Shakespeare and the idea of Apocrypha: negotiating the boundaries of the dramatic canon
In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 258 pages) |
| ISBN: | 9781316156216 |
| DOI: | 10.1017/CBO9781316156216 |
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| 520 | |a In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays | ||
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Datensatz im Suchindex
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| author | Kirwan, Peter |
| author_facet | Kirwan, Peter |
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| author_sort | Kirwan, Peter |
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| contents | Machine generated contents note: Introduction: the idea of Apocrypha; 1. Canonising the Apocrypha; 2. The Apocrypha in rep; 3. Defining 'Shakespeare'; 4. Apocryphising the canon; Epilogue: an apocryphal identity; Appendix; Works cited; Index |
| ctrlnum | (ZDB-20-CBO)CR9781316156216 (OCoLC)949923961 (DE-599)BVBBV043695133 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781316156216 |
| format | Electronic eBook |
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| id | DE-604.BV043695133 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:32:43Z |
| institution | BVB |
| isbn | 9781316156216 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029107703 |
| oclc_num | 949923961 |
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| owner_facet | DE-473 DE-BY-UBG DE-12 |
| physical | 1 online resource (xii, 258 pages) |
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| publishDate | 2015 |
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| publisher | Cambridge University Press |
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| spelling | Kirwan, Peter Verfasser aut Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan Shakespeare & the Idea of Apocrypha Cambridge Cambridge University Press 2015 1 online resource (xii, 258 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Machine generated contents note: Introduction: the idea of Apocrypha; 1. Canonising the Apocrypha; 2. The Apocrypha in rep; 3. Defining 'Shakespeare'; 4. Apocryphising the canon; Epilogue: an apocryphal identity; Appendix; Works cited; Index In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays Shakespeare, William / 1564-1616 / Authorship Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Autorschaft (DE-588)4130545-0 s Drama (DE-588)4012899-4 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-09617-2 Erscheint auch als Druckausgabe 978-1-107-47998-2 https://doi.org/10.1017/CBO9781316156216 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kirwan, Peter Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon Machine generated contents note: Introduction: the idea of Apocrypha; 1. Canonising the Apocrypha; 2. The Apocrypha in rep; 3. Defining 'Shakespeare'; 4. Apocryphising the canon; Epilogue: an apocryphal identity; Appendix; Works cited; Index Shakespeare, William / 1564-1616 / Authorship Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4130545-0 (DE-588)4012899-4 |
| title | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon |
| title_alt | Shakespeare & the Idea of Apocrypha |
| title_auth | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon |
| title_exact_search | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon |
| title_full | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
| title_fullStr | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
| title_full_unstemmed | Shakespeare and the idea of Apocrypha negotiating the boundaries of the dramatic canon Peter Kirwan |
| title_short | Shakespeare and the idea of Apocrypha |
| title_sort | shakespeare and the idea of apocrypha negotiating the boundaries of the dramatic canon |
| title_sub | negotiating the boundaries of the dramatic canon |
| topic | Shakespeare, William / 1564-1616 / Authorship Shakespeare, William 1564-1616 (DE-588)118613723 gnd Autorschaft (DE-588)4130545-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Authorship Shakespeare, William 1564-1616 Autorschaft Drama |
| url | https://doi.org/10.1017/CBO9781316156216 |
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