The New Oxford Shakespeare: the complete works Authorship companion Authorship companion
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2017
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxxii, 741 Seiten Illustrationen, Diagramme |
| ISBN: | 9780199591169 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of Illustrations ix
List of Tables xiii
List of Abbreviations xvii
The Counting of Acts and Scenes in the New Oxford Shakespeare xix
List of Contributors xxix
PART ONE METHODS
1. Artiginality: Authorship after Postmodernism
GARY TAYLOR 3
2. A History of Shakespearean Authorship Attribution
GABRIEL EGAN 27
3. One-Horse Races: Some Recent Studies
MACDONALD P. JACKSON 48
4. The Limitations of Vickers s Trigram Tests
GABRIEL EGAN 60
5. Who Wrote the Fly Scene (3.2) in Titus Andronicush Automated Searches
and Deep Reading
GARY TAYLOR AND DOUG DUHAIME 67
6. Refining the LION Collocation Test: A Comparative Study of
Authorship Test Results for Titus Andronicus Scene 6 (= 4.1)
ANNA PRUITT 92
7. Potential Shakespeare: The Poetic Apocrypha and Methods
of Modern Attribution
FRANCIS X. CONNOR 107
8. Shakespeare, Arden ofFaversham, and A Lovers Complaint: A Review
of Reviews
MACDONALD P. JACKSON 123
PART TWO CASE STUDIES
9* Arden ofFaversham, Shakespearean Authorship, and ‘The Print of Many
JACK ELLIOTT AND BRETT GREATLEY-HIRSCH 139
10. A Supplementary Lexical Test for Arden ofFaversham
MACDONALD P. JACKSON l82
11. The Joker in the Pack?: Marlowe, Kyd and the Co-authorship of Henry VI, Part3
JOHN BURROWS AND HUGH CRAIG
194
viii CONTENTS
12* Rawlinson Poetry 160: The Manuscript Source of Two
Attributions to Shakespeare
GARY TAYLOR 218
13* Mine of Debt: William White and the Printing of the 1602 Spanish
Tragedy... with new additions
DAVID L. GANTS 231
14. Shakespeare and Three Sets of Additions
HUGH CRAIG 241
15. Did Shakespeare Write The Spanish Tragedy Additions?
GARY TAYLOR 246
16. Shakespeare and the Painter s Part 261
JOHN V. NANCE
17. Thomas Middleton in Alls Well that Ends Well? Part One
RORY LOUGHNANE 278
18. All s Well that Ends Well 4.3: Dramaturgy 303
TERRI BOURUS AND FARAH KARIM-COOPER
19. Thomas Middleton in Alls Well that Ends Well? Part Two . 307
RORY LOUGHNANE
20. Middleton and the King’s Speech in All s Well that Ends Well 321
JOHN V. NANCE
21. All s Well that Ends Well: Text, Date, and Adaptation 337
GARY TAYLOR
22. Shakespeare and Middleton: A Chronology for 1605-6 366
ROGER HOLDSWORTH
23. The Versification of Double Falsehood Compared to
Restoration and Early Classical Adaptations
MARINA TARLINSKAJA 385
24. Using Compressibility as a Proxy for Shannon Entropy in
the Analysis of Double Falsehood
GIULIANO PASCUCCI 407
25. The Canon and Chronology of Shakespeare’s Works 417
GARY TAYLOR AND RORY LOUGHNANE
Datasets 603
Works Cited 675
Index 711
This companion volume to The New Oxford
Shakespeare: JThe Complete Works concentrates on
the issues of canon and chronoloev—current lv the
most active and controversial debates in the field of
Shakespeare studies. It presents in full the evidence
behind the choices made in Ihe Complete Works
about which works Shakespeare wrote, in whole or
part. A major new contribution to attribution
studies, the Authorship Companion illuminates the
work and methodology underpinning the ground֊
breaking New Oxford Shakespeare, and casts new
light on the professional working practices,
and creative endeavours, of Shakespeare and his
contemporaries. Essays in the Authorship Companion
show why we must now add new plays to the
accepted Shakespeare canon and reattribute certain
parts of familiar Shakespeare plays to other writers.
The technical arguments for these decisions about
Shakespeare s creativity are carefully laid out in
language that anyone interested in the topic
can understand. The latest methods for authorship
attribution are explained in simple but accurate
terms and all the linguistic data on which the
conclusions are based is provided.
The New Oxford Shakespeare consists of tour
interconnected publications: the Modern Critical
Edition (with modern spelling), the Critical
Reference Edition (with original spelling), a
c mpanion volume on authorship, and an online
version integrating all of this material on OUPs
high-powered scholarly editions platform. Together,
they provide the perfect resource for the future of
Shakespeare studies.
The New Oxford Shakespeare presents an entirely new consideration of all of Shakespeare s
works, edited from first principles from the base-texts themselves, and drawing on the
latest textual and theatrical scholarship. It consists of four interconnected publications: the
Modern Critical Edition, a Critical Reference Edition and Authorship Companion for scholarly
research, and an Online Edition combining all three print publications. Intellectually ambitious in
both scope and detail, it will define Shakespeare for our age—the way we think about him,
perform him, study him, and interpret him.
The New Oxford Shakespeare: Authorship Companion
Driving the formation of the New Oxford Shakespeare is a huge body of research into the issues
of attribution, collaboration, and dating. The Authorship Companion sets out this research,
summarizing, evaluating, and discussing the arguments and evidence.
Cutting-edge research in attribution studies
A new perspective on the dating of Shakespeare s plays, and on his dramatic collaborations
Combines the work of senior scholars with exciting new voices
Explores the latest developments in the understanding of Shakespeare’s style and
methods for detecting and describing it
Covers the entire breadth of Shakespeare s writing, across the plays and the poems
A record of all early documents relevant to authorship and chronology
Individual case studies combined with broader analysis of theories and methods
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| title | The New Oxford Shakespeare the complete works |
| title_alt | Werke The new Oxford Shakespeare authorship Companion |
| title_auth | The New Oxford Shakespeare the complete works |
| title_exact_search | The New Oxford Shakespeare the complete works |
| title_full | The New Oxford Shakespeare the complete works Authorship companion Authorship companion general editors Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan ; associate editors Francis X. Connor, Rory Loughnane, Anna Pruitt ; assistant editors Sarah Neville, Will Sharpe |
| title_fullStr | The New Oxford Shakespeare the complete works Authorship companion Authorship companion general editors Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan ; associate editors Francis X. Connor, Rory Loughnane, Anna Pruitt ; assistant editors Sarah Neville, Will Sharpe |
| title_full_unstemmed | The New Oxford Shakespeare the complete works Authorship companion Authorship companion general editors Gary Taylor, John Jowett, Terri Bourus, Gabriel Egan ; associate editors Francis X. Connor, Rory Loughnane, Anna Pruitt ; assistant editors Sarah Neville, Will Sharpe |
| title_short | The New Oxford Shakespeare |
| title_sort | the new oxford shakespeare the complete works authorship companion authorship companion |
| title_sub | the complete works |
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