The Oxford critical and cultural history of modernist magazines: Volume 3 Europe 1880-1940 : Part I
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Oxford [u.a.]
Oxford Univ. Press
2016
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| Beschreibung: | xxxii, 690 Seiten Illustrationen, Karten |
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| 245 | 1 | 0 | |a The Oxford critical and cultural history of modernist magazines |n Volume 3 |p Europe 1880-1940 : Part I |c ed. by Peter Brooker and Andrew Thacker |
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2016 | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
List ofIllustrations and Maps xxi
List of Contributors xxxi
General Introduction: Modernity, Modernisms, Magazines i
PETER BROOKER
PART I. FRANCE
Introduction 25
1. Performing Writing: Le Chat Noir (1881—95); Le Courrier français
(1884—1913); GU Blas illustré (1891—1903); and Les Quat’zarts (1897—8) 38
DIANA SCHIAU-BOTEA
2. The ‘Little Magazine’ as Publishing Success: Le Scapin (1885—6);
La Pléiade (1886—90); and Le Mercure de France (1890—1965) 60
ALEXIA KALANTZIS
3. Between Symbolism and Avant-Garde Poetics: La Plume (1889—1905);
L’Ermitage (1890—1906); and La Revue blanche (1889—1903) 76
ELI SA GRILLI AND EVANGHELIA STEAD 4 5 6
4. Modem Classicism: La Nouvelle Revue française (1909—43)
and Commerce (1924—32) 101
ANNE-RÁCHEL HERMETET
5. Apollinaire and £the New Spirit: Le festin d’Esope (1903);
Les Soirées de Paris (1912—14); and L’élan (1915—16) 120
WILLARD BOHN
6. After Apollinaire: SIC (1916—19); Nord-Sud (1917—18);
and L’Esprit Nouveau (1920—5) 143
SIMON DELL
XIV
CONTENTS
7. Proto-Dada: The New York Connection: The Ridgefield Gazook
(1915); The Blind Man (1917); Rongwrong (1917); 391 (i9*7)î TNT
(1919) ; and New York Dada (1921) 160
DAVID HOPKINS
8. Dadas Paris Season: 391 (1919-24); Cannibale (1920); Projecteur
(1920) ; Dada (1920—1); and Le Cœur à Barbe (1922) 180
RUTH HEMUS
9. Eclecticism and its Discontents: Les Écrits nouveaux (1917—22) and
La Revue européenne (1923—31) 203
JOHN ATTRIDGE
10» ‘What Can the Surrealists Do?5: Littérature (1919—24); La Révolution
surréaliste (1924—9); and Le Surréalisme au service de la révolution
(1930-3) 219
RAYMOND SPITERI
h ‘A Shameless, Indecent Saintliness5: Documents (1929—31) and
Acéphale (1936—9) 244
ERIC ROBERTSON
12. Dangerous Gaines and New Mythologies: Cercle et Carré (1930);
Art Concret (1930); Abstraction-Création (1932-5); and Minotaure (1933-9) 265
J ED RASULA
PART IL THE LOW COUNTRIES
Introduction 289
13. ‘The Will to Style5: The Dutch Contribution to the Avant-Garde:
Leiden: De Stijl (1917—32), Mécano (1922—3); Amsterdam: Wendingen
(1918—32), iio (1927—9); an i Groningen: The Next Call (1923—6) 293
SASCHA BRU
14. Antwerp Circles: Languages, Locality, and Internationalism:
Ontwakingij yG) 1901—10); De Boomgaard (1909—11); Resurrection
(1917—18); Het Roode Zeil (1920); Selection (1920—33); Ruimte (1920—1);
Het Overzicht (1921—5); De Driehoek (1925—6); Lumière (1919—23);
and Ça Ira (1920—3) 313
DAPHNÉ DE MARNEFFE
15. ‘Streetscape of New Districts Permeated by the Fresh Scent of
