The Oxford critical and cultural history of modernist magazines: Volume 2 North America 1894-1960
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2016
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xxii, 1088 Seiten Illustrationen |
ISBN: | 9780198778424 |
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Datensatz im Suchindex
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adam_text | CONTENTS
List of Illustrations and Tables xv
List of Contributors xxi
General Introduction: ‘Magazines, Magazines, Magazines!’ i
ANDREW THACKER
Introduction i
Geographies of modernist magazines 2
The magazine rack viewed 12
The wider field of American periodicals 21
Publications and new movements 27
PART L TRADITION AND EXPERIMENT
Orientations 31
1. Poetry: A Magazine of Verse (1912—36), ‘Biggest of Little Magazines’ 40
HELEN CARR
2. The Little Review (1914—29) 61
ALAN GOLDING
3. Making Modernism Safe for Democracy: The Dial (1920—9) 85
CHRISTINA BRITZOLAKIS
4. The Crisis (1910—34) 103
RACHEL FAREBROTHER
Precursors, Mainstream, and Margins 125
5. ‘Ephemeral Bibelots’ in the 1890s 132
BRAD EVANS
X
CONTENTS
6. The Chap-Book (1894—8)
154
GILES BERGEL
7. Modernism and the Quality Magazines: Vanity Fair (1914—36);
American Mercury (1924—81); New Yorker (1925— ); Esquire (1933— ) 176
FAYE HAMMILL AND KAREN LEICK
8. Pulp Magazines and the Popular Press
DAVID M. EARLE
197
An American Art
217
9. American Manners: The Smart Set (1900—29); American
Parade (1926) 224
SHARON HAMILTON
10. In the American Grain: Contact (1920—3, 1932) and Pagany: A Native
Quarterly (1930—3) 249
ERIC WHITE
11. Through an American Lens: Camera Work (1903—17); 291
(1915—16); Manuscripts (1922—3) 271
CAROLINE BLINDER
The Free Verse Controversy 293
12. The New Poetry: The Glebe (1913—14); Others (1915—19); and Poetry
Review of America (1916—17) 299
SUZANNE W. CHURCHILL AND ETHAN JAFFEE
13. Poetry in Perspective: The Melange of the 1920s: The Measure
(1921—6); Rhythmus (1923—4); and Palms (1923—30) 320
ANDREW THACKER
14. Into the 1930s: Troubadour (1928-32); Blues (1929—30); Smoke
(1931—7); and Furioso (1939—53) 347
ALEXANDER HOWARD
Drama and the Critical Arts 371
15. A New Theatre: Theatre Arts (1916-64) and Drama
(1911-31) 377
DOROTHY CHANSKY AND TERRY BRINO-DEAN
16. Audacious Modernity*: The Seven Arts (1916—17); The Soil
(1916-17); and The Trend (1911-15) 398
VICTORIA KINGHAM
CONTENTS
Xl
17. Hound Horn (1927-34)
MICHAEL FAHERTY
42O
PART IL THE METROPOLIS, REGIONALISM, AND NATION
Greenwich Village 439
18. Brunos Bohemia: Greenwich Village (1915); Bruno s Chap Books
(1915—16); Bruno s Weekly (1915-16); Bruno s (1917);
Bruno s Bohemia (1918); Bruno s Review (1919); Brunos Review of
Two Worlds (1920-2) 445
STEPHEN ROGERS
19. The Avant-Garde in the Village: Rogue (1915) 465
DEBORAH LONGWORTH
20. Village Voices: The Ink Pot (1916); Open Vistas (1925);
The New Cow (1927); The Village Magazine (1910, 1920,1925);
The Greenwich Villager (1921—2, 1933—4) 483
STEPHEN ROGERS
The South and West 501
21. Fugitive Voices: The Reviewer (1921—5); The Lyric (1921— );
and The Fugitive (1922—5) 508
MICHAEL KREYLING
22. Negotiating the Margins of the American South: The Double
Dealer (1921-9) 523
CRAIG MONK
23. The Call of the Southwest: The Texas Review (1915-24);
Southwest Review (1924— ); and The Morada (1929—30) 538
MARK S. MORRISSON
24. Middling Modernism and the Midwestern Little Magazine:
The Midland (1915-33) and Prairie Schooner (1927- ) 558
JEFFREY C. SWENSON
25. ‘Our Own Authentic Wonderland’: The Modernist Geographical
Imagination and ‘Little Magazines’ of the American West:
Gyroscope {1929—30); Troubadour (1928-32); Westward (1927-34);
Laughing Horse (1921—39); New Mexico Quarterly (1931—69); and
Intermountain Review (1937-65) 576
SARAH A. FEDIRKA
xii CONTENTS
Canada 599
26. ‘Little Magazines’ in English Canada 602
DEAN IRVINE
Cross-currents: America and Europe 629
27. Destinations: Broom (1921—4) and Secession (1922—4) 636
PETER NICHOLLS
28. ‘Growth through Disagreement’: S4N {1919—25) 655
