The pop music idol and the spirit of charisma: reality television talent shows in the digital economy of hope
Trajce Cvetkovski makes a case for the synergetic union between reality TV and the music industry. The author delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. He challenges the current scholarship which does not adequ...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke, Hampshire ; New York, NY
Palgrave Macmillan
[2015]
|
| Schriftenreihe: | Pop music, culture and identity
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Trajce Cvetkovski makes a case for the synergetic union between reality TV and the music industry. The author delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. He challenges the current scholarship which does not adequately distinguish the economic significance of these developments. "The Pop Music Idol and the Spirit of Charisma" is concerned with the political economy of the music industry. The sale of recorded music resides in a contestable digital landscape as the centralised industry organisational model is no longer viable. This century of streaming, downloading and social networking is vastly different to the previous century where the only formats on offer were provided by the music majors along with a strict set of terms. In this decentralised environment, the majors have desperately set out to seek commercial synergies as emerging technologies bring new threats. One of the positive outcomes for the majors in this shake-up has been the union with music reality TV. Music contests such as Idol, X Factor, and The Voice have become the rainmaking dream machines in a pop cultural marketplace. The majors have, for the time being, a successful business model for re-organisation. This book is a call for further examination of this specialised form of reality TV. |
| Beschreibung: | Includes bibliographical references (pages 205-216) and index |
| Beschreibung: | xiii, 225 Seiten Illustrationen |
| ISBN: | 9781137494450 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043656260 | ||
| 003 | DE-604 | ||
| 005 | 20180111 | ||
| 007 | t | ||
| 008 | 160705s2015 xxka||| |||| 00||| eng d | ||
| 010 | |a 015015576 | ||
| 020 | |a 9781137494450 |c hbk. |9 978-1-137-49445-0 | ||
| 035 | |a (OCoLC)927493084 | ||
| 035 | |a (DE-599)BVBBV043656260 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-703 | ||
| 050 | 0 | |a PN1992.8.R43 | |
| 082 | 0 | |a 791.45/6 |2 23 | |
| 084 | |a LS 48015 |0 (DE-625)110539: |2 rvk | ||
| 100 | 1 | |a Cvetkovski, Trajce |d 1968- |e Verfasser |0 (DE-588)13399029X |4 aut | |
| 245 | 1 | 0 | |a The pop music idol and the spirit of charisma |b reality television talent shows in the digital economy of hope |c Trajce Cvetkovski (University of Queensland, Australia) |
| 264 | 1 | |a Basingstoke, Hampshire ; New York, NY |b Palgrave Macmillan |c [2015] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a xiii, 225 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Pop music, culture and identity | |
| 500 | |a Includes bibliographical references (pages 205-216) and index | ||
| 520 | |a Trajce Cvetkovski makes a case for the synergetic union between reality TV and the music industry. The author delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. He challenges the current scholarship which does not adequately distinguish the economic significance of these developments. "The Pop Music Idol and the Spirit of Charisma" is concerned with the political economy of the music industry. The sale of recorded music resides in a contestable digital landscape as the centralised industry organisational model is no longer viable. This century of streaming, downloading and social networking is vastly different to the previous century where the only formats on offer were provided by the music majors along with a strict set of terms. In this decentralised environment, the majors have desperately set out to seek commercial synergies as emerging technologies bring new threats. One of the positive outcomes for the majors in this shake-up has been the union with music reality TV. Music contests such as Idol, X Factor, and The Voice have become the rainmaking dream machines in a pop cultural marketplace. The majors have, for the time being, a successful business model for re-organisation. This book is a call for further examination of this specialised form of reality TV. | ||
| 650 | 4 | |a Reality television programs | |
| 650 | 4 | |a Talent shows | |
| 650 | 4 | |a Popular music | |
| 650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Castingshow |0 (DE-588)7640242-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Reality-TV |0 (DE-588)4337420-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Reality-TV |0 (DE-588)4337420-7 |D s |
| 689 | 0 | 1 | |a Castingshow |0 (DE-588)7640242-3 |D s |
| 689 | 0 | 2 | |a Popmusik |0 (DE-588)4046781-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | |u http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=6498393&custom_att_2=simple_viewer |3 Inhaltsverzeichnis | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029069743 | ||
Datensatz im Suchindex
| _version_ | 1804176407385866240 |
|---|---|
| any_adam_object | |
| author | Cvetkovski, Trajce 1968- |
| author_GND | (DE-588)13399029X |
| author_facet | Cvetkovski, Trajce 1968- |
| author_role | aut |
| author_sort | Cvetkovski, Trajce 1968- |
| author_variant | t c tc |
| building | Verbundindex |
| bvnumber | BV043656260 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1992 |
| callnumber-raw | PN1992.8.R43 |
| callnumber-search | PN1992.8.R43 |
| callnumber-sort | PN 41992.8 R43 |
| callnumber-subject | PN - General Literature |
| classification_rvk | LS 48015 |
| ctrlnum | (OCoLC)927493084 (DE-599)BVBBV043656260 |
| dewey-full | 791.45/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.45/6 |
| dewey-search | 791.45/6 |
| dewey-sort | 3791.45 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03182nam a2200493 c 4500</leader><controlfield tag="001">BV043656260</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180111 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160705s2015 xxka||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015015576</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781137494450</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-137-49445-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)927493084</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043656260</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1992.8.R43</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.45/6</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48015</subfield><subfield code="0">(DE-625)110539:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cvetkovski, Trajce</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)13399029X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The pop music idol and the spirit of