Introduction to Kalophony, the Byzantine Ars Nova: The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos
The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Schriftenreihe: | Studies in Eastern Orthodoxy
v.1 |
| Schlagworte: | |
| Zusammenfassung: | The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallopismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title O nagrhammatismo ka ta mathemata ts buzantins melopoiias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (354 pages) |
| ISBN: | 9783035303575 9783034309127 |
Internformat
MARC
| LEADER | 00000nmm a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV043613741 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160616s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9783035303575 |9 978-3-0353-0357-5 | ||
| 020 | |a 9783034309127 |c Print |9 978-3-0343-0912-7 | ||
| 035 | |a (ZDB-30-PQE)EBC1841049 | ||
| 035 | |a (ZDB-89-EBL)EBL1841049 | ||
| 035 | |a (ZDB-38-EBR)ebr10985959 | ||
| 035 | |a (OCoLC)895255249 | ||
| 035 | |a (DE-599)BVBBV043613741 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 780.148 | |
| 100 | 1 | |a Stathis, Gregorios |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Introduction to Kalophony, the Byzantine Ars Nova |b The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| 264 | 1 | |a Oxford |b Peter Lang AG, Internationaler Verlag der Wissenschaften |c 2014 | |
| 264 | 4 | |c © 2014 | |
| 300 | |a 1 online resource (354 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studies in Eastern Orthodoxy |v v.1 | |
| 500 | |a Description based on publisher supplied metadata and other sources | ||
| 520 | |a The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallopismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title O nagrhammatismo ka ta mathemata ts buzantins melopoiias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression | ||
| 650 | 4 | |a Church music -- Orthodox Eastern Church | |
| 650 | 4 | |a Music, Byzantine | |
| 650 | 0 | 7 | |a Notenschrift |0 (DE-588)4135339-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Byzantinischer Gesang |0 (DE-588)4304873-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Byzantinischer Gesang |0 (DE-588)4304873-0 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Notenschrift |0 (DE-588)4135339-0 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Terzopoulos, Konstantinos |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Stathis, Gregorios |t Introduction to Kalophony, the Byzantine Ars Nova : The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| 912 | |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029027800 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804176357257641984 |
|---|---|
| any_adam_object | |
| author | Stathis, Gregorios |
| author_facet | Stathis, Gregorios |
| author_role | aut |
| author_sort | Stathis, Gregorios |
| author_variant | g s gs |
| building | Verbundindex |
| bvnumber | BV043613741 |
| collection | ZDB-30-PQE |
| ctrlnum | (ZDB-30-PQE)EBC1841049 (ZDB-89-EBL)EBL1841049 (ZDB-38-EBR)ebr10985959 (OCoLC)895255249 (DE-599)BVBBV043613741 |
| dewey-full | 780.148 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.148 |
| dewey-search | 780.148 |
| dewey-sort | 3780.148 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03452nmm a2200505zcb4500</leader><controlfield tag="001">BV043613741</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160616s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783035303575</subfield><subfield code="9">978-3-0353-0357-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783034309127</subfield><subfield code="c">Print</subfield><subfield code="9">978-3-0343-0912-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PQE)EBC1841049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL1841049</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-38-EBR)ebr10985959</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)895255249</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043613741</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.148</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Stathis, Gregorios</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Introduction to Kalophony, the Byzantine Ars Nova</subfield><subfield code="b">The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Peter Lang AG, Internationaler Verlag der Wissenschaften</subfield><subfield code="c">2014</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (354 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in Eastern Orthodoxy</subfield><subfield code="v">v.1</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallopismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title O nagrhammatismo ka ta mathemata ts buzantins melopoiias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Church music -- Orthodox Eastern Church</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music, Byzantine</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Byzantinischer Gesang</subfield><subfield code="0">(DE-588)4304873-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Byzantinischer Gesang</subfield><subfield code="0">(DE-588)4304873-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Notenschrift</subfield><subfield code="0">(DE-588)4135339-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Terzopoulos, Konstantinos</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Stathis, Gregorios</subfield><subfield code="t">Introduction to Kalophony, the Byzantine Ars Nova : The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029027800</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV043613741 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:30:54Z |
| institution | BVB |
| isbn | 9783035303575 9783034309127 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029027800 |
| oclc_num | 895255249 |
| open_access_boolean | |
| physical | 1 online resource (354 pages) |
| psigel | ZDB-30-PQE |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Peter Lang AG, Internationaler Verlag der Wissenschaften |
| record_format | marc |
| series2 | Studies in Eastern Orthodoxy |
| spelling | Stathis, Gregorios Verfasser aut Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos Oxford Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 © 2014 1 online resource (354 pages) txt rdacontent c rdamedia cr rdacarrier Studies in Eastern Orthodoxy v.1 Description based on publisher supplied metadata and other sources The anagrams, or more generally, the mathemata and morphologically related kalophonic forms of Byzantine melopoeia, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204-1261) during the long reign of Andronicus II (1282-1328) and reached its final form in the first half of the fourteenth century. During the years 1300-1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallopismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title O nagrhammatismo ka ta mathemata ts buzantins melopoiias (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression Church music -- Orthodox Eastern Church Music, Byzantine Notenschrift (DE-588)4135339-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 gnd rswk-swf Byzantinischer Gesang (DE-588)4304873-0 s 1\p DE-604 Notenschrift (DE-588)4135339-0 s 2\p DE-604 Terzopoulos, Konstantinos Sonstige oth Erscheint auch als Druck-Ausgabe Stathis, Gregorios Introduction to Kalophony, the Byzantine Ars Nova : The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stathis, Gregorios Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos Church music -- Orthodox Eastern Church Music, Byzantine Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| subject_GND | (DE-588)4135339-0 (DE-588)4304873-0 |
| title | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_auth | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_exact_search | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_full | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_fullStr | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_full_unstemmed | Introduction to Kalophony, the Byzantine Ars Nova The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| title_short | Introduction to Kalophony, the Byzantine Ars Nova |
| title_sort | introduction to kalophony the byzantine ars nova the anagrammatismoi and mathemata of byzantine chant translated and revised by konstantinos terzopoulos |
| title_sub | The Anagrammatismoi and Mathemata of Byzantine Chant Translated and revised by Konstantinos Terzopoulos |
| topic | Church music -- Orthodox Eastern Church Music, Byzantine Notenschrift (DE-588)4135339-0 gnd Byzantinischer Gesang (DE-588)4304873-0 gnd |
| topic_facet | Church music -- Orthodox Eastern Church Music, Byzantine Notenschrift Byzantinischer Gesang |
| work_keys_str_mv | AT stathisgregorios introductiontokalophonythebyzantinearsnovatheanagrammatismoiandmathemataofbyzantinechanttranslatedandrevisedbykonstantinosterzopoulos AT terzopouloskonstantinos introductiontokalophonythebyzantinearsnovatheanagrammatismoiandmathemataofbyzantinechanttranslatedandrevisedbykonstantinosterzopoulos |