Shakespeare and manuscript drama: canon, collaboration, and text
How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2016
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this book explores manuscript plays by Anthony Munday, Thomas Middleton, and Thomas Heywood to establish new accounts of theatrical revision that challenge formerly dominant ideas in Shakespearean textual studies. The volume also reappraises Shakespeare's supposed part in the Sir Thomas More manuscript by analysing the palaeographic, orthographic, and stylistic arguments for Shakespeare's authorship of three of the document's pages. Offering a new account of manuscript writing that avoids conventional narrative forms, Purkis argues for a Shakespeare fully participant in a manuscript's collaborative process, demanding a reconsideration of his dramatic canon. The book will greatly interest researchers and advanced students of Shakespeare studies, textual history, authorship studies and theatre historians |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 06 Jun 2016) |
| Beschreibung: | 1 online resource (xii, 312 pages) |
| ISBN: | 9781316344835 |
| DOI: | 10.1017/CBO9781316344835 |
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| 520 | |a How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this book explores manuscript plays by Anthony Munday, Thomas Middleton, and Thomas Heywood to establish new accounts of theatrical revision that challenge formerly dominant ideas in Shakespearean textual studies. The volume also reappraises Shakespeare's supposed part in the Sir Thomas More manuscript by analysing the palaeographic, orthographic, and stylistic arguments for Shakespeare's authorship of three of the document's pages. Offering a new account of manuscript writing that avoids conventional narrative forms, Purkis argues for a Shakespeare fully participant in a manuscript's collaborative process, demanding a reconsideration of his dramatic canon. The book will greatly interest researchers and advanced students of Shakespeare studies, textual history, authorship studies and theatre historians | ||
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| contents | Introduction -- Text, collaboration, evidence. The theatrical text and the new bibliography: John a Kent and John a Cumber -- "Foul Papers", "Prompt Books", and Textual Sufficiency: The Captives -- Attribution, Collaboration, and The Second Maiden's Tragedy -- Shakespearean Coincidences. Curious Coincidences: The Collaborations of Sir Thomas More -- Singularly Shakespearean: Attributing the Hand-D Addition of More -- Canon, Apocrypha, and Sir Thomas More |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781316344835 |
| format | Electronic eBook |
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| id | DE-604.BV043695212 |
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| indexdate | 2024-07-10T07:32:44Z |
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| isbn | 9781316344835 |
| language | English |
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| spelling | Purkis, James Verfasser aut Shakespeare and manuscript drama canon, collaboration, and text James Purkis Cambridge Cambridge University Press 2016 1 online resource (xii, 312 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 06 Jun 2016) Introduction -- Text, collaboration, evidence. The theatrical text and the new bibliography: John a Kent and John a Cumber -- "Foul Papers", "Prompt Books", and Textual Sufficiency: The Captives -- Attribution, Collaboration, and The Second Maiden's Tragedy -- Shakespearean Coincidences. Curious Coincidences: The Collaborations of Sir Thomas More -- Singularly Shakespearean: Attributing the Hand-D Addition of More -- Canon, Apocrypha, and Sir Thomas More How did Shakespeare write his plays and how were they revised during their passage to the stage? James Purkis answers these questions through a fresh examination of often overlooked evidence provided by manuscripts used in early modern playhouses. Considering collaboration and theatre practice, this book explores manuscript plays by Anthony Munday, Thomas Middleton, and Thomas Heywood to establish new accounts of theatrical revision that challenge formerly dominant ideas in Shakespearean textual studies. The volume also reappraises Shakespeare's