Daido Moriyama - record no. 30:
Early last November I visited the Moroccan town of Marrakesh for the first time in 26 years. I went there mainly to attend a reception party for my solo exhibiition at a refurbished former royal palace that currently houses the Marrakech Museum of Photography and Visual Arts ; talk with students at...
Gespeichert in:
| Vorheriger Titel: | Daido Moriyama - record no. 29 |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | Japanese English |
| Veröffentlicht: |
Tokyo
Akio Nagasawa Publishing
February 14, 2016
|
| Schlagworte: | |
| Zusammenfassung: | Early last November I visited the Moroccan town of Marrakesh for the first time in 26 years. I went there mainly to attend a reception party for my solo exhibiition at a refurbished former royal palace that currently houses the Marrakech Museum of Photography and Visual Arts ; talk with students at a local art university; and do several press interviews. Although my eyes seemed to detect a certain changeover in the city of Marrakesh that I hadn't seen for half a century, borrowing the rhetoric of Takuma Nakahira, I would say, "Marrakesh was there in front of my eyes and looked like no other place than Marrakesh." The scenery that I felt and perceived with my eyes was indeed that same old Marrakesh, that kingdom of light that I had seen long before. Once I had finished my various businesses, I grabbed my camera and took a dive into the chaos of the city. After wandering around for a while, I made a little side trip to one of the indigenous Berber peoples settlements that are scattered at the edge of the Atlas Mountains, and took some pictures. While I was walking around photographing, at some point a certain chain of words began to engrave themselves into my mnd. It was a very sensitive phrase by Elian Canetti in his wonderuful travel record The Voices of Marrakkesh: "I had been here hundreds of years ago but I had forgotten and now it was all coming back to me." In other words, I was feeling something I would describe as a philosophical contemporaneousness, of history and of civilizsation, or perhaps some kindo of far distant memory of the things and paths I seemed to have walked in a former life. This time I tried and walked several routes in the souks that run like a labryinth inside the medina of Marrakesh, and while pointing my camera at these people at the intersection of various ethinc groups, I found myself completely lost in rambling speculations ... |
| Beschreibung: | 124 ungezählte Seiten 220 x 278 mm |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043682757 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 160722s2016 |||| 00||| jpn d | ||
| 035 | |a (OCoLC)954038897 | ||
| 035 | |a (DE-599)BVBBV043682757 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a jpn |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Moriyama, Daidō |d 1938- |0 (DE-588)121673812 |4 pht | |
| 245 | 1 | 0 | |a Daido Moriyama - record no. 30 |
| 264 | 1 | |a Tokyo |b Akio Nagasawa Publishing |c February 14, 2016 | |
| 300 | |a 124 ungezählte Seiten |c 220 x 278 mm | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a Early last November I visited the Moroccan town of Marrakesh for the first time in 26 years. I went there mainly to attend a reception party for my solo exhibiition at a refurbished former royal palace that currently houses the Marrakech Museum of Photography and Visual Arts ; talk with students at a local art university; and do several press interviews. Although my eyes seemed to detect a certain changeover in the city of Marrakesh that I hadn't seen for half a century, borrowing the rhetoric of Takuma Nakahira, I would say, "Marrakesh was there in front of my eyes and looked like no other place than Marrakesh." The scenery that I felt and perceived with my eyes was indeed that same old Marrakesh, that kingdom of light that I had seen long before. Once I had finished my various businesses, I grabbed my camera and took a dive into the chaos of the city. After wandering around for a while, I made a little side trip to one of the indigenous Berber peoples settlements that are scattered at the edge of the Atlas Mountains, and took some pictures. While I was walking around photographing, at some point a certain chain of words began to engrave themselves into my mnd. It was a very sensitive phrase by Elian Canetti in his wonderuful travel record The Voices of Marrakkesh: "I had been here hundreds of years ago but I had forgotten and now it was all coming back to me." In other words, I was feeling something I would describe as a philosophical contemporaneousness, of history and of civilizsation, or perhaps some kindo of far distant memory of the things and paths I seemed to have walked in a former life. This time I tried and walked several routes in the souks that run like a labryinth inside the medina of Marrakesh, and while pointing my camera at these people at the intersection of various ethinc groups, I found myself completely lost in rambling speculations ... | ||