PETER BROOKER
29. Between Worlds: Gargoyle (1921—2); This Quarter (1925—32);
and Tambour (1929—30) 676
GREGORY BAPTISTA
30. Exiles: the transatlantic review (1924) and The Exile (1927—8) 697
ANDRZEJ GAÇIOREK
31. Between Modernisms: transition (1927—38) 718
CÉLINE MANSANTI
32. Europe in America: Remapping Broken Cultural Lines: View
(1940-7) and VW (1942-4) 737
STAMATINA DIMAKOPOULOU
33. Critics Abroad: The Early Years of The Paris Review (1953—65) 759
CHRISTOPHER BAINS
PART III. RADICAL VOICES
The Harlem Renaissance 777
34. Organizational Voices: The Messenger (1917—28) and Opportunity
(1923-49) 784
GEORGE B. HUTCHINSON
35. ‘Devoted to Younger Negro Artists’: Fire!! (1926) and Harlem (1928) 801
MARTHA NADELL
A Revolutionary Message 825
36. The Masses Speak: The Masses (1911—17); The Liberator (1918—24);
New Masses (1926—48); and Masses Mainstream (1948—63) 831
BENOÎT TADIÉ
CONTENTS
xm
37. The Left in the 1920s: Good Morning (1919-22); The Freeman
(1920-4); and The Modern Quarterly (1923—9) 857
PETER MARKS
38. The Left in the 1930s: The Modern Quarterly (1929—33, became
The Modern Monthly, 1933—40); Blast: A Magazine of Proletarian
Short Stories (1933—4); and The Windsor Quarterly (1933—5) 881
PETER MARKS
39. Rebel Poets and Cri tics: The Rebel Poet (1931—2); The Anvil
(1933—5); Dynamo (1934—5); and Partisan Review (1934—2003) 903
MICHAEL ROZENDAL
The Critical 1940s 923
40. New Criticisms Major Journals: The Southern Review (1935—42);
The Kenyon Review (1939—70); and The Sewanee Review (1892— ) 928
JOHN N. DUVALL
41. Academic Magazines: The Morningside (1815—1932); Yale Review
(1819— ); The Columbia Review (1932— ); The Wake (1944—6,
1948—53); Chicago Review (1946— ); The Georgia Review (1947— );
Epoch (1947— ); The Beloit Poetry Journal (1950— ); Triquarterly
(1958— ); and The Big Table (1959-60) 945
TIM WOODS
In the Modernist Grain 959
42. Black Mountain and Associates: Origin (1951—2007)
and The Black Mountain Review (1954—7) 966
TIM WOODS
43. New York Poets: Folder (1953-6); Neon (1956-60);
and Yugen (1958—62) 983
IAN PATTERSON
44. ‘Little... Only with Some Qualification: The Beats and Beat
‘Little Magazines’: Neurotica (1948—52); The Ark (1947);
Ark IIMoby I (1956); Ark III (1957); Black Mountain Review
(1957); Evergreen Review (1957-9); Chicago Review (1958);
Big Table (1959—65); Kulchur (1960-5); and Yugen (1958-62) 1001
R. J. ELLIS
Select Bibliography
Index
1025
1063
|
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spelling | The Oxford critical and cultural history of modernist magazines Volume 2 North America 1894-1960 ed. by Peter Brooker and Andrew Thacker Oxford [u.a.] Oxford Univ. Press 2016 xxii, 1088 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Brooker, Peter 1944- (DE-588)171991486 edt Thacker, Andrew 1962- (DE-588)1163955515 edt (DE-604)BV035191116 2 Äquivalent Hardback-Ausgabe 978-0-19-954581-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029103022&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | The Oxford critical and cultural history of modernist magazines |
title | The Oxford critical and cultural history of modernist magazines |
title_auth | The Oxford critical and cultural history of modernist magazines |
title_exact_search | The Oxford critical and cultural history of modernist magazines |
title_full | The Oxford critical and cultural history of modernist magazines Volume 2 North America 1894-1960 ed. by Peter Brooker and Andrew Thacker |
title_fullStr | The Oxford critical and cultural history of modernist magazines Volume 2 North America 1894-1960 ed. by Peter Brooker and Andrew Thacker |
title_full_unstemmed | The Oxford critical and cultural history of modernist magazines Volume 2 North America 1894-1960 ed. by Peter Brooker and Andrew Thacker |
title_short | The Oxford critical and cultural history of modernist magazines |
title_sort | the oxford critical and cultural history of modernist magazines north america 1894 1960 |
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