Esthetics of the moment: literature and art in the French enlightenment
The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and u...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
University of Pennsylvania Press
[2015]
|
| Schriftenreihe: | Critical Authors and Issues
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 KUBA1 KUBA4 UBG01 UPA01 Volltext |
| Zusammenfassung: | The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire |
| Beschreibung: | 1 Online-Ressource (viii, 294 Seiten) Illustrationen |
| ISBN: | 9780812202441 |
| DOI: | 10.9783/9780812202441 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043599159 | ||
| 003 | DE-604 | ||
| 005 | 20221219 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160614s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9780812202441 |9 978-0-8122-0244-1 | ||
| 024 | 7 | |a 10.9783/9780812202441 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780812202441 | ||
| 035 | |a (OCoLC)1165463997 | ||
| 035 | |a (DE-599)BVBBV043599159 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-473 |a DE-Aug4 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 |a DE-Y3 |a DE-Y2 | ||
| 082 | 0 | |a 700/.944/09033 |2 20 | |
| 100 | 1 | |a Kavanagh, Thomas M. |d 1943- |e Verfasser |0 (DE-588)1145585930 |4 aut | |
| 245 | 1 | 0 | |a Esthetics of the moment |b literature and art in the French enlightenment |c Thomas M. Kavanagh |
| 264 | 1 | |a Philadelphia, Pa. |b University of Pennsylvania Press |c [2015] | |
| 264 | 4 | |c © 1996 | |
| 300 | |a 1 Online-Ressource (viii, 294 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Critical Authors and Issues | |
| 520 | |a The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 7 | |a Geschichte 1715-1789 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1700-1799 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1715-1784 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Fine Arts | |
| 650 | 4 | |a Arts, French | |
| 650 | 4 | |a Arts, Modern |y 18th century | |
| 650 | 4 | |a Ut pictura poesis (Aesthetics) | |
| 650 | 0 | 7 | |a Bild |0 (DE-588)4006568-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ut pictura poesis |0 (DE-588)4117314-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Text |0 (DE-588)4059596-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Französisch |0 (DE-588)4113615-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Aufklärung |0 (DE-588)4003524-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Augenblick |0 (DE-588)4129870-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a Bild |0 (DE-588)4006568-6 |D s |
| 689 | 0 | 2 | |a Text |0 (DE-588)4059596-1 |D s |
| 689 | 0 | 3 | |a Geschichte 1700-1799 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Aufklärung |0 (DE-588)4003524-4 |D s |
| 689 | 1 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | 2 | |a Französisch |0 (DE-588)4113615-9 |D s |
| 689 | 1 | 3 | |a Augenblick |0 (DE-588)4129870-6 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 689 | 2 | 0 | |a Französisch |0 (DE-588)4113615-9 |D s |
| 689 | 2 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 2 | 2 | |a Augenblick |0 (DE-588)4129870-6 |D s |
| 689 | 2 | 3 | |a Geschichte 1715-1784 |A z |
| 689 | 2 | |8 3\p |5 DE-604 | |
| 689 | 3 | 0 | |a Aufklärung |0 (DE-588)4003524-4 |D s |
| 689 | 3 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 3 | 2 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 3 | 3 | |a Augenblick |0 (DE-588)4129870-6 |D s |
| 689 | 3 | |8 4\p |5 DE-604 | |
| 689 | 4 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 4 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 4 | 2 | |a Augenblick |0 (DE-588)4129870-6 |D s |
| 689 | 4 | 3 | |a Geschichte 1715-1789 |A z |
| 689 | 4 | |8 5\p |5 DE-604 | |
| 689 | 5 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 5 | 1 | |a Ut pictura poesis |0 (DE-588)4117314-4 |D s |
| 689 | 5 | 2 | |a Geschichte 1700-1799 |A z |
| 689 | 5 | |8 6\p |5 DE-604 | |
| 689 | 6 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 6 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 6 | 2 | |a Geschichte 1700-1799 |A z |
| 689 | 6 | |8 7\p |5 DE-604 | |
| 856 | 4 | 0 | |u https://doi.org/10.9783/9780812202441 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 940 | 1 | |q KUBA-MPG-DGG | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029013372 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 5\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 6\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 7\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l KUBA1 |p ZDB-23-DGG |q KHI |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l KUBA4 |p ZDB-23-DGG |q BHR |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.9783/9780812202441 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176341537390592 |
|---|---|
| any_adam_object | |
| author | Kavanagh, Thomas M. 1943- |
