The films of Adoor Gopalakrishnan: a cinema of emancipation
This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's comp...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Anthem Press
2015
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| Schlagworte: | |
| Online-Zugang: | UBG01 Volltext |
| Zusammenfassung: | This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's complex narratives about identity, selfhood and otherness, in which innocence is often at stake, and characters struggle with their consciences. Ganguly places the films within their larger frameworks of guilt and redemption in which the hope of emancipation - moral, spiritual and creative - is real and tangible |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 10 Dec 2015) |
| Beschreibung: | 1 online resource (xii, 166 pages) |
| ISBN: | 9781783084111 |
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| 505 | 8 | |a Things fall apart: Mukhamukham and the failure of the collective -- The domain of inertia: Elippathayam and the crisis of masculinity -- Master and slave: Vidheyan and the debasement of power[1] -- The server and the served: Kodiyettam and the politics of consumption -- The search for home: Swayamvaram and the struggle with conscience -- Woman in the doorway: Naalu Pennungal and Oru Pennum Randaanum -- Making the imaginary real: Anantaram, Mathilukal and Nizhalkkuthu -- The dream of emancipation: Kathapurushan and the triumph of the individual filmography | |
| 520 | |a This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's complex narratives about identity, selfhood and otherness, in which innocence is often at stake, and characters struggle with their consciences. Ganguly places the films within their larger frameworks of guilt and redemption in which the hope of emancipation - moral, spiritual and creative - is real and tangible | ||
| 600 | 1 | 4 | |a Gopalakrishnan, Adoor / 1941- / Criticism and interpretation |
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Datensatz im Suchindex
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| author | Ganguly, Suranjan 1958- |
| author_facet | Ganguly, Suranjan 1958- |
| author_role | aut |
| author_sort | Ganguly, Suranjan 1958- |
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| building | Verbundindex |
| bvnumber | BV043694906 |
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| contents | Things fall apart: Mukhamukham and the failure of the collective -- The domain of inertia: Elippathayam and the crisis of masculinity -- Master and slave: Vidheyan and the debasement of power[1] -- The server and the served: Kodiyettam and the politics of consumption -- The search for home: Swayamvaram and the struggle with conscience -- Woman in the doorway: Naalu Pennungal and Oru Pennum Randaanum -- Making the imaginary real: Anantaram, Mathilukal and Nizhalkkuthu -- The dream of emancipation: Kathapurushan and the triumph of the individual filmography |
| ctrlnum | (ZDB-20-CBO)CR9781783084111 (OCoLC)956318212 (DE-599)BVBBV043694906 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043694906 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:32:43Z |
| institution | BVB |
| isbn | 9781783084111 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029107476 |
| oclc_num | 956318212 |
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| owner | DE-473 DE-BY-UBG |
| owner_facet | DE-473 DE-BY-UBG |
| physical | 1 online resource (xii, 166 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2015 |
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| publisher | Anthem Press |
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| spelling | Ganguly, Suranjan 1958- Verfasser aut The films of Adoor Gopalakrishnan a cinema of emancipation Suranjan Ganguly London Anthem Press 2015 1 online resource (xii, 166 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 10 Dec 2015) Things fall apart: Mukhamukham and the failure of the collective -- The domain of inertia: Elippathayam and the crisis of masculinity -- Master and slave: Vidheyan and the debasement of power[1] -- The server and the served: Kodiyettam and the politics of consumption -- The search for home: Swayamvaram and the struggle with conscience -- Woman in the doorway: Naalu Pennungal and Oru Pennum Randaanum -- Making the imaginary real: Anantaram, Mathilukal and Nizhalkkuthu -- The dream of emancipation: Kathapurushan and the triumph of the individual filmography This first study of Adoor Gopalakrishnan's feature films offers a compelling analysis of the socio-historical contexts of his work. Suranjan Ganguly examines how Kerala's abrupt displacement from a princely feudal state into twentieth-century modernity has shaped Gopalakrishnan's complex narratives about identity, selfhood and otherness, in which innocence is often at stake, and characters struggle with their consciences. Ganguly places the films within their larger frameworks of guilt and redemption in which the hope of emancipation - moral, spiritual and creative - is real and tangible Gopalakrishnan, Adoor / 1941- / Criticism and interpretation Erscheint auch als Druckausgabe 978-1-78308-409-8 Erscheint auch als Druckausgabe 978-1-78308-410-4 http://universitypublishingonline.org/anthem/ebook.jsf?bid=CBO9781783084111 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ganguly, Suranjan 1958- The films of Adoor Gopalakrishnan a cinema of emancipation Things fall apart: Mukhamukham and the failure of the collective -- The domain of inertia: Elippathayam and the crisis of masculinity -- Master and slave: Vidheyan and the debasement of power[1] -- The server and the served: Kodiyettam and the politics of consumption -- The search for home: Swayamvaram and the struggle with conscience -- Woman in the doorway: Naalu Pennungal and Oru Pennum Randaanum -- Making the imaginary real: Anantaram, Mathilukal and Nizhalkkuthu -- The dream of emancipation: Kathapurushan and the triumph of the individual filmography Gopalakrishnan, Adoor / 1941- / Criticism and interpretation |
| title | The films of Adoor Gopalakrishnan a cinema of emancipation |
| title_auth | The films of Adoor Gopalakrishnan a cinema of emancipation |
| title_exact_search | The films of Adoor Gopalakrishnan a cinema of emancipation |
| title_full | The films of Adoor Gopalakrishnan a cinema of emancipation Suranjan Ganguly |
| title_fullStr | The films of Adoor Gopalakrishnan a cinema of emancipation Suranjan Ganguly |
| title_full_unstemmed | The films of Adoor Gopalakrishnan a cinema of emancipation Suranjan Ganguly |
| title_short | The films of Adoor Gopalakrishnan |
| title_sort | the films of adoor gopalakrishnan a cinema of emancipation |
| title_sub | a cinema of emancipation |
| topic | Gopalakrishnan, Adoor / 1941- / Criticism and interpretation |
| topic_facet | Gopalakrishnan, Adoor / 1941- / Criticism and interpretation |
| url | http://universitypublishingonline.org/anthem/ebook.jsf?bid=CBO9781783084111 |
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