Gluck:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schriftenreihe: | The late eighteenth-century composers
[2] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 477-479 Literaturangaben |
| Beschreibung: | XXIV, 487 Seiten Illustrationen, 1 Karte, Notenbeispiele |
| ISBN: | 9781472443205 9781472444325 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176444645965824 |
|---|---|
| adam_text | Contents
A cknowiedgements vii
Series Preface ix
Introduction xi
PARTI BEFORE ORFEO
1 Daniel Heartz (1988), ‘Coming of Age in Bohemia: The Musical
Apprenticeships of Benda and Gluck’, Journal of Musicology, 6, pp. 510-27. 3
2 Patricia Howard (2000), ‘The Wandering Minstrel: An Eighteenth-Century
Fiction?’, Eighteenth-Century Fiction, 13, pp. 41-52. 21
3 John H. Roberts (1995), ‘The “Sweet Song” in Demofoonte: A Gluck Borrowing
from Handel’, in Thomas Bauman and Marita Petzoldt McClymonds (eds), Opera
and the Enlightenment, Cambridge: Cambridge University Press, pp. 168-88. 35
4 Klaus Hortschansky (1972), ‘Gluck nella “Gazetta di Milano”: 1742-1745’,
translated by Roberto Frontini, Nuova rivista musicale italiana,, 6, pp. 512-25. 57
5 Jen-yen Chen (2003), ‘The Sachsen-Hildburghausen Kapelle and the Symphonies
of Christoph Willibald Gluck’, Ad Parnassum: A Journal of Eighteenth- and
Nineteenth-Century Instrumental Music, 2, pp. 81-109. 73
PART II GLUCK IN VIENNA
6 Daniel Heartz (1945), ‘From Garrick to Gluck: The Reform of Theatre and Opera
in the Mid-Eighteenth Century’, Proceedings of the Royal Musical Association
pp. 111-27. 105
7 Charles C. Russell (1984), ‘The Libertine Reformed: “Don Juan” by Gluck and
Angiolini’, Music and Letters, 65, pp. 17-27. 123
8 Sibylle Dahms (2007), ‘Some Questions on the Original Version of Gluck and
Angiolini’s Don Juan Dance Chronicle, 30, pp. 427-38. 135
9 Bruce Alan Brown (1983), ‘Gluck’s Rencontre Imprévue and Its Revisions’,
Journal of the American Musicological Society, 36, pp. 498-518. 147
10 Raymond Monelle (1973), ‘Gluck and the “festa teatrale”’, Music and Letters,
54, pp. 308-25. 169
11 Michel Noiray (1994), ‘Un Manifeste en Musique’, Cahiers de F atelier lyrique
de Tourcoing, 15, 87-93. 187
12 Max Loppert (2003), “‘An Island Entire of Itself’: Gluck’s Telemaco in David
Rosen and Claire Brook (eds), Words on Music: Essays in Honour of Andrew
Porter on the Occasion of His 75th Birthday, Hillsdale, NY: Pendragon Press,
pp. 199-206.
195
vi
Gluck
13 Margaret R. Butler (2012), Gluck’s Alceste in Bologna: Production and
Performance at the Teatro Comunale, 1778’, Journal of the American
Musicological Society, 65, pp. 121-16. 203
PART III GLUCK IN PARIS
14 Julian Rushton (1972-73), From Vienna to Paris: Gluck and the French Opera’,
Chigiana, n.s. 9-10, pp. 283-98. 255
15 Herbert Schneider (2000), Gluck and Lully’, in John Hajdu Heyer (ed.), Lully
Studies, Cambridge: Cambridge University Press, pp. 243-71. 271
16 Thomas Betzwieser (2000), Musical Setting and Scenic Movement: Chorus and
choeur dansé in Eighteenth-Century Parisian Opéra’, Cambridge Opera Journal,
12, pp. 1-28. 301
17 Julian Rushton (1992), Royal Agamemnon”: The Two Versions of Gluck’s
Iphigénie en Aulide in Malcolm Boyd (ed.), Music and the French Revolution,
Cambridge: Cambridge University Press, pp. 15-36. 329
18 Wilhelm Weismann (1962), ‘Der Deus ex machina in Glucks Iphigenie in
Aulis’”, Deutsches Jahrbuch fur Musikwissenschaft, 7, pp. 7-17. 351
19 George J. Buelow (1991), A Bach Borrowing by Gluck: Another Frontier’,
Bach: The Quarterly Journal of the Riemenschneider Bach Institute, 22,
pp. 43—61. 363
20 F.W. Stemfeld (1966), Expression and Revision in Gluck’s Orfeo and Alceste
in Jack Westrup (ed.), Essays Presented to Egon Wellesz, Oxford: Oxford
University Press, pp. 114-29. 383
PART IV RECEPTION AND LEGACY
21 H.C. Robbins Landon (1970), ‘Some Thoughts on Gluck and the Reform of the
Opera’, in Essays on the Viennese Classical Style: Gluck, Haydn, Mozart,
Beethoven, London: Barrie and Rockliff, pp. 22-38. 401
22 Joël-Marie Fauquet (2000), Berlioz and Gluck’, translated by Peter Bloom, in
Peter Bloom (ed.), The Cambridge Companion to Berlioz, Cambridge: Cambridge
University Press, pp. 199-210. 419
23 William Gibbons (2006), Iphigenie à Paris: Positioning Gluck Historically in
Early Twentieth-Century France’, Intersections: Canadian Journal of Music,
27, pp. 3-15. 433
24 Simon Goldhill (2010), Who Killed Gluck?’, in Peter Brown and Suzana
OgrajenSek (eds), Ancient Drama in Music for the Modern Stage, Oxford:
Oxford University Press, pp. 210-39. 447
Name Index
481
|
| any_adam_object | 1 |
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| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| spelling | Gluck edited by Patricia Howard (Open University, UK) Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 XXIV, 487 Seiten Illustrationen, 1 Karte, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The late eighteenth-century composers [2] Literaturverzeichnis Seite 477-479 Literaturangaben Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 p DE-604 Oper (DE-588)4043582-9 s Howard, Patricia 1937- (DE-588)115234772 edt The late eighteenth-century composers [2] (DE-604)BV042516910 2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029091755&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gluck The late eighteenth-century composers Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118539841 (DE-588)4043582-9 (DE-588)4143413-4 |
| title | Gluck |
| title_auth | Gluck |
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| title_full | Gluck edited by Patricia Howard (Open University, UK) |
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