supposed part in the Sir Thomas More manuscript by analysing the palaeographic, orthographic, and stylistic arguments for Shakespeare's authorship of three of the document's pages. Offering a new account of manuscript writing that avoids conventional narrative forms, Purkis argues for a Shakespeare fully participant in a manuscript's collaborative process, demanding a reconsideration of his dramatic canon. The book will greatly interest researchers and advanced students of Shakespeare studies, textual history, authorship studies and theatre historians Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Manuscripts Shakespeare, William / 1564-1616 / Authorship / Collaboration Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Middleton, Thomas 1580-1627 (DE-588)11873380X gnd rswk-swf Heywood, Thomas 1574-1641 (DE-588)118774395 gnd rswk-swf Munday, Anthony 1553-1633 (DE-588)118785362 gnd rswk-swf English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts Manuskript (DE-588)4126273-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Manuskript (DE-588)4126273-6 s Bearbeitung (DE-588)4120981-3 s Munday, Anthony 1553-1633 (DE-588)118785362 p Middleton, Thomas 1580-1627 (DE-588)11873380X p Heywood, Thomas 1574-1641 (DE-588)118774395 p DE-604 Erscheint auch als Druckausgabe 978-1-107-11968-0 Erscheint auch als Druckausgabe 978-1-107-55210-4 https://doi.org/10.1017/CBO9781316344835 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Purkis, James Shakespeare and manuscript drama canon, collaboration, and text Introduction -- Text, collaboration, evidence. The theatrical text and the new bibliography: John a Kent and John a Cumber -- "Foul Papers", "Prompt Books", and Textual Sufficiency: The Captives -- Attribution, Collaboration, and The Second Maiden's Tragedy -- Shakespearean Coincidences. Curious Coincidences: The Collaborations of Sir Thomas More -- Singularly Shakespearean: Attributing the Hand-D Addition of More -- Canon, Apocrypha, and Sir Thomas More Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Manuscripts Shakespeare, William / 1564-1616 / Authorship / Collaboration Shakespeare, William 1564-1616 (DE-588)118613723 gnd Middleton, Thomas 1580-1627 (DE-588)11873380X gnd Heywood, Thomas 1574-1641 (DE-588)118774395 gnd Munday, Anthony 1553-1633 (DE-588)118785362 gnd English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts Manuskript (DE-588)4126273-6 gnd Drama (DE-588)4012899-4 gnd Bearbeitung (DE-588)4120981-3 gnd |
| subject_GND | (DE-588)118613723 (DE-588)11873380X (DE-588)118774395 (DE-588)118785362 (DE-588)4126273-6 (DE-588)4012899-4 (DE-588)4120981-3 |
| title | Shakespeare and manuscript drama canon, collaboration, and text |
| title_auth | Shakespeare and manuscript drama canon, collaboration, and text |
| title_exact_search | Shakespeare and manuscript drama canon, collaboration, and text |
| title_full | Shakespeare and manuscript drama canon, collaboration, and text James Purkis |
| title_fullStr | Shakespeare and manuscript drama canon, collaboration, and text James Purkis |
| title_full_unstemmed | Shakespeare and manuscript drama canon, collaboration, and text James Purkis |
| title_short | Shakespeare and manuscript drama |
| title_sort | shakespeare and manuscript drama canon collaboration and text |
| title_sub | canon, collaboration, and text |
| topic | Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Manuscripts Shakespeare, William / 1564-1616 / Authorship / Collaboration Shakespeare, William 1564-1616 (DE-588)118613723 gnd Middleton, Thomas 1580-1627 (DE-588)11873380X gnd Heywood, Thomas 1574-1641 (DE-588)118774395 gnd Munday, Anthony 1553-1633 (DE-588)118785362 gnd English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts Manuskript (DE-588)4126273-6 gnd Drama (DE-588)4012899-4 gnd Bearbeitung (DE-588)4120981-3 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism, Textual Shakespeare, William / 1564-1616 / Manuscripts Shakespeare, William / 1564-1616 / Authorship / Collaboration Shakespeare, William 1564-1616 Middleton, Thomas 1580-1627 Heywood, Thomas 1574-1641 Munday, Anthony 1553-1633 English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual English drama / Early modern and Elizabethan, 1500-1600 / Manuscripts Manuskript Drama Bearbeitung |
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