| 546 | |a Text japanisch und englisch | ||
| 546 | |b Japanische Schrift | ||
| 600 | 1 | 7 | |a Moriyama, Daidō |d 1938- |0 (DE-588)121673812 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4229053-3 |a Künstlerbuch |2 gnd-content | |
| 689 | 0 | 0 | |a Moriyama, Daidō |d 1938- |0 (DE-588)121673812 |D p |
| 689 | 0 | |5 DE-604 | |
| 780 | 0 | 0 | |i Vorangegangen ist |a Daido Moriyama - record no. 29 |w (DE-604)BV043682783 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029095599 | ||
Datensatz im Suchindex
| _version_ | 1804176451204808704 |
|---|---|
| any_adam_object | |
| author2 | Moriyama, Daidō 1938- |
| author2_role | pht |
| author2_variant | d m dm |
| author_GND | (DE-588)121673812 |
| author_facet | Moriyama, Daidō 1938- |
| building | Verbundindex |
| bvnumber | BV043682757 |
| ctrlnum | (OCoLC)954038897 (DE-599)BVBBV043682757 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03044nam a2200349 c 4500</leader><controlfield tag="001">BV043682757</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160722s2016 |||| 00||| jpn d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)954038897</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043682757</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">jpn</subfield><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moriyama, Daidō</subfield><subfield code="d">1938-</subfield><subfield code="0">(DE-588)121673812</subfield><subfield code="4">pht</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Daido Moriyama - record no. 30</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Tokyo</subfield><subfield code="b">Akio Nagasawa Publishing</subfield><subfield code="c">February 14, 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">124 ungezählte Seiten</subfield><subfield code="c">220 x 278 mm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Early last November I visited the Moroccan town of Marrakesh for the first time in 26 years. I went there mainly to attend a reception party for my solo exhibiition at a refurbished former royal palace that currently houses the Marrakech Museum of Photography and Visual Arts ; talk with students at a local art university; and do several press interviews. Although my eyes seemed to detect a certain changeover in the city of Marrakesh that I hadn't seen for half a century, borrowing the rhetoric of Takuma Nakahira, I would say, "Marrakesh was there in front of my eyes and looked like no other place than Marrakesh." The scenery that I felt and perceived with my eyes was indeed that same old Marrakesh, that kingdom of light that I had seen long before. Once I had finished my various businesses, I grabbed my camera and took a dive into the chaos of the city. After wandering around for a while, I made a little side trip to one of the indigenous Berber peoples settlements that are scattered at the edge of the Atlas Mountains, and took some pictures. While I was walking around photographing, at some point a certain chain of words began to engrave themselves into my mnd. It was a very sensitive phrase by Elian Canetti in his wonderuful travel record The Voices of Marrakkesh: "I had been here hundreds of years ago but I had forgotten and now it was all coming back to me." In other words, I was feeling something I would describe as a philosophical contemporaneousness, of history and of civilizsation, or perhaps some kindo of far distant memory of the things and paths I seemed to have walked in a former life. This time I tried and walked several routes in the souks that run like a labryinth inside the medina of Marrakesh, and while pointing my camera at these people at the intersection of various ethinc groups, I found myself completely lost in rambling speculations ...