Cement’: Brussels, the Avant-Garde, and Internationalism: La Jeune
Belgique (1881—97); LArt Moderne (1881—1914); La Société Nouvelle
(1884-97); Van Nu en Straks (1893—4,1896—1901); LArt Libre (1919—22);
CONTENTS
XV
Signaux (1921, early title of Le Disque Vert 1922—54); y Arts
(1922—8); and Variétés (1928—30) 336
FRANCIS MUS AND HANS VANDEVOORDE
PART IIL SPAIN AND PORTUGAL
Introduction 363
16. Madrid: Questioning the Avant-Garde: Helios (1903—4); ElNuevo
Mercúrio (1907); Prometeo (1908—12); Los Quijotes (1915—18);
Cosmópolis (1919—22); Greda (1918—20); Ultra (1921—2); Ambos
(1923); Litoral (1926-7, 1929); Mediodía (1926-9); Carmeny Lola
(1927—9); La Gaceta Literaria (1927—32); and Gallo (1928) 369
LORI COLE
17. ‘Noucentisme’ and the Avant-Garde in Barcelona (1916—36):
Revista nova (1914, 1916—17); 39L (1917); Troços (1916, 1917—18);
Un enemic deipoble (1917—19); Arc-voltaic (1918); Proa (1921);
LAmic de Ies arts (1926—8); and Hèlix (1929—30) 392
GEOFFREY WEST
18. Modernist Magazines in Portugal: Orpheu and its Legacy: Orpheu
(1915); Exílio (1916); Centauro (1916); Portugal Futurista (1917);
Contemporânea (1915, 1922—6); Athena (1924—5); Sudoeste (1935);
Presença (1927—38, 1939-40 [1977]) 413
CLARA ROCHA
PART IV. ITALY
Introduction 439
19. Political and Aesthetic Transgressions: Florentine Reviews a la
mode: Il Marzocco (1896—1932); Il Regno (1903—5); Il Leonardo
(1903—7); Hermes (1904); and La Voce (1908-14) 445
FRANCESCA BILLIANI
20. Past-Loving Florence and the Temptations of Futurism: Lacerba
(1913—15); Quartiere Latino (1913-14); Litalta futurista (1916—18);
and La Vraie Italie (1919—20) 4^9
LUCA SOMIGLI
XVI
CONTENTS
21. The Return to Order in Florence: II Selvaggio (1924-43);
Il Frontespizio (1929-40); Pègaso (1929-33); and Campo di Marte
(1938-9)
MARIANA AGUIRRE
22. Milan, the ‘Rivista, and the Deprovincialization of Italy: Le Papyrus
(1894-6); Poesia (1905-9); Il Convegno (1920-40); Pan (1933-5); and
Corrente di vita giovanile (1938—40)
ERIC BULSON
23. Bizantium and Emporium: Fine secolo Magazines in Rome and Milan:
Fanfulla della Domenica (1879-1919); Cronaca Bizantina (1881-6);
Il Convito (1895-1907); Cronaca dArte (1890-2); Vita Moderna
(1892-5); and Emporium (1895-1964)
VIVIEN GREENE
24. Futurist Periodicals in Rome (1916-39): From Effervescence to
Disillusionment: Avanscoperta (1916-17); Cronache d attualità
(1916-22); Noi (1917—25); Roma futurista (1918—20); Dinamo: Rivista
futurista (1919); IlFuturismo/Le Futurisme (1922—31); La Ruota dentata
(1927); 2000: Giornale della rivoluzione artistica (1929); Futurismo
(1932-3); Sant Elia (1933-4); and Artecrazia (1934-9)
CHRIS MICHAELIDES
25. ‘The Old Was Dying But the New Could Not Be Born :
Revolutionary Magazines in Turin: Energie Nove (1918-20);
L Ordine Nuovo (1919-20); Rivoluzione Liberale (1922-4); and
Il Bareni (1924-6)
ARIANNA BOVE
PART V. SCANDINAVIA
Introduction
26. Copenhagen: From the Ivory Tower to Street Activism: Ny Jord
(1888-9); Taarnet (1893-4); Ungt Blod (1895-6); Våpen (1899-1900);
Klingen (1917-20); Kvarnen (1920); Buen (1924-5); Sirius (1924-5);
Kritisk Revy (1926-8); Baalet (1921-2); Bjerget (1923); Pressen
