Organising music: theory, practice, performance
Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dial...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of 'tales from the field', including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate students and researchers in the fields of organisation studies, music management and the creative industries |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxvii, 414 pages) |
| ISBN: | 9781139644365 |
| DOI: | 10.1017/CBO9781139644365 |
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Datensatz im Suchindex
| _version_ | 1804176472505581568 |
|---|---|
| any_adam_object | |
| author2 | Beech, Nic Gilmore, Charlotte |
| author2_role | edt edt |
| author2_variant | n b nb c g cg |
| author_facet | Beech, Nic Gilmore, Charlotte |
| building | Verbundindex |
| bvnumber | BV043695200 |
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| ctrlnum | (ZDB-20-CBO)CR9781139644365 (OCoLC)949923824 (DE-599)BVBBV043695200 |
| dewey-full | 780.6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.6 |
| dewey-search | 780.6 |
| dewey-sort | 3780.6 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139644365 |
| format | Electronic eBook |
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| isbn | 9781139644365 |
| language | English |
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| spelling | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore Cambridge Cambridge University Press 2015 1 online resource (xxvii, 414 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of 'tales from the field', including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate students and researchers in the fields of organisation studies, music management and the creative industries Musik Music / Performance Organization Management Musik (DE-588)4040802-4 gnd rswk-swf Kulturmanagement (DE-588)4309943-9 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Kulturmanagement (DE-588)4309943-9 s Musikleben (DE-588)4075128-4 s 2\p DE-604 Öffentlichkeit (DE-588)4043183-6 s 3\p DE-604 Beech, Nic edt Gilmore, Charlotte edt Erscheint auch als Druckausgabe 978-1-107-04095-3 Erscheint auch als Druckausgabe 978-1-107-42167-7 https://doi.org/10.1017/CBO9781139644365 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Organising music theory, practice, performance Musik Music / Performance Organization Management Musik (DE-588)4040802-4 gnd Kulturmanagement (DE-588)4309943-9 gnd Öffentlichkeit (DE-588)4043183-6 gnd Musikleben (DE-588)4075128-4 gnd |
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| title | Organising music theory, practice, performance |
| title_auth | Organising music theory, practice, performance |
| title_exact_search | Organising music theory, practice, performance |
| title_full | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
| title_fullStr | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
| title_full_unstemmed | Organising music theory, practice, performance edited by Nic Beech and Charlotte Gilmore |
| title_short | Organising music |
| title_sort | organising music theory practice performance |
| title_sub | theory, practice, performance |
| topic | Musik Music / Performance Organization Management Musik (DE-588)4040802-4 gnd Kulturmanagement (DE-588)4309943-9 gnd Öffentlichkeit (DE-588)4043183-6 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Musik Music / Performance Organization Management Kulturmanagement Öffentlichkeit Musikleben Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9781139644365 |
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