The graph music of Morton Feldman:
Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2016
|
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermittently, over seventeen years, producing numerous graph works that invite analysis as an evolving series. Taking this approach, David Cline marshals a wide range of source materials - many previously unpublished - in clarifying the ideology, organisation and generative history of these graphs and their formative role in the chronicle of post-war music. This assists in pinpointing connections with Feldman's compositions in other formats, works by other composers, notably John Cage, and contemporary currents in painting. Performance practice is examined through analysis of Feldman's non-notated preferences and David Tudor's celebrated interpretations. - David Cline completed his Ph.D. in Music at Goldsmiths, University of London in 2011 and was a fellow of the Institute of Musical Research at the School of Advanced Study, University of London from 2013 to 2015. His research has appeared in Perspectives of New Music and Twentieth-Century Music. |
| Beschreibung: | XIII, 390 Seiten Illustrationen, Notenbeispiele |
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| 520 | |a Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermittently, over seventeen years, producing numerous graph works that invite analysis as an evolving series. Taking this approach, David Cline marshals a wide range of source materials - many previously unpublished - in clarifying the ideology, organisation and generative history of these graphs and their formative role in the chronicle of post-war music. This assists in pinpointing connections with Feldman's compositions in other formats, works by other composers, notably John Cage, and contemporary currents in painting. Performance practice is examined through analysis of Feldman's non-notated preferences and David Tudor's celebrated interpretations. - David Cline completed his Ph.D. in Music at Goldsmiths, University of London in 2011 and was a fellow of the Institute of Musical Research at the School of Advanced Study, University of London from 2013 to 2015. His research has appeared in Perspectives of New Music and Twentieth-Century Music. | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of figures page x
Acknowledgements xi
Introduction 1
L Early graphs, 1950-1953 9
2. Later graphs, 1958-1967 44
3. Notation 73
4. Ideology 104
5. Holism 140
6. Compositional methods I 163
7. Compositional methods II 203
8. Non-notated preferences 243
9. Tudor s performances 264
10. Connections with works in other notations 292
11. Moving on 317
Epilogue 331
Appendix 1: Two unpublished graphs 334
Appendix 2: Other perspectives on compositional methods 349
Bibliography 355
Index 378
[ix]
|
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| spelling | Cline, David 1963- Verfasser (DE-588)104359325X aut The graph music of Morton Feldman David Cline Cambridge Cambridge University Press 2016 XIII, 390 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music since 1900 Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermittently, over seventeen years, producing numerous graph works that invite analysis as an evolving series. Taking this approach, David Cline marshals a wide range of source materials - many previously unpublished - in clarifying the ideology, organisation and generative history of these graphs and their formative role in the chronicle of post-war music. This assists in pinpointing connections with Feldman's compositions in other formats, works by other composers, notably John Cage, and contemporary currents in painting. Performance practice is examined through analysis of Feldman's non-notated preferences and David Tudor's celebrated interpretations. - David Cline completed his Ph.D. in Music at Goldsmiths, University of London in 2011 and was a fellow of the Institute of Musical Research at the School of Advanced Study, University of London from 2013 to 2015. His research has appeared in Perspectives of New Music and Twentieth-Century Music. Feldman, Morton 1926-1987 (DE-588)118817124 gnd rswk-swf Geschichte 1950-1967 gnd rswk-swf Graphische Notation (DE-588)4665850-6 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Feldman, Morton 1926-1987 (DE-588)118817124 p Neue Musik (DE-588)4428235-7 s Komposition (DE-588)4032012-1 s Graphische Notation (DE-588)4665850-6 s Geschichte 1950-1967 z DE-604 Erscheint auch als Online-Ausgabe 978-1-316-27145-2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029011933&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cline, David 1963- The graph music of Morton Feldman Feldman, Morton 1926-1987 (DE-588)118817124 gnd Graphische Notation (DE-588)4665850-6 gnd Neue Musik (DE-588)4428235-7 gnd Komposition (DE-588)4032012-1 gnd |
| subject_GND | (DE-588)118817124 (DE-588)4665850-6 (DE-588)4428235-7 (DE-588)4032012-1 |
| title | The graph music of Morton Feldman |
| title_auth | The graph music of Morton Feldman |
| title_exact_search | The graph music of Morton Feldman |
| title_full | The graph music of Morton Feldman David Cline |
| title_fullStr | The graph music of Morton Feldman David Cline |
| title_full_unstemmed | The graph music of Morton Feldman David Cline |
| title_short | The graph music of Morton Feldman |
| title_sort | the graph music of morton feldman |
| topic | Feldman, Morton 1926-1987 (DE-588)118817124 gnd Graphische Notation (DE-588)4665850-6 gnd Neue Musik (DE-588)4428235-7 gnd Komposition (DE-588)4032012-1 gnd |
| topic_facet | Feldman, Morton 1926-1987 Graphische Notation Neue Musik Komposition |
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