</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text japanisch und englisch</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="b">Japanische Schrift</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Moriyama, Daidō</subfield><subfield code="d">1938-</subfield><subfield code="0">(DE-588)121673812</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4229053-3</subfield><subfield code="a">Künstlerbuch</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Moriyama, Daidō</subfield><subfield code="d">1938-</subfield><subfield code="0">(DE-588)121673812</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="780" ind1="0" ind2="0"><subfield code="i">Vorangegangen ist</subfield><subfield code="a">Daido Moriyama - record no. 29</subfield><subfield code="w">(DE-604)BV043682783</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029095599</subfield></datafield></record></collection> |
| genre | (DE-588)4145395-5 Bildband gnd-content (DE-588)4229053-3 Künstlerbuch gnd-content |
| genre_facet | Bildband Künstlerbuch |
| id | DE-604.BV043682757 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:32:23Z |
| institution | BVB |
| language | Japanese English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029095599 |
| oclc_num | 954038897 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 124 ungezählte Seiten 220 x 278 mm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Akio Nagasawa Publishing |
| record_format | marc |
| spelling | Moriyama, Daidō 1938- (DE-588)121673812 pht Daido Moriyama - record no. 30 Tokyo Akio Nagasawa Publishing February 14, 2016 124 ungezählte Seiten 220 x 278 mm sti rdacontent n rdamedia nc rdacarrier Early last November I visited the Moroccan town of Marrakesh for the first time in 26 years. I went there mainly to attend a reception party for my solo exhibiition at a refurbished former royal palace that currently houses the Marrakech Museum of Photography and Visual Arts ; talk with students at a local art university; and do several press interviews. Although my eyes seemed to detect a certain changeover in the city of Marrakesh that I hadn't seen for half a century, borrowing the rhetoric of Takuma Nakahira, I would say, "Marrakesh was there in front of my eyes and looked like no other place than Marrakesh." The scenery that I felt and perceived with my eyes was indeed that same old Marrakesh, that kingdom of light that I had seen long before. Once I had finished my various businesses, I grabbed my camera and took a dive into the chaos of the city. After wandering around for a while, I made a little side trip to one of the indigenous Berber peoples settlements that are scattered at the edge of the Atlas Mountains, and took some pictures. While I was walking around photographing, at some point a certain chain of words began to engrave themselves into my mnd. It was a very sensitive phrase by Elian Canetti in his wonderuful travel record The Voices of Marrakkesh: "I had been here hundreds of years ago but I had forgotten and now it was all coming back to me." In other words, I was feeling something I would describe as a philosophical contemporaneousness, of history and of civilizsation, or perhaps some kindo of far distant memory of the things and paths I seemed to have walked in a former life. This time I tried and walked several routes in the souks that run like a labryinth inside the medina of Marrakesh, and while pointing my camera at these people at the intersection of various ethinc groups, I found myself completely lost in rambling speculations ... Text japanisch und englisch Japanische Schrift Moriyama, Daidō 1938- (DE-588)121673812 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content (DE-588)4229053-3 Künstlerbuch gnd-content Moriyama, Daidō 1938- (DE-588)121673812 p DE-604 Vorangegangen ist Daido Moriyama - record no. 29 (DE-604)BV043682783 |
| spellingShingle | Daido Moriyama - record no. 30 Moriyama, Daidō 1938- (DE-588)121673812 gnd |
| subject_GND | (DE-588)121673812 (DE-588)4145395-5 (DE-588)4229053-3 |
| title | Daido Moriyama - record no. 30 |
| title_auth | Daido Moriyama - record no. 30 |
| title_exact_search | Daido Moriyama - record no. 30 |
| title_full | Daido Moriyama - record no. 30 |
| title_fullStr | Daido Moriyama - record no. 30 |
| title_full_unstemmed | Daido Moriyama - record no. 30 |
| title_old | Daido Moriyama - record no. 29 |
| title_short | Daido Moriyama - record no. 30 |
| title_sort | daido moriyama record no 30 |
| topic | Moriyama, Daidō 1938- (DE-588)121673812 gnd |
| topic_facet | Moriyama, Daidō 1938- Bildband Künstlerbuch |
| work_keys_str_mv | AT moriyamadaido daidomoriyamarecordno30 |