Extreme cinema: affective strategies in transnational media
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | vii, 179 Seiten Illustrationen 24 cm |
| ISBN: | 9781474402903 9781474426022 1474402909 |
| DOI: | 10.1515/9781474402910 |
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| 650 | 4 | |a Sex in motion pictures | |
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Datensatz im Suchindex
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Contents
A
List of Figures vi
Acknowledgments vii
1 Extreme Cinema: Revisiting Body Genres i
2 Hearing: With a Touch of Sound—The Affective Charge of Audio
Design 21
3 Pain: Exploring Bodies, Technology, and Endurance 45
4 Laughter: Belly-aching Laughter 72
5 Arousal: Graphic Encounters 101
6 Crying: Dreadful Melodramas—Family Dramas and Home
Invasions 130
7 The End of Extreme Cinema? 156
Bibliography 162
Filmography 173
Index 176
‘THIS IS AN EXCITING AND TIMELY BOOK. THROUGH IN-DEPTH FILM
ANALYSIS, CLEVER REFORMULATION OF TRANSNATIONAL VISUAL CULTURE,
AND SIMULTANEOUS ATTENTION TO FORM AND AFFECT, KERNER AND KNAPP
OPEN UP OUR WORLD TO THE INTENSIVE CAPACITIES OF WHAT THEY
JUDICIOUSLY CALL THE “VIEWING BODIES OF EXTREME CINEMA”/
Tarek Elhaik, University of California, Davis
Extreme Cinema examines the highly stylized treatment of sex and
violence in post-millennial transnational cinema, where the governing
convention is not the narrative but the spectacle. Using profound
experiments in form and composition, including jarring editing,
extreme close-ups, visual disorientation, and sounds that straddle
the boundary between non-diegetic and diegetic registers, this mode
of cinema dwells instead on the exhibition of intense violence and
an acute intimacy with the sexual body. Interrogating works such as
Wetlands ar\6 A Serbian Film, as well as the sub-culture of YouTube
‘reaction videos’, Aaron Michael Kernerand Jonathan L. Knapp
demonstrate the way content and form combine in extreme cinema
to affectively manipulate the viewing body.
Aaron Michael Kerner has taught in the SFSU Cinema Department
since 2003.
Jonathan L. Knapp is a PhD student in Film and Visual Studies at
Harvard University.
Cover image: Nymphomaniac: Volume J, Lars Von Trier,
2013 © Zentropa En ter tain men ts/The Kobal Collection
Cover design: www.paulsmithdesign.com
EDINBURGH
University Press
ed inbu rgh u n i versi ty press, com |
| any_adam_object | 1 |
| author | Kerner, Aaron 1972- Knapp, Jonathan L. |
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| discipline | Allgemeines |
| doi_str_mv | 10.1515/9781474402910 |
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| spellingShingle | Kerner, Aaron 1972- Knapp, Jonathan L. Extreme cinema affective strategies in transnational media Includes bibliographical references (pages 162-172), filmography (pages 173-175), and index Violence in motion pictures Sex in motion pictures Motion pictures / History Sex in motion pictures fast Violence in motion pictures fast Film Geschichte Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4113748-6 (DE-588)4123157-0 (DE-588)4017102-4 |
| title | Extreme cinema affective strategies in transnational media |
| title_auth | Extreme cinema affective strategies in transnational media |
| title_exact_search | Extreme cinema affective strategies in transnational media |
| title_full | Extreme cinema affective strategies in transnational media Aaron Michael Kerner and Jonathan L. Knapp |
| title_fullStr | Extreme cinema affective strategies in transnational media Aaron Michael Kerner and Jonathan L. Knapp |
| title_full_unstemmed | Extreme cinema affective strategies in transnational media Aaron Michael Kerner and Jonathan L. Knapp |
| title_short | Extreme cinema |
| title_sort | extreme cinema affective strategies in transnational media |
| title_sub | affective strategies in transnational media |
| topic | Violence in motion pictures Sex in motion pictures Motion pictures / History Sex in motion pictures fast Violence in motion pictures fast Film Geschichte Gewalt Motiv (DE-588)4113748-6 gnd Erotik Motiv (DE-588)4123157-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Violence in motion pictures Sex in motion pictures Motion pictures / History Film Geschichte Gewalt Motiv Erotik Motiv |
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