Verfügbarkeit: Rereading appropriation

Rereading appropriation: Edition V - Appropriation and dedication

This publication compiles texts read in the sister reading groups of If I Can't Dance, I Don't Want To Be Part Of Your Revolution, which convened in four cities as part of 'Edition V Appropriation and Dedication'. The theme reconsiders the artistic strategy of appropriation throu...

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Bibliographische Detailangaben
Weitere Verfasser:	Baudoin, Tanja (HerausgeberIn), Bergholtz, Frédérique (HerausgeberIn), Ziherl, Vivian (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Amsterdam If I Can't Dance, I Dont' Want To Be Part of Your Revolution [2015]
Schlagworte:	Ästhetik Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis Inhaltsverzeichnis
Zusammenfassung:	This publication compiles texts read in the sister reading groups of If I Can't Dance, I Don't Want To Be Part Of Your Revolution, which convened in four cities as part of 'Edition V Appropriation and Dedication'. The theme reconsiders the artistic strategy of appropriation through later elaborated theories of affect, to explore how 'reciprocal investment' reconfigures appropriation as an act based in connecting, acknowledging, and being porous to material. Inquiring into the relations between property and propriety, ownership and authorship, subjecthood and agency, it includes texts from art history, feminist theory, political economy, anthropology, artists, and more
Beschreibung:	632 Seiten Illustrationen
ISBN:	9789492139047 9492139049

Internformat

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Datensatz im Suchindex

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adam_text	PREFACE TANJA BAUDOIN, FREDERIQUE BERGHOLTZ, AND VIVIAN ZIHERL NEW YORK READING GROUP THE NEW YORK RESPONSE: FREEDOM AND APPROPRIATION KELLY KIVLAND EPIGRAPH IAN WHITE 17-63 READING GROUP ESSAYS AMSTERDAM READING GROUP 19 COMPLICITIES: 1979 AND BEYOND VIVIAN ZIHERL 25 65-88 ARTIST PAGES BY CHRISTIANNYAMPETA 91-218 FEMINIST RETURNS: RECONSIDERING THE OBJECT OF APPROPRIATION ART 93 STORE AS CUNT BRUCE HAINLEY STORYTELLING AND THE POLITI- CAL PRACTICE OF RELATIONS ALEX MARTINIS ROE READERLY FIGURES: ECONOMIES AND OBJECTS OF PERFORMANCE RACHEL O REILLY SAO PAULO READING GROUP 143 DEDICATION REPLACING APPROPRIATION: FASCINATION, SUBVERSION, AND DISPOSSESSION IN APPROPRIATION ART ISABELLE GROW 173 KISSING DOESN T KILL: TWICE HELEN MOLESWORTH PRONE TO EARTHQUAKES CLAUDIA MEDEIROS 193 THE DISCOURSE OF OTHERS: FEMINISTS AND POSTMODERNISM CRAIG OWENS TORONTO READING GROUP A NOT EXACTLY ROUND TABLE CORINN GERBER, JACOB KORCZYNSKI, ANDREW JAMES PATERSON, AND OANA TANASE 221-262 ON THE OBJECTIFICATION OF SUBJECTS: COMMODITY AND EXCHANGE 223 BELL S THEOREM: ABORIGINAL ART-IT S A WHITE THING! RICHARD BELL 237 THE PROBLEM DENNED: THE NEED FOR AN ANTHROPOLOGY OF ART ALFRED GELL 253 ECONOMIC AND PHILOSOPHIC MANUSCRIPTS OF 1844 (EXTRACT) KARL MARX 265-350 ON THE SUBJECTIFICATION OF OBJECTS: FETISH AND VALUE 267 EXCHANGING PERSPECTIVES: THE TRANSFORMATION OF OBJECTS INTO SUBJECTS IN AMERINDIAN ONTOLOGIES EDUARDO VIVEIROS DE CASTRO 291 RESISTANCE OF THE OBJECT: AUNT HESTER S SCREAM FRED MOTEN 353-418 DEDICATION #1: ADRIAN PIPER 355 STAY AWAY, DON T STAY AWAY: AN ESSAY ON ADRIAN PIPER EMMA HEDDITCH 367 RESISTANCE OF THE OBJECT: ADRIAN PIPER S THEATRICALITY FRED MOTEN 397 NOTES ON FUNK I, II, III & IV ADRIAN PIPER 421-470 DEDICATION #2: THE MILAN WOMEN S BOOKSTORE COLLECTIVE 423 ON THE OUTSKIRTS OF MILAN ADRIANA CAVARERO 437 LIBRERIA DELLE DONNE DI MILANO: A PLAY FOR TEN READERS CORINN GERBER 445 THE PRACTICE OF SEXUAL DIFFER- ENCE AND FEMINIST THOUGHT IN ITALY: AN INTRODUCTORY ESSAY TERESA DE LAURETIS 325 MARX S COAT PETER STALLYBRASS 469 TEXT SCORES PAULINE OLIVEROS 473-532 ARTISTS PLAY THEMSELVES: COGNITIVE CAPITAL AND THE LOST OBJECT OF CONTEMPORARY ART 475 MOURNING AND ITS RELATION TO MANIC-DEPRESSIVE STATES MELANIE KLEIN 505 STATEMENT SHERRIE LEVINE 509 THE GEOPOLITICS OF PIMPING SUELY ROLNIK 615 PROGRAMME EDITION V * APPROPRIATION AND DEDICATION (2013-2014) 625 BIOGRAPHICAL NOTES 627 BIBLIOGRAPHY AND COPYRIGHT 629 COLOPHON ART AS OCCUPATION: CLAIMS FOR AN AUTONOMY OF LIFE HITO STEYERL 535-612 SEEING IN SPECIFIC: FORM, ABSTRACTION, SYMPTOM, AND SITE 537 HOW TO SEE A WORK OF ART IN TOTAL DARKNESS DARBY ENGLISH PRE POST: SPEAKING BACKWARDS HENRIK OLESEN 585 HOW DID MARX INVENT THE SYMPTOM? SLAVOJ ZIZEK
any_adam_object	1
author2	Baudoin, Tanja Bergholtz, Frédérique Ziherl, Vivian
author2_role	edt edt edt
author2_variant	t b tb f b fb v z vz
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building	Verbundindex
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dewey-hundreds	100 - Philosophy & psychology
dewey-ones	111 - Ontology
dewey-raw	111.85
dewey-search	111.85
dewey-sort	3111.85
dewey-tens	110 - Metaphysics
discipline	Kunstgeschichte Philosophie
format	Book
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subject_GND	(DE-588)4000626-8 (DE-588)4143413-4
title	Rereading appropriation Edition V - Appropriation and dedication
title_alt	Edition V - Appropriation and dedication
title_auth	Rereading appropriation Edition V - Appropriation and dedication
title_exact_search	Rereading appropriation Edition V - Appropriation and dedication
title_full	Rereading appropriation Edition V - Appropriation and dedication editors: Tanja Baudoin, Frédérique Bergholtz, Vivian Ziherl
title_fullStr	Rereading appropriation Edition V - Appropriation and dedication editors: Tanja Baudoin, Frédérique Bergholtz, Vivian Ziherl
title_full_unstemmed	Rereading appropriation Edition V - Appropriation and dedication editors: Tanja Baudoin, Frédérique Bergholtz, Vivian Ziherl
title_short	Rereading appropriation
title_sort	rereading appropriation edition v appropriation and dedication
title_sub	Edition V - Appropriation and dedication
topic	Ästhetik (DE-588)4000626-8 gnd
topic_facet	Ästhetik Aufsatzsammlung
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