Hemingway, style, and the art of emotion:
In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (ix, 270 pages) |
| ISBN: | 9781316272084 |
| DOI: | 10.1017/CBO9781316272084 |
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| 505 | 8 | |a Introduction : Hemingway unbound -- Anxiety. At the beginning : "Indian camp" ; A second will : In our time and in our time ; The end of pleasure : The sun also rises ; False surmise : A farewell to arms ; Making a wound : A farewell to arms and "Now I lay me" -- Embarrassment. Awkwardness and appreciation : Death in the afternoon ; Hunting shame : Green hills of Africa ; Empathy and candor : "The short happy life of Francis Macomber" -- Forgiveness. Taking time : For whom the bell tolls ; Forgiveness : For whom the bell tolls ; Befriending : The old man and the sea -- Remorse. Replacement and remorse : The garden of Eden and A moveable feast ; How to end it : The garden of Eden and A moveable feast | |
| 520 | |a In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure | ||
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Datensatz im Suchindex
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| author | Wyatt, David 1948- |
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| contents | Introduction : Hemingway unbound -- Anxiety. At the beginning : "Indian camp" ; A second will : In our time and in our time ; The end of pleasure : The sun also rises ; False surmise : A farewell to arms ; Making a wound : A farewell to arms and "Now I lay me" -- Embarrassment. Awkwardness and appreciation : Death in the afternoon ; Hunting shame : Green hills of Africa ; Empathy and candor : "The short happy life of Francis Macomber" -- Forgiveness. Taking time : For whom the bell tolls ; Forgiveness : For whom the bell tolls ; Befriending : The old man and the sea -- Remorse. Replacement and remorse : The garden of Eden and A moveable feast ; How to end it : The garden of Eden and A moveable feast |
| ctrlnum | (ZDB-20-CBO)CR9781316272084 (OCoLC)956334366 (DE-599)BVBBV043695565 |
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| dewey-ones | 813 - American fiction in English |
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| dewey-search | 813/.52 |
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| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781316272084 |
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| id | DE-604.BV043695565 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-23T10:06:18Z |
| institution | BVB |
| isbn | 9781316272084 |
| language | English |
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| spelling | Wyatt, David 1948- Verfasser (DE-588)172459214 aut Hemingway, style, and the art of emotion David Wyatt Hemingway, Style, & the Art of Emotion Cambridge Cambridge University Press 2015 1 online resource (ix, 270 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction : Hemingway unbound -- Anxiety. At the beginning : "Indian camp" ; A second will : In our time and in our time ; The end of pleasure : The sun also rises ; False surmise : A farewell to arms ; Making a wound : A farewell to arms and "Now I lay me" -- Embarrassment. Awkwardness and appreciation : Death in the afternoon ; Hunting shame : Green hills of Africa ; Empathy and candor : "The short happy life of Francis Macomber" -- Forgiveness. Taking time : For whom the bell tolls ; Forgiveness : For whom the bell tolls ; Befriending : The old man and the sea -- Remorse. Replacement and remorse : The garden of Eden and A moveable feast ; How to end it : The garden of Eden and A moveable feast In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure Hemingway, Ernest / 1899-1961 / Criticism and interpretation Hemingway, Ernest / 1899-1961 / Literary style Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd rswk-swf Emotions in literature Gefühl (DE-588)4019702-5 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Hemingway, Ernest 1899-1961 (DE-588)118549030 p Sprache (DE-588)4056449-6 s Gefühl (DE-588)4019702-5 s DE-604 Erscheint auch als Druckausgabe 978-1-107-10982-7 Erscheint auch als Druckausgabe 978-1-107-52529-0 https://doi.org/10.1017/CBO9781316272084 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wyatt, David 1948- Hemingway, style, and the art of emotion Introduction : Hemingway unbound -- Anxiety. At the beginning : "Indian camp" ; A second will : In our time and in our time ; The end of pleasure : The sun also rises ; False surmise : A farewell to arms ; Making a wound : A farewell to arms and "Now I lay me" -- Embarrassment. Awkwardness and appreciation : Death in the afternoon ; Hunting shame : Green hills of Africa ; Empathy and candor : "The short happy life of Francis Macomber" -- Forgiveness. Taking time : For whom the bell tolls ; Forgiveness : For whom the bell tolls ; Befriending : The old man and the sea -- Remorse. Replacement and remorse : The garden of Eden and A moveable feast ; How to end it : The garden of Eden and A moveable feast Hemingway, Ernest / 1899-1961 / Criticism and interpretation Hemingway, Ernest / 1899-1961 / Literary style Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd Emotions in literature Gefühl (DE-588)4019702-5 gnd Sprache (DE-588)4056449-6 gnd |
| subject_GND | (DE-588)118549030 (DE-588)4019702-5 (DE-588)4056449-6 |
| title | Hemingway, style, and the art of emotion |
| title_alt | Hemingway, Style, & the Art of Emotion |
| title_auth | Hemingway, style, and the art of emotion |
| title_exact_search | Hemingway, style, and the art of emotion |
| title_full | Hemingway, style, and the art of emotion David Wyatt |
| title_fullStr | Hemingway, style, and the art of emotion David Wyatt |
| title_full_unstemmed | Hemingway, style, and the art of emotion David Wyatt |
| title_short | Hemingway, style, and the art of emotion |
| title_sort | hemingway style and the art of emotion |
| topic | Hemingway, Ernest / 1899-1961 / Criticism and interpretation Hemingway, Ernest / 1899-1961 / Literary style Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd Emotions in literature Gefühl (DE-588)4019702-5 gnd Sprache (DE-588)4056449-6 gnd |
| topic_facet | Hemingway, Ernest / 1899-1961 / Criticism and interpretation Hemingway, Ernest / 1899-1961 / Literary style Hemingway, Ernest 1899-1961 Emotions in literature Gefühl Sprache |
| url | https://doi.org/10.1017/CBO9781316272084 |
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