Cinematic cuts: theorizing film endings
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Albany
State University of New York Press
[2016]
|
| Schriftenreihe: | SUNY series, insinuations
|
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 293 Seiten 24 cm |
| ISBN: | 9781438461366 9781438461373 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043665215 | ||
| 003 | DE-604 | ||
| 005 | 20190510 | ||
| 007 | t | ||
| 008 | 160712s2016 |||| 00||| eng d | ||
| 020 | |a 9781438461366 |c pbk |9 978-1-4384-6136-6 | ||
| 020 | |a 9781438461373 |c (hbk) |9 978-1-4384-6137-3 | ||
| 035 | |a (OCoLC)957675504 | ||
| 035 | |a (DE-599)BVBBV043665215 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-20 | ||
| 084 | |a AP 45100 |0 (DE-625)7519: |2 rvk | ||
| 245 | 1 | 0 | |a Cinematic cuts |b theorizing film endings |c edited by Sheila Kunkle |
| 264 | 1 | |a Albany |b State University of New York Press |c [2016] | |
| 300 | |a ix, 293 Seiten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a SUNY series, insinuations | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski | |
| 650 | 4 | |a Motion pictures / Philosophy | |
| 650 | 4 | |a Motion pictures / Editing | |
| 650 | 4 | |a Motion pictures / Psychological aspects | |
| 650 | 7 | |a Motion pictures / Editing |2 fast | |
| 650 | 7 | |a Motion pictures / Philosophy |2 fast | |
| 650 | 7 | |a Motion pictures / Psychological aspects |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Psychologie | |
| 650 | 0 | 7 | |a Montage |g Film |0 (DE-588)4281773-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ende |0 (DE-588)4129043-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Ende |0 (DE-588)4129043-4 |D s |
| 689 | 0 | 2 | |a Montage |g Film |0 (DE-588)4281773-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Kunkle, Sheila |0 (DE-588)1111115052 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4384-6138-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029078487 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804176422259916800 |
|---|---|
| any_adam_object | |
| author2 | Kunkle, Sheila |
| author2_role | edt |
| author2_variant | s k sk |
| author_GND | (DE-588)1111115052 |
| author_facet | Kunkle, Sheila |
| building | Verbundindex |
| bvnumber | BV043665215 |
| classification_rvk | AP 45100 |
| contents | Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski |
| ctrlnum | (OCoLC)957675504 (DE-599)BVBBV043665215 |
| discipline | Allgemeines |
| format | Book |
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| institution | BVB |
| isbn | 9781438461366 9781438461373 |
| language | English |
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| physical | ix, 293 Seiten 24 cm |
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| spelling | Cinematic cuts theorizing film endings edited by Sheila Kunkle Albany State University of New York Press [2016] ix, 293 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier SUNY series, insinuations Includes bibliographical references and index Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski Motion pictures / Philosophy Motion pictures / Editing Motion pictures / Psychological aspects Motion pictures / Editing fast Motion pictures / Philosophy fast Motion pictures / Psychological aspects fast Film Philosophie Psychologie Montage Film (DE-588)4281773-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ende (DE-588)4129043-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Ende (DE-588)4129043-4 s Montage Film (DE-588)4281773-0 s DE-604 Kunkle, Sheila (DE-588)1111115052 edt Erscheint auch als Online-Ausgabe 978-1-4384-6138-0 |
| spellingShingle | Cinematic cuts theorizing film endings Introduction: on the subject of endings / Sheila Kunkle -- Resolution, truncation, glitch / Hugh S. Manon -- The banality of trauma: Claire Denis's Bastards and the anti-ending / Hilary Neroni -- The greatest trick the devil ever played: desire, drive, and the twist ending / Ryan Engley -- Retroactive rupture: the place of the subject in Jane Campion's In the cut / Fabio Vighi -- Love, loss, endings, and beginnings: a psychoanalysis of Rust and bone / Juan Pablo Lucchelli -- Cinematic ends: the ties that unbind in Claire Denis's White material / Jennifer Friedlander -- When one becomes two: the ending of Catfish / Rex Butler -- The satisfaction of an ending / Todd McGowan -- The too realistic cut: gaze as overconformity in Blue velvet / Henry Krips -- The end of fantasy as we know it: Her and the vanishing mediator of the voice in film / Sheila Kunkle -- Melancholia, an alternative to the end of the world: a reading of Lars Von Trier's film / David Denny -- Cut or time, and American cinema of thought-affect: cuts of failure in John Huston's Fat city / A. Kiarina Kordela -- The end of (self) analysis: the end of Kurosawa's High and low / Brian Wall -- The final failure in The dark knight rises / Slavoj Žižek -- The ["end"] / Jan Agodzinski Motion pictures / Philosophy Motion pictures / Editing Motion pictures / Psychological aspects Motion pictures / Editing fast Motion pictures / Philosophy fast Motion pictures / Psychological aspects fast Film Philosophie Psychologie Montage Film (DE-588)4281773-0 gnd Film (DE-588)4017102-4 gnd Ende (DE-588)4129043-4 gnd |
| subject_GND | (DE-588)4281773-0 (DE-588)4017102-4 (DE-588)4129043-4 (DE-588)4143413-4 |
| title | Cinematic cuts theorizing film endings |
| title_auth | Cinematic cuts theorizing film endings |
| title_exact_search | Cinematic cuts theorizing film endings |
| title_full | Cinematic cuts theorizing film endings edited by Sheila Kunkle |
| title_fullStr | Cinematic cuts theorizing film endings edited by Sheila Kunkle |
| title_full_unstemmed | Cinematic cuts theorizing film endings edited by Sheila Kunkle |
| title_short | Cinematic cuts |
| title_sort | cinematic cuts theorizing film endings |
| title_sub | theorizing film endings |
| topic | Motion pictures / Philosophy Motion pictures / Editing Motion pictures / Psychological aspects Motion pictures / Editing fast Motion pictures / Philosophy fast Motion pictures / Psychological aspects fast Film Philosophie Psychologie Montage Film (DE-588)4281773-0 gnd Film (DE-588)4017102-4 gnd Ende (DE-588)4129043-4 gnd |
| topic_facet | Motion pictures / Philosophy Motion pictures / Editing Motion pictures / Psychological aspects Film Philosophie Psychologie Montage Film Ende Aufsatzsammlung |
| work_keys_str_mv | AT kunklesheila cinematiccutstheorizingfilmendings |