Lyric in the Renaissance: from Petrarch to Montaigne
Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poe...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Cambridge
Cambridge University Press
2015
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (viii, 218 pages) |
ISBN: | 9781316275023 |
DOI: | 10.1017/CBO9781316275023 |
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505 | 8 | |a 1. Introduction -- 2. Petrarch and the existential singular -- 3. Minimal lost worlds: the rondeaux of Charles d'Orléans -- 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre) -- 5. Singularity as emptiness: Du Bellay's Regrets -- 6. Montaigne and his 'sublime' lyric -- 7. Conclusion -- Notes -- Bibliography -- Index | |
520 | |a Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him | ||
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any_adam_object | |
author | Langer, Ullrich |
author_facet | Langer, Ullrich |
author_role | aut |
author_sort | Langer, Ullrich |
author_variant | u l ul |
building | Verbundindex |
bvnumber | BV043695143 |
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collection | ZDB-20-CBO |
contents | 1. Introduction -- 2. Petrarch and the existential singular -- 3. Minimal lost worlds: the rondeaux of Charles d'Orléans -- 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre) -- 5. Singularity as emptiness: Du Bellay's Regrets -- 6. Montaigne and his 'sublime' lyric -- 7. Conclusion -- Notes -- Bibliography -- Index |
ctrlnum | (ZDB-20-CBO)CR9781316275023 (OCoLC)949923800 (DE-599)BVBBV043695143 |
dewey-full | 841/.309 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 841 - French poetry |
dewey-raw | 841/.309 |
dewey-search | 841/.309 |
dewey-sort | 3841 3309 |
dewey-tens | 840 - Literatures of Romance languages |
discipline | Romanistik |
doi_str_mv | 10.1017/CBO9781316275023 |
era | Geschichte 1500-1600 Geschichte 1300-1600 gnd |
era_facet | Geschichte 1500-1600 Geschichte 1300-1600 |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T07:32:43Z |
institution | BVB |
isbn | 9781316275023 |
language | English |
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spelling | Langer, Ullrich Verfasser aut Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer Cambridge Cambridge University Press 2015 1 online resource (viii, 218 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. Introduction -- 2. Petrarch and the existential singular -- 3. Minimal lost worlds: the rondeaux of Charles d'Orléans -- 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre) -- 5. Singularity as emptiness: Du Bellay's Regrets -- 6. Montaigne and his 'sublime' lyric -- 7. Conclusion -- Notes -- Bibliography -- Index Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language Geschichte 1500-1600 Geschichte 1300-1600 gnd rswk-swf French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) Italienisch (DE-588)4114056-4 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Italienisch (DE-588)4114056-4 s Französisch (DE-588)4113615-9 s Lyrik (DE-588)4036774-5 s Renaissance (DE-588)4049450-0 s Geschichte 1300-1600 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-11028-1 Erscheint auch als Druckausgabe 978-1-107-52699-0 https://doi.org/10.1017/CBO9781316275023 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Langer, Ullrich Lyric in the Renaissance from Petrarch to Montaigne 1. Introduction -- 2. Petrarch and the existential singular -- 3. Minimal lost worlds: the rondeaux of Charles d'Orléans -- 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre) -- 5. Singularity as emptiness: Du Bellay's Regrets -- 6. Montaigne and his 'sublime' lyric -- 7. Conclusion -- Notes -- Bibliography -- Index Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) Italienisch (DE-588)4114056-4 gnd Französisch (DE-588)4113615-9 gnd Lyrik (DE-588)4036774-5 gnd Renaissance (DE-588)4049450-0 gnd |
subject_GND | (DE-588)4114056-4 (DE-588)4113615-9 (DE-588)4036774-5 (DE-588)4049450-0 |
title | Lyric in the Renaissance from Petrarch to Montaigne |
title_auth | Lyric in the Renaissance from Petrarch to Montaigne |
title_exact_search | Lyric in the Renaissance from Petrarch to Montaigne |
title_full | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_fullStr | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_full_unstemmed | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
title_short | Lyric in the Renaissance |
title_sort | lyric in the renaissance from petrarch to montaigne |
title_sub | from Petrarch to Montaigne |
topic | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) Italienisch (DE-588)4114056-4 gnd Französisch (DE-588)4113615-9 gnd Lyrik (DE-588)4036774-5 gnd Renaissance (DE-588)4049450-0 gnd |
topic_facet | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) Italienisch Französisch Lyrik Renaissance |
url | https://doi.org/10.1017/CBO9781316275023 |
work_keys_str_mv | AT langerullrich lyricintherenaissancefrompetrarchtomontaigne |