Mahler, a scherzo és a "kísérteties":
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | Hungarian |
Veröffentlicht: |
Budapest
Rózsavölgyi
2015
|
Schriftenreihe: | Musica scientia
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
Beschreibung: | Literaturverzeichnis: Seiten 239-246 |
Beschreibung: | 251 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9786155062216 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043594919 | ||
003 | DE-604 | ||
005 | 20160920 | ||
007 | t | ||
008 | 160610s2015 agl| |||| 00||| hun d | ||
020 | |a 9786155062216 |9 978-615-5062-21-6 | ||
035 | |a (OCoLC)959564781 | ||
035 | |a (DE-599)BVBBV043594919 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a hun | |
049 | |a DE-12 | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Péteri, Lóránt |d 1976- |e Verfasser |0 (DE-588)1028029462 |4 aut | |
245 | 1 | 0 | |a Mahler, a scherzo és a "kísérteties" |c Péteri Lóránt |
264 | 1 | |a Budapest |b Rózsavölgyi |c 2015 | |
300 | |a 251 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Musica scientia | |
500 | |a Literaturverzeichnis: Seiten 239-246 | ||
600 | 1 | 7 | |a Mahler, Gustav |d 1860-1911 |0 (DE-588)118576291 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Scherzo |0 (DE-588)4179504-0 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Mahler, Gustav |d 1860-1911 |0 (DE-588)118576291 |D p |
689 | 0 | 1 | |a Scherzo |0 (DE-588)4179504-0 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
940 | 1 | |n oe | |
940 | 1 | |q BSBWK1 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-029009219 | ||
942 | 1 | 1 | |c 355.009 |e 22/bsb |f 09034 |g 436 |
942 | 1 | 1 | |c 355.009 |e 22/bsb |f 090512 |g 439 |
942 | 1 | 1 | |c 355.009 |e 22/bsb |f 09041 |g 436 |
Datensatz im Suchindex
_version_ | 1804176334785609728 |
---|---|
adam_text | Tartalom
Elöszö............................................................... 9
I. A19. szäzadi scherzo hagyomänyai es kontextusai................ 13
Müfaj a zeneben: funkcio es letmod............................... 15
Scherzo: a meghatärozäs nehezsegei............................... 21
Hoffmann, Mahler, Freud.......................................... 27
A „kiserteties”.................................................. 33
A scherzo „gyermekkora”.......................................... 38
Kiserteties permutaciok.......................................... 46
Tünderek, demonok es halältänc................................... 50
Kiserteties sokszorozodasok...................................... 57
II. Az ertelmezes keretei............................................ 65
Mahler elsö scherzoja............................................ 67
Scherzo-elemzesek................................................ 74
A formai jelölök többertelmüsege es a moduläciok retorikäja...... 83
III. A többdimenziös forma........................................... 105
Az a priori többertelmüseg...................................... 107
Elsö dimenzio: triös forma es „müfaji szerzödesek”...............109
Mäsodik dimenzio: permutäcios elv es egyediseg ................. 153
Harmadik dimenzio: imaginärius forma es vegtelenseg..............170
IV. Intertextuälis megközelitesek .................................. 177
Tänc, tempo, elöadäs............................................ 179
Schumann-allüzio es a Tanzlied...................................184
Bruckner es Közep-Euröpa........................................ 193
Zärszö
219
Függelék..............................................................223
A) A 2. szimfonia tételeinek rendje .............................225
B) A 2. szimfonia vokâlis tételeinek szôvegei ...................226
C) A Pàduai Szent Antalprédikâl a halaknak cimü dal szôvege......228
D) A 2. szimfonia programmai.....................................230
E) A 2. szimfonia keletkezésének kronológiája....................234
F) A 2. szimfonia vagy egyes tételei Mahler által vezényelt
hangversenyek programján ......................................235
Koszonetnyilvánítás...................................................237
Bibliografía..........................................................239
Név- és tárgymutató ..................................................247
Bibliogräfia
Abbate, Carolyn: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century.
Princeton: Princeton University Press, 1991.
Abbate, Elizabeth Teoli: Myth, Symbol, and Meaning in Mahler’s Early Symphonies.
PhD-disszertäcio, Harvard University, 1996.
Adorno, Theodor W.: Mahler: Eine musikalische Physiognomik. Frankfurt/M.: Suhrkamp
Verlag, 1972.
Bahr, Hermann: „Mahler als Direktor”. Musikblätter des Anbruch 2 (1920), 275-276.
Banks, Paul: The Early Social and Musical Environment of Gustav Mahler. PhD-
disszertaciö, University of Oxford, 1982.
Banks, Paul: „Mahler 2: Some Answers?”. Musical Times 1730 (1987), 203-206.
Barham, Jeremy (szerk.): Perspectives on Gustav Mahler. Hants: Ashgate, 2005.
Barham, Jeremy: „Mahler the Thinker: The Books of the Alma Mahler-Werfel Collection”.
In: U6 (szerk.): Perspectives on Gustav Mahler. Hants: Ashgate, 2005,37-151.
Bauer-Lechner, Natalie: Erinnerungen an Gustav Mahler. Lipcse: E. P. Tal 1923.
Bauman, Thomas: „Mahler in a New Key: Genre and the ’Resurrection’ Finale”. The Journal
of Musicology 23 (2006V3,468-485.
