 | 0 | |a ML3465 | |
| 082 | 0 | |a 784.18/8850982 |2 23 | |
| 084 | |a LR 54550 |0 (DE-625)109699:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Luker, Morgan James |e Verfasser |0 (DE-588)1028060998 |4 aut | |
| 245 | 1 | 0 | |a The tango machine |b musical culture in the age of expediency |c Morgan James Luker |
| 264 | 1 | |a Chicago ; London |b The University of Chicago Press |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 216 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Chicago studies in ethnomusicology | |
| 520 | |a In Argentina, tango isn't just the national music-it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. In this book, Morgan James Luker explores that odd paradox by tracing the many ways Argentina draws upon tango as a resource for a wide array of economic, social, and cultural-that is to say, non-musical-projects. In doing so, he illuminates new facets of all musical culture in an age of expediency when the value and meaning of the arts is less about the arts themselves and more about how they can be used. Luker traces the diverse and often contradictory ways tango is used in Argentina in activities ranging from state cultural policy-making to its export abroad as a cultural emblem, from the expanding nonprofit arts sector to tango-themed urban renewal projects. He shows how projects such as these are not peripheral to an otherwise "real"; tango-they are the absolutely central means by which the values of this musical culture are cultivated. By richly detailing the interdependence of aesthetic value and the regimes of cultural management, this book sheds light on core conceptual challenges facing critical music scholarship today. - | ||
| 650 | 4 | |a Tangos |z Argentina |x History and criticism | |
| 650 | 4 | |a Popular music |z Argentina | |
| 650 | 0 | 7 | |a Tango |0 (DE-588)4184397-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kulturindustrie |0 (DE-588)4444998-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Vermarktung |0 (DE-588)4121857-7 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Argentinien | |
| 651 | 7 | |a Argentinien |0 (DE-588)4002890-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Argentinien |0 (DE-588)4002890-2 |D g |
| 689 | 0 | 1 | |a Tango |0 (DE-588)4184397-6 |D s |
| 689 | 0 | 2 | |a Kulturindustrie |0 (DE-588)4444998-7 |D s |
| 689 | 0 | 3 | |a Vermarktung |0 (DE-588)4121857-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-226-38568-6 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029109330&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 792 |e 22/bsb |g 8 |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |g 8 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |g 8 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0905 |g 8 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |g 8 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029109330 | |
Datensatz im Suchindex
| _version_ | 1806958962562564096 |
|---|---|
| adam_text |
THE TANGO MACHINE
/ LUKER, MORGAN JAMESYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
ON THE VALUES OF MUSIC IN EXPEDIENT ARGENTINA
EXPEDIENT SOUNDINGS: THE GENRE CULTURE OF CONTEMPORARY TANGO MUSIC
CONTEMPORARY TANGO AND THE CULTURAL POLITICS OF MUSICA POPULAR
TANGO AMONG THE NONPROFIT ARTS
TANGO AS PART OF THE INTANGIBLE CULTURAL HERITAGE OF HUMANITY
"THIS IS GOING TO BE GOOD FOR ALL OF US": TANGO AND THE CULTURAL
INDUSTRIES
CONCLUSION: HE SINGS BETTER EVERY DAY: MUSICAL CULTURE IN THE AGE OF
EXPEDIENCY
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| author | Luker, Morgan James |
| author_GND | (DE-588)1028060998 |
| author_facet | Luker, Morgan James |
| author_role | aut |
| author_sort | Luker, Morgan James |
| author_variant | m j l mj mjl |
| building | Verbundindex |
| bvnumber | BV043696790 |
| callnumber-first | M - Music |
| callnumber-label | ML3465 |
| callnumber-raw | ML3465 |
| callnumber-search | ML3465 |
| callnumber-sort | ML 43465 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 54550 |
| ctrlnum | (OCoLC)967870382 (DE-599)BVBBV043696790 |
| dewey-full | 784.18/8850982 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.18/8850982 |
| dewey-search | 784.18/8850982 |
| dewey-sort | 3784.18 78850982 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV043696790</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170607</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160802s2016 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015049862</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226385402</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-226-38540-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226385549</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-226-38554-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967870382</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043696790</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3465</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">784.18/8850982</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54550</subfield><subfield code="0">(DE-625)109699:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Luker, Morgan James</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1028060998</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The tango machine</subfield><subfield code="b">musical culture in the age of expediency</subfield><subfield code="c">Morgan James Luker</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago ; London</subfield><subfield code="b">The University of Chicago Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">216 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Chicago studies in ethnomusicology</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Argentina, tango isn't just the national music-it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. In this book, Morgan James Luker explores that odd paradox by tracing the many ways Argentina draws upon tango as a resource for a wide array of economic, social, and cultural-that is to say, non-musical-projects. In doing so, he illuminates new facets of all musical culture in an age of expediency when the value and meaning of the arts is less about the arts themselves and more about how they can be used. Luker traces the diverse and often contradictory ways tango is used in Argentina in activities ranging from state cultural