Film blackness: American cinema and the idea of black film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xi, 231 Seiten Illustrationen |
| ISBN: | 9780822362050 9780822362265 |
Internformat
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| 245 | 1 | 0 | |a Film blackness |b American cinema and the idea of black film |c Michael Boyce Gillespie |
| 264 | 1 | |a Durham ; London |b Duke University Press |c [2016] | |
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| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out | |
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| 650 | 4 | |a Race in motion pictures | |
| 650 | 4 | |a Motion picture industry / United States | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
ix Acknowledgments
i introduction We Insist: The Idea of Black Film
17 one Reckless Eyeballing: Coonskin and the Racial Grotesque
51 two Smiling Faces: Chameleon Street and Black Performativity
83 three Voices Inside (Everything Is Everything):
Deep Cover and Modalities of Noir Blackness
119 four Black Maybe: Medicinefor Melancholy, Place, and
Quiet Becoming
157 coda Destination Out
161 Notes
203 Bibliography
223 Index
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film,
treating it not as a category, a genre, or strictly a representation of the black experience
but as a visual negotiation between film as art and the discursivity of race. Gillespie
challenges expectations that black film can or should represent the reality of black
life or provide answers to social problems. Instead, he frames black film alongside
literature, music, art, photography, and new media, treating it as an interdisciplinary
form that enacts black visual and expressive culture. Gillespie discusses the racial gro-
tesque in Ralph Bakshis Coonskin (1975), black performativity in Wendell B. Harris
Jr.s Chameleon Street (1989), blackness and noir in Bill Dukes Deep Cover (1992),
and how place and desire impact blackness in Barry Jenkinss Medicine ¡hr Melancholy
(2008). Considering how each film represents a distinct conception of the relation-
ship between race and cinema, Gillespie recasts the idea of black film and poses new
paradigms for genre, narrative, aesthetics, historiography, and intertextuality. |
| any_adam_object | 1 |
| author | Gillespie, Michael Boyce 1969- |
| author_GND | (DE-588)1117101355 |
| author_facet | Gillespie, Michael Boyce 1969- |
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| author_sort | Gillespie, Michael Boyce 1969- |
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| callnumber-sort | PN 41995.9 N4 G55 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44980 AP 44983 |
| contents | Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out |
| ctrlnum | (OCoLC)958163439 (DE-599)BVBBV043633798 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| spelling | Gillespie, Michael Boyce 1969- Verfasser (DE-588)1117101355 aut Film blackness American cinema and the idea of black film Michael Boyce Gillespie Durham ; London Duke University Press [2016] xi, 231 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out African Americans in motion pictures Race in motion pictures Motion picture industry / United States African Americans in motion pictures fast Motion picture industry fast Race in motion pictures fast Rassismus (DE-588)4076527-1 gnd rswk-swf Diskursivität (DE-588)4245399-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf United States fast USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Kunst (DE-588)4114333-4 s Rassismus (DE-588)4076527-1 s Diskursivität (DE-588)4245399-9 s Schwarze (DE-588)4116433-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-8223-7388-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029047770&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029047770&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Gillespie, Michael Boyce 1969- Film blackness American cinema and the idea of black film Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out African Americans in motion pictures Race in motion pictures Motion picture industry / United States African Americans in motion pictures fast Motion picture industry fast Race in motion pictures fast Rassismus (DE-588)4076527-1 gnd Diskursivität (DE-588)4245399-9 gnd Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Schwarze (DE-588)4116433-7 gnd |
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| title | Film blackness American cinema and the idea of black film |
| title_auth | Film blackness American cinema and the idea of black film |
| title_exact_search | Film blackness American cinema and the idea of black film |
| title_full | Film blackness American cinema and the idea of black film Michael Boyce Gillespie |
| title_fullStr | Film blackness American cinema and the idea of black film Michael Boyce Gillespie |
| title_full_unstemmed | Film blackness American cinema and the idea of black film Michael Boyce Gillespie |
| title_short | Film blackness |
| title_sort | film blackness american cinema and the idea of black film |
| title_sub | American cinema and the idea of black film |
| topic | African Americans in motion pictures Race in motion pictures Motion picture industry / United States African Americans in motion pictures fast Motion picture industry fast Race in motion pictures fast Rassismus (DE-588)4076527-1 gnd Diskursivität (DE-588)4245399-9 gnd Film (DE-588)4017102-4 gnd Kunst (DE-588)4114333-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | African Americans in motion pictures Race in motion pictures Motion picture industry / United States Motion picture industry Rassismus Diskursivität Film Kunst Schwarze United States USA |
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