Performance in the twenty-first century: theatres of engagement
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis Seite 214-230 |
| Beschreibung: | xii, 235 Seiten Illustrationen |
| ISBN: | 9780415592338 9780415592352 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
List of figures ix
Acknowledgements xi
PART I
Scenes of engagement I
Introduction 3
1 Theatres of engagement: performance after postmodernism 7
PART II
On mediating performance 33
2 The visible voice (or, the word made flesh): political
presence and performative utterance in the public sphere 35
3 In the mix: intermedial theatre and hybridity 59
4 Feeling the event: from mise en scène to mise en sensibilité 77
PART III
On (not) being an actor 103
5 Sincerely yours: from the actor to the persona 105
6 Me singing and dancing: YouTube’s performing
bodies 120
viii Contents
PART IV
On (not) being a spectator 133
7 Viewing and acting (and points in between): the trouble
with spectating after Rancière 135
8 Audiences and affects: theatres of engagement in the
experience economy 158
PART V
Theatre beyond theatre 193
9 Performance engagements across culture 195
Bibliography 214
Index 231
Performance in the Twenty-First Century: Theatres of Engagement
addresses the reshaping of theatre and performance after
postmodernism. Andy Lavender argues provocatively that after the
‘classic’ postmodern tropes of detachment, irony, and contingency,
performance in the twenty-first century engages more overtly with
meaning, politics and society. It involves a newly pronounced form
of personal experience, often implicating the body and/or one’s
sense of self.
This volume examines,a range of performance events,
including work by both emergent and internationally significant
companies and artists such as Rimini Protokoll, Blast Theory,
dreamthinkspeak, Zecora JLIra, Punchdrunk, Ontroerend Goed, Kris
Verdonck, Dries Verhoeven, Rabih Mroue, Derren Brown and David
Blaine. It also considers a wider range of cultural phenomena such
as online social networking, sports events, installations, games-
based work and theme parks, where principles of performance are
in play.
Performance in the Twenty-First Century is a compelling and
provocative resource for anybody interested in discovering how
performance theory can be applied to cutting-edge culture, and
indeed the world around them.
|
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| spellingShingle | Lavender, Andy Performance in the twenty-first century theatres of engagement Geschichte Performing arts History 21st century Erfahrung (DE-588)4015217-0 gnd Theater (DE-588)4059702-7 gnd Selbst (DE-588)4121653-2 gnd Soziales Engagement (DE-588)4137303-0 gnd Körper (DE-588)4031575-7 gnd |
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| title | Performance in the twenty-first century theatres of engagement |
| title_auth | Performance in the twenty-first century theatres of engagement |
| title_exact_search | Performance in the twenty-first century theatres of engagement |
| title_full | Performance in the twenty-first century theatres of engagement Andy Lavender |
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