Deleuze's Cinema books: three introductions to the taxonomy of images
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxxv, 360 Seiten Illustrationen |
| ISBN: | 9781474407687 9781474407670 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Contents
Figures and frames viii
Acknowledgements xiii
Abbreviations xv
Preface: a Deleuzian cineosis xvii
PART ONE UNFOLDING THE CINEOSIS
Section I ֊ First Introduction - Two Regimes of Images
1 Movement-images and time-images: Bergson, image and duration 5
2 Movement-images: Peirce, semiosis 16
3 Time-images: Deleuze, syntheses 41
4 Time-images and movement-images: Bergson, duration and image 70
Section II ֊ Second Introduction - A Series of Images and Signs
1 Perception-images 77
2 Affection-images 82
3 Impulse-images (the nascent action-image) 87
4 Action-images (small form, action — situation) 92
5 Action-images (large form, situation —*· action) 97
6 Attraction-images (first reflection-image; sixth mental-image) 105
7 Inversion-images (second reflection-image; fifth mental-image) 110
8 Discourse-images (third reflection-image; fourth mental-image) 115
9 Dream-images (third mental-image) 122
10 Recollection-images (second mental-image) 127
11 Relation-images (first mental-image) 132
12 Opsigns and sonsigns 138
13 Hyalosigns 145
14 Chronosigns 151
vi Deleuze's Cinema Books
15 Noosigns 157
16 Lectosigns 162
Afterword to Part One: the unfolded cineosis 172
PART TWO ENFOLDING THE CINEOSIS
Section III - Third Introduction ֊ Cinematographies (1995-2015)
1 Le scaphandre et le papilloti/The Diving Bell and the Butterfly.
Solid perception 179
2 Timecode.Liquid perception 182
3 Naqoyqatsi. Gaseous perception 186
4 Theeviravaathi/The Terrorist. Icon 189
5 Despicable Me, Despicable Me 2 and Minions. Dividual 193
6 Le quattro volte/Four Times. Any-space-whatever 196
7 The Human Centipede (First Sequence).Symptom 201
8 Harry Potter and the Deathly Hallows: Part 1 and
Harry Potter and the Deathly Hallows: Part 2. Fetish 205
9 Innocence.Originary World 209
10 Madeo/Mother.Index of lack 213
11 The Killer Inside Me. Index of equivocity 217
12 Ajami. Vector 221
13 marxism today (prologue) and untitled. Milieu 224
14 Made in Dagenham. Binomial 228
15 Fish Tank. Imprint 234
16 Tian bianyi duo yun/The Wandering Cloud. Plastic figure 238
17 Scott Pilgrim vs. the World. Theatrical figure 241
18 Source Code.Mise en abyme 244
19 Four Lions. Figure of the sublime 248
20 Slackistan. Figure of enfeeblement 251
21 Un homme qui crie/A Screaming Man. Quotidian 255
22 Monsters. Limit of the large form action-image 258
23 Brooklyn’s Finest. Limit of the small form action-image 261
24 Metro Manila. Limit of the action-image 264
25 Star Trek - First Contact. Rich dreams 268
26 The Machinist. Restrained dreams 270
27 Inception.Movement ofworld 272
28 El secreto de sus ojos/The Secret in Their Eyes. Strong destiny 275
29 White Material. Weak destiny 279
30 Triangle. Forking paths 282
31 Se7en.Mark 286
32 Doctor Who - The Day of the Doctor. Demark 289
Contents vii
33 Buried. Symbol 294
34 Five. Opsigns and sonsigns 299
35 Black Swati. Mirrors face to face 305
36 SelfMade. Limpid and opaque 309
37 Synecdoche, New York. Seed and environment 314
38 Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall Hts
Past Lives. Peaks of the present 317
39 Russkiy kovcheg/Russian Ark. Sheets of the past 320
40 Er shi si chengji/24 City. Powers of the false 325
41 lm Nof There. Bodies of attitude 328
42 Politist, adjectiv/Police, Adjective. Bodies of gest 330
43 Dogville. Cinema of the brain 335
44 Enter the Void. Lectosigns 337
Select Bibliography 345
Filmography 350
Index 353
‘This superb new book provides the most comprehensive
and user-friendly introduction to Deleuze’s taxonomy of
cinematic images to date/
David Martin-Jones, University of Glasgow
‘David Deamer’s “Three introductions“ to these texts
provide comprehensive, enlightening pathways into the
conceptual background and cinematic specificities of
Deleuze’s film-philosophy. An impressive achievement/
Robert Sinnerbrink, Macquarie University
Deleuze’s two Cinema books explore film through the creation of a series
of philosophical concepts. Not only bewildering in number, Deleuze’s writing
procedures mean his exegesis is both complex and elusive.Three issues emerge:
What are the underlying principles of the taxonomy? How many concepts are
there, and what do they describe? How might each be used in engaging with a film?
David Deamer’s book is the first to fully respond to these questions, unearthing
the philosophies inspiring Deleuze's classifications, exploring every concept and
reading a film for each. Clearly and concisely mapping the books for
newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry
for expert readers.
Key Features
• An interpretation of Bergson’s Matter and through Deleuze's Bergsonism,
describing the ground of Deleuze's film-philosophy
• A reading of Peirce's semiosis from Pragmatism and explicating
the genesis and components of the movement-image
• An examination of Deleuze's syntheses of time, space and consciousness
from Difference and Repetition,illuminating the genesis and components of
the time-image
• Concise engagements with each of the cinematic signs to assist reading Deleuze's
Cinema books, as well as commentaries and monographs that draw upon them
• Forty-four film readings - one for each cinematic sign - to clarify their application
David Deamer is an affiliated scholar with the English, Philosophy and Film
departments of Manchester Metropolitan University. |
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| language | English |
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| spellingShingle | Deamer, David 1968- Deleuze's Cinema books three introductions to the taxonomy of images Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Film (DE-588)4017102-4 gnd Bild (DE-588)4006568-6 gnd Taxonomie (DE-588)4184546-8 gnd |
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| title | Deleuze's Cinema books three introductions to the taxonomy of images |
| title_alt | Cinema books |
| title_auth | Deleuze's Cinema books three introductions to the taxonomy of images |
| title_exact_search | Deleuze's Cinema books three introductions to the taxonomy of images |
| title_full | Deleuze's Cinema books three introductions to the taxonomy of images David Deamer |
| title_fullStr | Deleuze's Cinema books three introductions to the taxonomy of images David Deamer |
| title_full_unstemmed | Deleuze's Cinema books three introductions to the taxonomy of images David Deamer |
| title_short | Deleuze's Cinema books |
| title_sort | deleuze s cinema books three introductions to the taxonomy of images |
| title_sub | three introductions to the taxonomy of images |
| topic | Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Film (DE-588)4017102-4 gnd Bild (DE-588)4006568-6 gnd Taxonomie (DE-588)4184546-8 gnd |
| topic_facet | Deleuze, Gilles 1925-1995 Film Bild Taxonomie |
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