| author_GND | (DE-588)1145585930 |
| author_facet | Kavanagh, Thomas M. 1943- |
| author_role | aut |
| author_sort | Kavanagh, Thomas M. 1943- |
| author_variant | t m k tm tmk |
| building | Verbundindex |
| bvnumber | BV043599159 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780812202441 (OCoLC)1165463997 (DE-599)BVBBV043599159 |
| dewey-full | 700/.944/09033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.944/09033 |
| dewey-search | 700/.944/09033 |
| dewey-sort | 3700 3944 49033 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.9783/9780812202441 |
| era | Geschichte 1700-1800 Geschichte 1715-1789 gnd Geschichte 1700-1799 gnd Geschichte 1715-1784 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1715-1789 Geschichte 1700-1799 Geschichte 1715-1784 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06656nmm a2201177zc 4500</leader><controlfield tag="001">BV043599159</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221219 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160614s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780812202441</subfield><subfield code="9">978-0-8122-0244-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.9783/9780812202441</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780812202441</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1165463997</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043599159</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.944/09033</subfield><subfield code="2">20</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kavanagh, Thomas M.</subfield><subfield code="d">1943-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1145585930</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Esthetics of the moment</subfield><subfield code="b">literature and art in the French enlightenment</subfield><subfield code="c">Thomas M. Kavanagh</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia, Pa.</subfield><subfield code="b">University of Pennsylvania Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 294 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Critical Authors and Issues</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1715-1789</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1700-1799</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1715-1784</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, French</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Modern</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ut pictura poesis (Aesthetics)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bild</subfield><subfield code="0">(DE-588)4006568-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ut pictura poesis</subfield><subfield code="0">(DE-588)4117314-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Text</subfield><subfield code="0">(DE-588)4059596-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufklärung</subfield><subfield code="0">(DE-588)4003524-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Augenblick</subfield><subfield code="0">(DE-588)4129870-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Bild</subfield><subfield code="0">(DE-588)4006568-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Text</subfield><subfield code="0">(DE-588)4059596-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1700-1799</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Aufklärung</subfield><subfield code="0">(DE-588)4003524-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Augenblick</subfield><subfield code="0">(DE-588)4129870-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Augenblick</subfield><subfield code="0">(DE-588)4129870-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Geschichte 1715-1784</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Aufklärung</subfield><subfield code="0">(DE-588)4003524-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="2"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="3" ind2="3"><subfield code="a">Augenblick</subfield><subfield code="0">(DE-588)4129870-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="2"><subfield code="a">Augenblick</subfield><subfield code="0">(DE-588)4129870-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="3"><subfield code="a">Geschichte 1715-1789</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="5" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="5" ind2="1"><subfield code="a">Ut pictura poesis</subfield><subfield code="0">(DE-588)4117314-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="5" ind2="2"><subfield code="a">Geschichte 1700-1799</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="5" ind2=" "><subfield code="8">6\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="6" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="6" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="6" ind2="2"><subfield code="a">Geschichte 1700-1799</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="6" ind2=" "><subfield code="8">7\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA-MPG-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029013372</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">6\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">7\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">KUBA1</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">KUBA4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BHR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.9783/9780812202441</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | Frankreich |
