Josephine Meckseper - 10 minutes after:
For the last two decades, Josephine Meckseper’s practice has interrogated politics, capitalism, and art history through the juxtapositions of images and objects. Drawn from the visual and material cultures of protest and political activism, advertising, cinema, and early twentieth-century display ar...
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
Berlin
Sternberg Press
[2016]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | For the last two decades, Josephine Meckseper’s practice has interrogated politics, capitalism, and art history through the juxtapositions of images and objects. Drawn from the visual and material cultures of protest and political activism, advertising, cinema, and early twentieth-century display architecture, Meckseper’s works are visually confrontational yet subtle, relying on strategies of infiltration rather than explicit positions. Central to the body of work featured in 10 minutes after is an investigation of the object as a form of "analogue recording device," in which found materials document temporal environments or situations. Wall vitrines, shelves, denim assemblages, and abstract sculptures composed of industrial display racks become repositories of social, cultural, political, and economic significance. The window frame becomes a vehicle to convey a perspective of the world inside and outside the studio. Accumulated objects and ephemera, recycled studio materials, items salvaged from the street or obtained from now-extinct local stores are reconceived within a new series of window vitrines. The publication features installation views from Meckseper’s recent exhibition at Timothy Taylor, a gallery of "psychoimages," and two newly commissioned texts. Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations. |
Beschreibung: | 23 Seiten, 73 ungezählte Seiten 22.5 x 30.5 cm |
ISBN: | 9783956792281 |
Internformat
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520 | 8 | |a For the last two decades, Josephine Meckseper’s practice has interrogated politics, capitalism, and art history through the juxtapositions of images and objects. Drawn from the visual and material cultures of protest and political activism, advertising, cinema, and early twentieth-century display architecture, Meckseper’s works are visually confrontational yet subtle, relying on strategies of infiltration rather than explicit positions. Central to the body of work featured in 10 minutes after is an investigation of the object as a form of "analogue recording device," in which found materials document temporal environments or situations. Wall vitrines, shelves, denim assemblages, and abstract sculptures composed of industrial display racks become repositories of social, cultural, political, and economic significance. The window frame becomes a vehicle to convey a perspective of the world inside and outside the studio. Accumulated objects and ephemera, recycled studio materials, items salvaged from the street or obtained from now-extinct local stores are reconceived within a new series of window vitrines. The publication features installation views from Meckseper’s recent exhibition at Timothy Taylor, a gallery of "psychoimages," and two newly commissioned texts. Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations. | |
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Datensatz im Suchindex
_version_ | 1804176445809885184 |
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adam_text | JOSEPHINE MECKSEPER
10 MINUTES AFTER
6 HEADLESS BODY IN TOPLESS BAR. PIPER MARSHALL
14 TWO PROBLEMS. DOMENICK AMMIRATI
26 ARTWORK AND INSTALLATION
68 PSYCHOIMAGES
93 BIOGRAPHIES
|
any_adam_object | 1 |
author_GND | (DE-588)128723246 (DE-588)1059412004 (DE-588)1071379372 |
building | Verbundindex |
bvnumber | BV043679545 |
ctrlnum | (OCoLC)953829677 (DE-599)BVBBV043679545 |
format | Book |
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id | DE-604.BV043679545 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:32:18Z |
institution | BVB |
institution_GND | (DE-588)5344662-8 |
isbn | 9783956792281 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029092466 |
oclc_num | 953829677 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 23 Seiten, 73 ungezählte Seiten 22.5 x 30.5 cm |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Sternberg Press |
record_format | marc |
spelling | Meckseper, Josephine 1964- (DE-588)128723246 art Josephine Meckseper - 10 minutes after [texts] Domenick Ammirati, Piper Marshall ; edited by Tania Doropoulos 10 minutes after Berlin Sternberg Press [2016] 23 Seiten, 73 ungezählte Seiten 22.5 x 30.5 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier For the last two decades, Josephine Meckseper’s practice has interrogated politics, capitalism, and art history through the juxtapositions of images and objects. Drawn from the visual and material cultures of protest and political activism, advertising, cinema, and early twentieth-century display architecture, Meckseper’s works are visually confrontational yet subtle, relying on strategies of infiltration rather than explicit positions. Central to the body of work featured in 10 minutes after is an investigation of the object as a form of "analogue recording device," in which found materials document temporal environments or situations. Wall vitrines, shelves, denim assemblages, and abstract sculptures composed of industrial display racks become repositories of social, cultural, political, and economic significance. The window frame becomes a vehicle to convey a perspective of the world inside and outside the studio. Accumulated objects and ephemera, recycled studio materials, items salvaged from the street or obtained from now-extinct local stores are reconceived within a new series of window vitrines. The publication features installation views from Meckseper’s recent exhibition at Timothy Taylor, a gallery of "psychoimages," and two newly commissioned texts. Independent curator and writer Piper Marshall considers ideas of détournement, the readymade, and base materialism in Meckseper’s oeuvre, while writer and editor Domenick Ammirati explores the significance of painting and text within Meckseper’s installations. Meckseper, Josephine 1964- (DE-588)128723246 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Timothy Taylor Gallery 12.10.2015-12.12.2015 London gnd-content Meckseper, Josephine 1964- (DE-588)128723246 p DE-604 Ammirati, Domenick ca. 20./21.Jh. (DE-588)1059412004 wat Marshall, Piper (DE-588)1071379372 wat Doropoulos, Tania Sonstige oth Timothy Taylor Gallery (DE-588)5344662-8 isb DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029092466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Josephine Meckseper - 10 minutes after Meckseper, Josephine 1964- (DE-588)128723246 gnd |
subject_GND | (DE-588)128723246 (DE-588)4135467-9 |
title | Josephine Meckseper - 10 minutes after |
title_alt | 10 minutes after |
title_auth | Josephine Meckseper - 10 minutes after |
title_exact_search | Josephine Meckseper - 10 minutes after |
title_full | Josephine Meckseper - 10 minutes after [texts] Domenick Ammirati, Piper Marshall ; edited by Tania Doropoulos |
title_fullStr | Josephine Meckseper - 10 minutes after [texts] Domenick Ammirati, Piper Marshall ; edited by Tania Doropoulos |
title_full_unstemmed | Josephine Meckseper - 10 minutes after [texts] Domenick Ammirati, Piper Marshall ; edited by Tania Doropoulos |
title_short | Josephine Meckseper - 10 minutes after |
title_sort | josephine meckseper 10 minutes after |
topic | Meckseper, Josephine 1964- (DE-588)128723246 gnd |
topic_facet | Meckseper, Josephine 1964- Ausstellungskatalog Timothy Taylor Gallery 12.10.2015-12.12.2015 London |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029092466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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