(1923-4); Imorgen (1925,1927); Clarté (1926-7); Monde
(1928-31); linien (1934-9); and konkretion (1935-6)
BJARNE SØNDERGAARD BENDTSEN
27. Norway: The Province and its Métropolites: Impressionisten
(1886-90); Exlex (1919-20); and PLAN (1933-6)
EIRIK VASSENDEN
CONTENTS
XVII
2.8. Crossing Borders: Modernism in Sweden and the Swedish-Speaking
Part of Finland: Thalia (1909-13); Ny konst (1915); flamman
(1917-21); Ultra (1922); Quosego (1928-9); kontakt (1931); Spektrum
(1931—3); and Karavan (1934-5) 666
MATS JANSSON
PART VI. GERMANY, AUSTRIA, SWITZERLAND
Introduction 693
29. Reality and Utopia in Munich’s Premier Magazines: Simplicissimus
(1896-1944) and Jugend (1896-1940) 709
TIMOTHY W. HILES
30. ‘There You Have Munich’: Der Blaue Reiter (1912); Revolution (1913);
and Der Weg (1919) 727
JESSICA HORSLEY
31. Between Art and Activism: Pan (1895—1900, 1910—15); Die weissen
Blatter (1913—21); Das neue Pathos (1913—19); and Marsyas (1917—19) 750
ANDREAS KRAMER
32. A Critical Mass for Modernism in Berlin: Der Sturm (1910—32);
Die Aktion (1911—32); and Sturm-Bühne (1918—19) 773
DOUGLAS BRENT MCBRIDE
33. Transitions: From Expressionism to Dada: Neue Jugend (1914,
1916—17); DieJreie Strasse (1915—18); and Club Dada (1918) 798
CHRISTIAN WEIKOP
34. Berlin Dada and the Carnivalesque: Jedermann sein eigner Fussball
(1919) and Der Dada (1919—20) 816
CHRISTIAN WEIKOP
35. Radical Left Magazines in Berlin: Die Pleite (1919, 192-3—4);
Der Gegner (1919—22); Der blutige Ernst (1919); Der Kniippel
(1923—7); Eulenspiegel (1928-31); and AIZ/VI (1924-38) 835
SABINE T. KRIEBEL
36. ‘Not to Adorn Life But to Organize It5: Veshch. Gegertstand. Objet:
Revue internaţionale de Part moderne (1922) and G (1923-6) 855
STEPHEN BURY
37. ‘The Magazine of Enduring Value5: Der Querschnitt (1921—36)
and the World of Illustrated Magazines 868
ERIKA ESAU
XVIII
CONTENTS
38. Dresden: ‘Collectivity is Dead, Long Live Mankind’: Der Komet
(1918-19); Menschen (1918—21); and Neue Blätter fiir Kunst und
Dichtung (1918—21)
KATHLEEN CHAPMAN
39. Kiel and Hamburg: Radical ‘Bildungsbürgertum’: Die Schöne
Rarität (1917-19); Die Rote Erde (1919-23); Der Sturmreiter (1919-20);
and Kündung (1921)
TIMOTHY O. BENSON
40. Cologne: The Magazine as Artistic and Political Imperative:
Der Ventilator (1919); Bulletin D (1919); die schammade (1920);
Stupid (1920); and a bis z (1929—33)
LYNETTE ROTH
41. Hanover: ‘True Arť and ‘True Dada : Das Hohe Ufer (1919—20);
Der Zweemann (1919-20); Der Marstall (1920); and Merz
(1923-32)
DOROTHEA DIETRICH
42. Frankfurt, Leipzig, and Dessau: neue typographie’—The New
Face of a New World: das neue frankfurt (1926-33) and die neue
linie (1929-43)
PATRICK RÖSSLER
43. Vienna’s ‘Holy Spring’ and Beyond: Ver Sacrum (1898—1903);
Almanach der Wiener Werkstätte (1911); Hohe Warte (1904-9);
and Deutsche Kunst und Dekoration (1897—1932)
DIANE SILVERTHORNE
44. From the Hapsburg Empire to the Holocaust: Die Fackel
(1899-1936) and Der Brenner (1910-54)
EDWARD TIMMS
45. The Avant-Garde in Swiss Exile 1914-20: Der Mistral (1915);
Sirius (1915—16); Cabaret Voltaire (1916); Dada (1917—19); 391
(no. 8, 1918); Der Zeltweg (1919); and Almanach der Freie??