policy-making to its export abroad as a cultural emblem, from the expanding nonprofit arts sector to tango-themed urban renewal projects. He shows how projects such as these are not peripheral to an otherwise "real"; tango-they are the absolutely central means by which the values of this musical culture are cultivated. By richly detailing the interdependence of aesthetic value and the regimes of cultural management, this book sheds light on core conceptual challenges facing critical music scholarship today. -</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tangos</subfield><subfield code="z">Argentina</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="z">Argentina</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tango</subfield><subfield code="0">(DE-588)4184397-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturindustrie</subfield><subfield code="0">(DE-588)4444998-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vermarktung</subfield><subfield code="0">(DE-588)4121857-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Argentinien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Argentinien</subfield><subfield code="0">(DE-588)4002890-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tango</subfield><subfield code="0">(DE-588)4184397-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturindustrie</subfield><subfield code="0">(DE-588)4444998-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Vermarktung</subfield><subfield code="0">(DE-588)4121857-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-226-38568-6</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029109330&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">792</subfield><subfield code="e">22/bsb</subfield><subfield code="g">8</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="g">8</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">8</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">8</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="g">8</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029109330</subfield></datafield></record></collection> |
| geographic | Argentinien Argentinien (DE-588)4002890-2 gnd |
| geographic_facet | Argentinien |
| id | DE-604.BV043696790 |
| illustrated | Not Illustrated |
| indexdate | 2024-08-10T00:39:13Z |
| institution | BVB |
| isbn | 9780226385402 9780226385549 |
| language | English |
| lccn | 015049862 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029109330 |
| oclc_num | 967870382 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-11 DE-20 |
| owner_facet | DE-703 DE-12 DE-11 DE-20 |
| physical | 216 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | The University of Chicago Press |
| record_format | marc |
| series2 | Chicago studies in ethnomusicology |
| spelling | Luker, Morgan James Verfasser (DE-588)1028060998 aut The tango machine musical culture in the age of expediency Morgan James Luker Chicago ; London The University of Chicago Press [2016] © 2016 216 Seiten txt rdacontent n rdamedia nc rdacarrier Chicago studies in ethnomusicology In Argentina, tango isn't just the national music-it's a national brand. But ask any contemporary Argentine if they ever really listen to it and chances are the answer is no: tango hasn't been popular for more than fifty years. In this book, Morgan James Luker explores that odd paradox by tracing the many ways Argentina draws upon tango as a resource for a wide array of economic, social, and cultural-that is to say, non-musical-projects. In doing so, he illuminates new facets of all musical culture in an age of expediency when the value and meaning of the arts is less about the arts themselves and more about how they can be used. Luker traces the diverse and often contradictory ways tango is used in Argentina in activities ranging from state cultural policy-making to its export abroad as a cultural emblem, from the expanding nonprofit arts sector to tango-themed urban renewal projects. He shows how projects such as these are not peripheral to an otherwise "real"; tango-they are the absolutely central means by which the values of this musical culture are cultivated. By richly detailing the interdependence of aesthetic value and the regimes of cultural management, this book sheds light on core conceptual challenges facing critical music scholarship today. - Tangos Argentina History and criticism Popular music Argentina Tango (DE-588)4184397-6 gnd rswk-swf Kulturindustrie (DE-588)4444998-7 gnd rswk-swf Vermarktung (DE-588)4121857-7 gnd rswk-swf Argentinien Argentinien (DE-588)4002890-2 gnd rswk-swf Argentinien (DE-588)4002890-2 g Tango (DE-588)4184397-6 s Kulturindustrie (DE-588)4444998-7 s Vermarktung (DE-588)4121857-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-38568-6 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029109330&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Luker, Morgan James The tango machine musical culture in the age of expediency Tangos Argentina History and criticism Popular music Argentina Tango (DE-588)4184397-6 gnd Kulturindustrie (DE-588)4444998-7 gnd Vermarktung (DE-588)4121857-7 gnd |
| subject_GND | (DE-588)4184397-6 (DE-588)4444998-7 (DE-588)4121857-7 (DE-588)4002890-2 |
| title | The tango machine musical culture in the age of expediency |
| title_auth | The tango machine musical culture in the age of expediency |
| title_exact_search | The tango machine musical culture in the age of expediency |
| title_full | The tango machine musical culture in the age of expediency Morgan James Luker |
| title_fullStr | The tango machine musical culture in the age of expediency Morgan James Luker |
| title_full_unstemmed | The tango machine musical culture in the age of expediency Morgan James Luker |
| title_short | The tango machine |
| title_sort | the tango machine musical culture in the age of expediency |
| title_sub | musical culture in the age of expediency |
| topic | Tangos Argentina History and criticism Popular music Argentina Tango (DE-588)4184397-6 gnd Kulturindustrie (DE-588)4444998-7 gnd Vermarktung (DE-588)4121857-7 gnd |
| topic_facet | Tangos Argentina History and criticism Popular music Argentina Tango Kulturindustrie Vermarktung Argentinien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029109330&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT lukermorganjames thetangomachinemusicalcultureintheageofexpediency |