India's new independent cinema: rise of the hybrid
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge
2016
|
Ausgabe: | First issued in paperback 2018 |
Schriftenreihe: | Routledge advances in film studies
48 |
Schlagworte: | |
Beschreibung: | xvi, 292 Seiten Illustrationen |
ISBN: | 9781138319721 9781138184626 |
Internformat
MARC
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001 | BV043633901 | ||
003 | DE-604 | ||
005 | 20180919 | ||
007 | t | ||
008 | 160621s2016 a||| |||| 00||| eng d | ||
020 | |a 9781138319721 |c (paperback) |9 978-1-138-31972-1 | ||
020 | |a 9781138184626 |c (hbk) |9 978-1-138-18462-6 | ||
035 | |a (OCoLC)953825551 | ||
035 | |a (DE-599)BVBBV043633901 | ||
040 | |a DE-604 |b ger |e rda | ||
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084 | |a AP 59465 |0 (DE-625)7791:725 |2 rvk | ||
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100 | 1 | |a Devasundaram, Ashvin Immanuel |e Verfasser |4 aut | |
245 | 1 | 0 | |a India's new independent cinema |b rise of the hybrid |c Ashvin Immanuel Devasundaram |
250 | |a First issued in paperback 2018 | ||
264 | 1 | |a New York ; London |b Routledge |c 2016 | |
300 | |a xvi, 292 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Routledge advances in film studies |v 48 | |
505 | 8 | |a Bollywood and the cinemas of India: the story so far -- The meta-hegemony: leviathan Bollywood and lilliputian indies -- The anatomy of the indies -- Avenues of indie funding, distribution and exhibition -- Interstitial indies interrogating India's double narrative -- Running along with scissors: censorship & regulation -- Part 2. Case studies -- Rapping in double time: Gandu's subversive time of liberation -- Dhobi Ghat: the marginal in the Mumbai mainstream -- Peepli live: neoliberal capital, media "knowledge" and political power -- All the world's a ship: broken binaries and hyperlinked heterotopias in ship of Theseus -- A cinematic quartet conjuring ghosts of nation: Harud, Haider, The lunchbox and I am -- Conclusion: charting the ship's course ; Includes bibliographical references and index | |
650 | 4 | |a Motion picture industry / India | |
650 | 4 | |a Independent films / India | |
650 | 4 | |a Motion pictures / India | |
650 | 7 | |a Independent films |2 fast | |
650 | 7 | |a Motion picture industry |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 4 | |a Film | |
651 | 7 | |a India |2 fast | |
651 | 4 | |a Indien | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-315-64501-8 |
830 | 0 | |a Routledge advances in film studies |v 48 |w (DE-604)BV035062285 |9 48 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-029047870 |
Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Devasundaram, Ashvin Immanuel |
author_facet | Devasundaram, Ashvin Immanuel |
author_role | aut |
author_sort | Devasundaram, Ashvin Immanuel |
author_variant | a i d ai aid |
building | Verbundindex |
bvnumber | BV043633901 |
classification_rvk | AP 59465 AP 59765 |
contents | Bollywood and the cinemas of India: the story so far -- The meta-hegemony: leviathan Bollywood and lilliputian indies -- The anatomy of the indies -- Avenues of indie funding, distribution and exhibition -- Interstitial indies interrogating India's double narrative -- Running along with scissors: censorship & regulation -- Part 2. Case studies -- Rapping in double time: Gandu's subversive time of liberation -- Dhobi Ghat: the marginal in the Mumbai mainstream -- Peepli live: neoliberal capital, media "knowledge" and political power -- All the world's a ship: broken binaries and hyperlinked heterotopias in ship of Theseus -- A cinematic quartet conjuring ghosts of nation: Harud, Haider, The lunchbox and I am -- Conclusion: charting the ship's course ; Includes bibliographical references and index |
ctrlnum | (OCoLC)953825551 (DE-599)BVBBV043633901 |
discipline | Allgemeines |
edition | First issued in paperback 2018 |
format | Book |
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geographic | India fast Indien |
geographic_facet | India Indien |
id | DE-604.BV043633901 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:31:05Z |