Zeitung (1918)
DEBBIE LEWER
PART VIL EAST-CENTRAL EUROPE
Introduction
46. The View from Prague: Moderní revue (1894-1925); Volné směry
(1896-1949); Umělecký měsíčník (1911-14); Revoluční sborník
888
905
925
947
969
992
1014
1032
1059
CONTENTS
XIX
Devétsil (1922); Život (1922); Disk (1923-5); Päsmo (1924—6); and
ReD (1927—31)
NICHOLAS SAWICKI
47. Avant-Garde Periodicals in the Yugoslavian Crucibie: Zenit (Zagreb
1921—3, Belgrade 1924-6); Zagreb: Dada-Jok (1922); Dada-Tank
(1922); Dada Jazz (1922); Novi Sad: Út (1922—5); Ljubljana: Svetokret
(1921); Rdeči pilot (1922); and Tank (192 7)
LAUREL SEELY VOLODER AND TYRUS MILLER
48. The Avant-Garde in Budapest and in Exile in Vienna: A Tett
(1915—16); Ma (Budapest 1916-19; Vienna 1920-5); Egység (1922—4);
Akasztott Ember (1922); 2x2 (1922); Ék (1923—4); Is (1924); 567 (1925);
Dokumentum (1926—7); and Munka (1928—39)
ÉVA FORGÁCS AND TYRUS MILLER
49. Romania: ‘Windows toward the West’: New Forms and the ‘Poetry
ofTrue Life?: Revista celor lalpi (1908); Insula (1912); Chemarea
(1912); Contimporanul (1922—32); 7SHP (1924); Punét (1924—5 );
Integral (1925—8); Urmuz (1925); and unu (1928-33)
IRINA LIVEZEANU
50. Cracow and Warsaw: Becoming the Avant-Garde: Rydwan
(first series 1912—14); Maski (1918—19); Wianki (1919-22); Formiści
(1919—21); Nowa Sztuka (1921—2); Zwrotnica (first series 1922—3);
and Blok (1924-6)
PRZEMYSŁAW STRÓŻEK
51. Poznań and Łódź: National Modernism and the International
Avant-Garde: Zdrój (1917-22); Yung-Yidish (1919); and Tel֊Aiviw
(1919-21)
LIDIA GŁUCHOWSKA
PART VIII. RUSSIA, THE SOVIET UNION, AND UKRAINE
Introduction
52. St Petersburg/Petrograd/Leningrad: From Aesthetes-to
Revolutionaries: Mir Iskusstva (1898—1904Apollon (1909—17);
Studiya Impressionistov (1910); Soyuz Molodezhi (1912—13); and
Iskusstvo Kommuny (1918—19)
CHRISTINA LODDER WITH PETER HELLYER
IO74
IO99
II28
II57
1184
I208
I237
1248
XX
CONTENTS
53. Modernism Upheld: Moscow Journals of Art and Literature:
Vesy (1904-9); Iskusstvo (1905); Zolotoe Runo (1906-9); and
Mâkovets (1922)
OLEG MININ
54. From Futurist Iconoclasm to Socialist Construction: Futuristy:
Pervyi zhumal russkikh futuristov (1914); Lef: Levyi front iskusstv
(1923-5); Novyi Lefiiyzy-S); and InternatsionaVnaya
literature (1933-45)
CHRISTINA LODDER
55. A Rift on the Left Front?’: Lef (1923-5) and Napostu (1923-5)
EMILY FINER
56. From under Imperial Eyes in Kyiv and Kharkiv Magazines:
Ukrainska khata (1909—14); Muzahet (1919); Mystetstvo (1919);
Katafalk iskusstva (1922); Semafor u maibutnie (1922); Honh
komunkuVta (1924); Nova generatsiia (1927—30); and Avangard:
Almanakhproletarskykh myttsiv Novoi generatsii (1930)
OLEH S. ILNYTZKYJ
Select Bibliography
Index
1276
1299
1319
1341
1363
1429
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| spelling | The Oxford critical and cultural history of modernist magazines Volume 3 Europe 1880-1940 : Part I ed. by Peter Brooker and Andrew Thacker Oxford [u.a.] Oxford Univ. Press 2016 xxxii, 690 Seiten Illustrationen, Karten txt rdacontent n rdamedia nc rdacarrier Brooker, Peter 1944- (DE-588)171991486 edt Thacker, Andrew 1962- (DE-588)1163955515 edt (DE-604)BV035191116 3,1 Äquivalent Hardback-Ausgabe 978-0-19-968130-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029097788&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford critical and cultural history of modernist magazines |
| title | The Oxford critical and cultural history of modernist magazines |
| title_auth | The Oxford critical and cultural history of modernist magazines |
| title_exact_search | The Oxford critical and cultural history of modernist magazines |
| title_full | The Oxford critical and cultural history of modernist magazines Volume 3 Europe 1880-1940 : Part I ed. by Peter Brooker and Andrew Thacker |
| title_fullStr | The Oxford critical and cultural history of modernist magazines Volume 3 Europe 1880-1940 : Part I ed. by Peter Brooker and Andrew Thacker |
| title_full_unstemmed | The Oxford critical and cultural history of modernist magazines Volume 3 Europe 1880-1940 : Part I ed. by Peter Brooker and Andrew Thacker |
| title_short | The Oxford critical and cultural history of modernist magazines |
| title_sort | the oxford critical and cultural history of modernist magazines europe 1880 1940 part i |
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