The virtuoso as subject: the reception of instrumental virtuosity, c. 1815-c. 1850
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 355 Seiten |
| ISBN: | 9781443890717 |
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Datensatz im Suchindex
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| adam_text | Table of Contents
Introduction..........................................................1
A Selective Survey of Modern Scholarly Literature on Virtuosity
in Reception
Interpreting the Secondary Literature and Going Beyond
The Scope, Sources, and Methodology
Summaries of Chapters
Chapter One...........................................................42
Music in Philosophy around 1800
The Ascendancy of Music, the Subjected Subject, and Reason
in Retreat: The Early German Romantics, Schelling,
and Schopenhauer
Transcendental Freedom and the “Agreeable Art” of Music:
Kant and Fichte
The Passing of Music on the Road to Freedom and Absolute
Knowledge: Hegel
Chapter Two...........................................................93
Virtuosity in Concert
“Not just a skilled virtuoso”, but an “Artist”: General Attitudes
to Instrumental Virtuosity in the Journalist Critical Community
“Idealities” and “animal spirits”: The Denigration of Performance
in Favour of Composition in 19th-century Criticism of Instrumental
Virtuosity
The Only Good Virtuoso is a Dead Virtuoso: From Virtuosity
to “Interpretation”
Heroes and Charlatans, Demons and Monsters: The Demands
and Dangers of Originality, Part I
How to Be a Perfect Virtuoso, but Not an Automaton: The Elusive
Notions of Expression and Expressivity
Expression’s Mortal Enemy: Virtuosic Technique
The Fallen Angels of Music: Moralist Critiques of Virtuosity
VI
Table of Contents
Chapter Three....................................................149
Virtuosity in Composition
“Mere frivolous eartickling amusement” and German “metaphysical
studies”: An Overview of General Music Aesthetics in Journalist
Criticism of Instrumental Virtuosity, c. 1815-c. 1850
The “genuine Sarmatian” and his “defiant originality”: The Demands
and Dangers of Originality, Part II
The Human and the Mechanical in Composition:
“Expression”/”Expressivity” and Virtuosic Technique
The “necessity of having a plan”: Virtuosity and Formal Construction
The “happy trifles” and the “dignified forms”: Genres of Virtuosity
in Reception
“Strong conceptions” and “mighty frames”: Virtuosity in Composition
and Canon-formation
Chapter Four.....................................................214
Gender and the Critical Reception of Virtuosity
Generals, Heroes, and Gods: Virtuosity qua Heroic Hyper-masculinity
Honorary Masculinity and the Dubious Value of “Feminine Charms”:
The Critical Reception of the Virtuose
Dubious Masculinity and Dishonourable Féminisation: Misogynist
Overtones in the Critical Reception of Chopin
Conclusion.......................................................262
Appendix A.......................................................267
A List of Major Violin and Piano Virtuosi, c. 1815-c. 1850
Appendix B.......................................................269
List of Lexicons and Encyclopaedias Cited in the Introduction
Appendix C.......................................................271
List of Articles Cited from the Selected 19th-century Music Periodicals
Bibliography.....................................................283
Primary Sources Not Listed in Appendices B and C
Secondary Literature
Index
343
|
| any_adam_object | 1 |
| author | Cvejić, Žarko 1981- |
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| author_facet | Cvejić, Žarko 1981- |
| author_role | aut |
| author_sort | Cvejić, Žarko 1981- |
| author_variant | ž c žc |
| building | Verbundindex |
| bvnumber | BV043688216 |
| classification_rvk | LR 11140 LR 56005 |
| ctrlnum | (OCoLC)958163585 (DE-599)BVBBV043688216 |
| discipline | Musikwissenschaft |
| era | Geschichte 1815-1850 gnd |
| era_facet | Geschichte 1815-1850 |
| format | Book |
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| title | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 |
| title_auth | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 |
| title_exact_search | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 |
| title_full | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 by Žarko Cvejić |
| title_fullStr | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 by Žarko Cvejić |
| title_full_unstemmed | The virtuoso as subject the reception of instrumental virtuosity, c. 1815-c. 1850 by Žarko Cvejić |
| title_short | The virtuoso as subject |
| title_sort | the virtuoso as subject the reception of instrumental virtuosity c 1815 c 1850 |
| title_sub | the reception of instrumental virtuosity, c. 1815-c. 1850 |
| topic | Musikästhetik (DE-588)4040808-5 gnd Virtuose (DE-588)4272862-9 gnd Instrumentalmusiker (DE-588)4192865-9 gnd Virtuosität (DE-588)4517943-8 gnd Musiker (DE-588)4040841-3 gnd Instrumentalmusik (DE-588)4129951-6 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| topic_facet | Musikästhetik Virtuose Instrumentalmusiker Virtuosität Musiker Instrumentalmusik Geschlechterrolle |
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