institution | BVB |
isbn | 9781138319721 9781138184626 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029047870 |
oclc_num | 953825551 |
open_access_boolean | |
owner | DE-11 DE-739 DE-19 DE-BY-UBM |
owner_facet | DE-11 DE-739 DE-19 DE-BY-UBM |
physical | xvi, 292 Seiten Illustrationen |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Routledge |
record_format | marc |
series | Routledge advances in film studies |
series2 | Routledge advances in film studies |
spelling | Devasundaram, Ashvin Immanuel Verfasser aut India's new independent cinema rise of the hybrid Ashvin Immanuel Devasundaram First issued in paperback 2018 New York ; London Routledge 2016 xvi, 292 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge advances in film studies 48 Bollywood and the cinemas of India: the story so far -- The meta-hegemony: leviathan Bollywood and lilliputian indies -- The anatomy of the indies -- Avenues of indie funding, distribution and exhibition -- Interstitial indies interrogating India's double narrative -- Running along with scissors: censorship & regulation -- Part 2. Case studies -- Rapping in double time: Gandu's subversive time of liberation -- Dhobi Ghat: the marginal in the Mumbai mainstream -- Peepli live: neoliberal capital, media "knowledge" and political power -- All the world's a ship: broken binaries and hyperlinked heterotopias in ship of Theseus -- A cinematic quartet conjuring ghosts of nation: Harud, Haider, The lunchbox and I am -- Conclusion: charting the ship's course ; Includes bibliographical references and index Motion picture industry / India Independent films / India Motion pictures / India Independent films fast Motion picture industry fast Motion pictures fast Film India fast Indien Erscheint auch als Online-Ausgabe, ebk 978-1-315-64501-8 Routledge advances in film studies 48 (DE-604)BV035062285 48 |
spellingShingle | Devasundaram, Ashvin Immanuel India's new independent cinema rise of the hybrid Routledge advances in film studies Bollywood and the cinemas of India: the story so far -- The meta-hegemony: leviathan Bollywood and lilliputian indies -- The anatomy of the indies -- Avenues of indie funding, distribution and exhibition -- Interstitial indies interrogating India's double narrative -- Running along with scissors: censorship & regulation -- Part 2. Case studies -- Rapping in double time: Gandu's subversive time of liberation -- Dhobi Ghat: the marginal in the Mumbai mainstream -- Peepli live: neoliberal capital, media "knowledge" and political power -- All the world's a ship: broken binaries and hyperlinked heterotopias in ship of Theseus -- A cinematic quartet conjuring ghosts of nation: Harud, Haider, The lunchbox and I am -- Conclusion: charting the ship's course ; Includes bibliographical references and index Motion picture industry / India Independent films / India Motion pictures / India Independent films fast Motion picture industry fast Motion pictures fast Film |
title | India's new independent cinema rise of the hybrid |
title_auth | India's new independent cinema rise of the hybrid |
title_exact_search | India's new independent cinema rise of the hybrid |
title_full | India's new independent cinema rise of the hybrid Ashvin Immanuel Devasundaram |
title_fullStr | India's new independent cinema rise of the hybrid Ashvin Immanuel Devasundaram |
title_full_unstemmed | India's new independent cinema rise of the hybrid Ashvin Immanuel Devasundaram |
title_short | India's new independent cinema |
title_sort | india s new independent cinema rise of the hybrid |
title_sub | rise of the hybrid |
topic | Motion picture industry / India Independent films / India Motion pictures / India Independent films fast Motion picture industry fast Motion pictures fast Film |
topic_facet | Motion picture industry / India Independent films / India Motion pictures / India Independent films Motion picture industry Motion pictures Film India Indien |
volume_link | (DE-604)BV035062285 |
work_keys_str_mv | AT devasundaramashvinimmanuel indiasnewindependentcinemariseofthehybrid |