| id | DE-604.BV043599159 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:30:39Z |
| institution | BVB |
| isbn | 9780812202441 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029013372 |
| oclc_num | 1165463997 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 DE-Y3 DE-Y2 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 DE-Y3 DE-Y2 |
| physical | 1 Online-Ressource (viii, 294 Seiten) Illustrationen |
| psigel | ZDB-23-DGG KUBA-MPG-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG KHI ZDB-23-DGG BHR ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of Pennsylvania Press |
| record_format | marc |
| series2 | Critical Authors and Issues |
| spelling | Kavanagh, Thomas M. 1943- Verfasser (DE-588)1145585930 aut Esthetics of the moment literature and art in the French enlightenment Thomas M. Kavanagh Philadelphia, Pa. University of Pennsylvania Press [2015] © 1996 1 Online-Ressource (viii, 294 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Critical Authors and Issues The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire Geschichte 1700-1800 Geschichte 1715-1789 gnd rswk-swf Geschichte 1700-1799 gnd rswk-swf Geschichte 1715-1784 gnd rswk-swf Fine Arts Arts, French Arts, Modern 18th century Ut pictura poesis (Aesthetics) Bild (DE-588)4006568-6 gnd rswk-swf Ut pictura poesis (DE-588)4117314-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Text (DE-588)4059596-1 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Aufklärung (DE-588)4003524-4 gnd rswk-swf Augenblick (DE-588)4129870-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Bild (DE-588)4006568-6 s Text (DE-588)4059596-1 s Geschichte 1700-1799 z 1\p DE-604 Aufklärung (DE-588)4003524-4 s Literatur (DE-588)4035964-5 s Französisch (DE-588)4113615-9 s Augenblick (DE-588)4129870-6 s 2\p DE-604 Geschichte 1715-1784 z 3\p DE-604 Kunst (DE-588)4114333-4 s 4\p DE-604 Geschichte 1715-1789 z 5\p DE-604 Ut pictura poesis (DE-588)4117314-4 s 6\p DE-604 Ästhetik (DE-588)4000626-8 s 7\p DE-604 https://doi.org/10.9783/9780812202441 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 7\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kavanagh, Thomas M. 1943- Esthetics of the moment literature and art in the French enlightenment Fine Arts Arts, French Arts, Modern 18th century Ut pictura poesis (Aesthetics) Bild (DE-588)4006568-6 gnd Ut pictura poesis (DE-588)4117314-4 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Text (DE-588)4059596-1 gnd Französisch (DE-588)4113615-9 gnd Aufklärung (DE-588)4003524-4 gnd Augenblick (DE-588)4129870-6 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4006568-6 (DE-588)4117314-4 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4059596-1 (DE-588)4113615-9 (DE-588)4003524-4 (DE-588)4129870-6 (DE-588)4035964-5 (DE-588)4018145-5 |
| title | Esthetics of the moment literature and art in the French enlightenment |
| title_auth | Esthetics of the moment literature and art in the French enlightenment |
| title_exact_search | Esthetics of the moment literature and art in the French enlightenment |
| title_full | Esthetics of the moment literature and art in the French enlightenment Thomas M. Kavanagh |
| title_fullStr | Esthetics of the moment literature and art in the French enlightenment Thomas M. Kavanagh |
| title_full_unstemmed | Esthetics of the moment literature and art in the French enlightenment Thomas M. Kavanagh |
| title_short | Esthetics of the moment |
| title_sort | esthetics of the moment literature and art in the french enlightenment |
| title_sub | literature and art in the French enlightenment |
| topic | Fine Arts Arts, French Arts, Modern 18th century Ut pictura poesis (Aesthetics) Bild (DE-588)4006568-6 gnd Ut pictura poesis (DE-588)4117314-4 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Text (DE-588)4059596-1 gnd Französisch (DE-588)4113615-9 gnd Aufklärung (DE-588)4003524-4 gnd Augenblick (DE-588)4129870-6 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Fine Arts Arts, French Arts, Modern 18th century Ut pictura poesis (Aesthetics) Bild Ut pictura poesis Kunst Ästhetik Text Französisch Aufklärung Augenblick Literatur Frankreich |
| url | https://doi.org/10.9783/9780812202441 |
| work_keys_str_mv | AT kavanaghthomasm estheticsofthemomentliteratureandartinthefrenchenlightenment |