charisma</subfield><subfield code="b">reality television talent shows in the digital economy of hope</subfield><subfield code="c">Trajce Cvetkovski (University of Queensland, Australia)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Basingstoke, Hampshire ; New York, NY</subfield><subfield code="b">Palgrave Macmillan</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 225 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Pop music, culture and identity</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 205-216) and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Trajce Cvetkovski makes a case for the synergetic union between reality TV and the music industry. The author delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. He challenges the current scholarship which does not adequately distinguish the economic significance of these developments. "The Pop Music Idol and the Spirit of Charisma" is concerned with the political economy of the music industry. The sale of recorded music resides in a contestable digital landscape as the centralised industry organisational model is no longer viable. This century of streaming, downloading and social networking is vastly different to the previous century where the only formats on offer were provided by the music majors along with a strict set of terms. In this decentralised environment, the majors have desperately set out to seek commercial synergies as emerging technologies bring new threats. One of the positive outcomes for the majors in this shake-up has been the union with music reality TV. Music contests such as Idol, X Factor, and The Voice have become the rainmaking dream machines in a pop cultural marketplace. The majors have, for the time being, a successful business model for re-organisation. This book is a call for further examination of this specialised form of reality TV.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Reality television programs</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Talent shows</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Castingshow</subfield><subfield code="0">(DE-588)7640242-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Reality-TV</subfield><subfield code="0">(DE-588)4337420-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Reality-TV</subfield><subfield code="0">(DE-588)4337420-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Castingshow</subfield><subfield code="0">(DE-588)7640242-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=6498393&custom_att_2=simple_viewer</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029069743</subfield></datafield></record></collection> |
| id | DE-604.BV043656260 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:31:41Z |
| institution | BVB |
| isbn | 9781137494450 |
| language | English |
| lccn | 015015576 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029069743 |
| oclc_num | 927493084 |
| open_access_boolean | |
| owner | DE-703 |
| owner_facet | DE-703 |
| physical | xiii, 225 Seiten Illustrationen |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| series2 | Pop music, culture and identity |
| spelling | Cvetkovski, Trajce 1968- Verfasser (DE-588)13399029X aut The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope Trajce Cvetkovski (University of Queensland, Australia) Basingstoke, Hampshire ; New York, NY Palgrave Macmillan [2015] © 2015 xiii, 225 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Pop music, culture and identity Includes bibliographical references (pages 205-216) and index Trajce Cvetkovski makes a case for the synergetic union between reality TV and the music industry. The author delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. He challenges the current scholarship which does not adequately distinguish the economic significance of these developments. "The Pop Music Idol and the Spirit of Charisma" is concerned with the political economy of the music industry. The sale of recorded music resides in a contestable digital landscape as the centralised industry organisational model is no longer viable. This century of streaming, downloading and social networking is vastly different to the previous century where the only formats on offer were provided by the music majors along with a strict set of terms. In this decentralised environment, the majors have desperately set out to seek commercial synergies as emerging technologies bring new threats. One of the positive outcomes for the majors in this shake-up has been the union with music reality TV. Music contests such as Idol, X Factor, and The Voice have become the rainmaking dream machines in a pop cultural marketplace. The majors have, for the time being, a successful business model for re-organisation. This book is a call for further examination of this specialised form of reality TV. Reality television programs Talent shows Popular music Popmusik (DE-588)4046781-8 gnd rswk-swf Castingshow (DE-588)7640242-3 gnd rswk-swf Reality-TV (DE-588)4337420-7 gnd rswk-swf Reality-TV (DE-588)4337420-7 s Castingshow (DE-588)7640242-3 s Popmusik (DE-588)4046781-8 s DE-604 http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=6498393&custom_att_2=simple_viewer Inhaltsverzeichnis |
| spellingShingle | Cvetkovski, Trajce 1968- The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope Reality television programs Talent shows Popular music Popmusik (DE-588)4046781-8 gnd Castingshow (DE-588)7640242-3 gnd Reality-TV (DE-588)4337420-7 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)7640242-3 (DE-588)4337420-7 |
| title | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope |
| title_auth | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope |
| title_exact_search | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope |
| title_full | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope Trajce Cvetkovski (University of Queensland, Australia) |
| title_fullStr | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope Trajce Cvetkovski (University of Queensland, Australia) |
| title_full_unstemmed | The pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope Trajce Cvetkovski (University of Queensland, Australia) |
| title_short | The pop music idol and the spirit of charisma |
| title_sort | the pop music idol and the spirit of charisma reality television talent shows in the digital economy of hope |
| title_sub | reality television talent shows in the digital economy of hope |
| topic | Reality television programs Talent shows Popular music Popmusik (DE-588)4046781-8 gnd Castingshow (DE-588)7640242-3 gnd Reality-TV (DE-588)4337420-7 gnd |
| topic_facet | Reality television programs Talent shows Popular music Popmusik Castingshow Reality-TV |
| url | http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=6498393&custom_att_2=simple_viewer |
| work_keys_str_mv | AT cvetkovskitrajce thepopmusicidolandthespiritofcharismarealitytelevisiontalentshowsinthedigitaleconomyofhope |