Bekker, Paul: Gustav Mahlers Sinfonien. Berlin: Schuster Loeffler, 1921.
Berl, Heinrich: „Zum Problem einer jüdischen Musik”. Der Jude 7 (1923), 309-320.
Biczö Gabor: „Nietzsche ütjai (1882. märcius-1885. äprilis)”. In: Friedrich Nietzsche:
tgy szölott Zarathustra. Budapest: Osiris, 2004, 555-572.
Blaukopf, Kurt: Gustav Mahler, h. n.: Gondolat, 1973.
Blaukopf, Kurt-Blaukopf, Herta (szerk.): Mahler: His Life, Work and World. London:
Thames and Hudson, 1991.
Bloom, Harold: The Anxiety of Influence: A Theory of Poetry. Oxford: Oxford University
Press, 1973-
Bloom, Harold: A Map of Misreading. Oxford: Oxford University Press, 1975.
Botstein, Leon: „Gustav Mahler’s Vienna”. In: Donald Mitchell-Andrew Nicholson (szerk.):
The Mahler Companion. Oxford: Oxford University Press, 1973, 6-38.
Botstein, Leon-Hanak, Wener (szerk.): Vienna - Jews and the City of Music 1870-1938.
Bard College: Wolke Verlag, 2004.
Brittan, Francesca: „On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo
fantastique”. Journal of the American Musicological Society 64 (20ii)/3,527-600.
Brod, Max: „Gustav Mahlers jüdische Melodien”. Musikblätter des Anbruch 2 (1920),
378-379-
240
Bibliogrâfia
Brod, Max: Gustav Mahler. Beispiel einer deutsch-jüdischen Symbiose. Frankfurt:
Ner-Tamid Verlag, 1961.
Brown, Peter A.: The Symphonie Repertoire II: The First Golden Age of the Viennese
Symphony. Bloomington Indianapolis: Indiana University Press, 2002.
Brown, Peter A.: The Symphonic Repertoire TV: The Second Golden Age of the Viennese
Symphony. Bloomington: Indiana University Press, 2003.
Caballero, Carlo: „Silence, Echo: A Response to ’What the Sorcerer Said’”. igth-Century
Music 28 (20043/2,160-182.
Carver, Anthony F.: „Bruckner and the Phrygian Mode”. Music Letters 86 (20053/1,
74-99-
Castle, Terry: The Female Thermometer: Eighteenth-Century Culture and the Invention
of the Uncanny. New York: Oxford University Press, 1995.
Celestini, Federico: Die Unordnung der Dinge. München: Franz Steiner, 2006.
Cherlin, Michael: „Schoenberg and Das Unheimliche: Spectres of Tonality”. Journal
of Musicology 11 (19933/4, 357-373*
Chua, Daniel K. L.: The Galitzin Quartets of Beethoven: Opp. 127,132,130. Princeton:
Princeton University Press, 1995.
Coad, Philip: „Bruckner” In: Robert Layton (szerk.3: A Guide to the Symphony. Oxford:
Oxford University Press, 1995,155-172.
Cohn, Richard: „Maximally Smooth Cycles, Hexatonic Systems, and the Analysis
of Late-Romantic Triadic Progressions”. Music Analysis 15 (19963/1, 9-40.
Cohn, Richard: „Uncanny Resemblances: Tonal Signification in the Freudian Age”.
Journal of the American Musicological Society 57 (20043/2, 285-323.
Csobô Péter: „Autonömia és kimondhatatlansâg: zenefilozôfia és zenetudomâny
hatârmezsgyéirol”. Magyar Zene 48 (2oio)/3, 277-293.
Dahlhaus, Carl: Allgemeine Theorie der Musiki: Historik - Grundlagen der Musik -
Ästhetik. Laaber: Laaber-Verlag, 2000.
Dahlhaus, Carl: 29. JahrhundertII: Theorie /Ästhetik/ Geschichte: Monographien. Laaber:
Laaber-Verlag, 2003.
Dahlhaus, Carl: Az abszolût zene eszméje. Budapest: Typotex, 2004.
Darcy, Warren: „Rotational Form, Teleological Genesis, and Fantasy Projection in the Slow
Movement of Mahler’s Sixth Symphony”. 19th-Century Music 25 (20013/1, 49-74.
Dobszay Laszlo: Magyar zenetôrténet. Budapest: Gondolât, 1984.
Dolinszky Miklôs: „0 cambio felice: Tôrés és izolâciô a Cosi fan tuttéban”. In: Uo: A Mozart-
ürhajô. Pécs: Jelenkor, 1999, 40-56.
Draughon, Francesca: „Dance of Decadence: Class, Gender, and Modernity in the Scherzo
of Mahler’s Ninth Symphony”. Journal of Musicology 20 (20033/3, 388-413.
Eggebrecht, Hans Heinrich: Die Musik Gustav Mahlers. München: Piper, 1982.
Feldman, Walter Zev, „Jewish music, § IV, 3 (iij: Non-liturgical music: Instrumental music:
Klezmer”. Grove Music Online.
Floros, Constantin: Gustav Mahler III: Die Symphonien. Wiesbaden: Breitkopf
Härtel, 1985.
Fowler, Alastair: Kinds of Literature: An Introduction to the Theory of Genres and Modes.
Cambridge: Harvard University Press, 1982.
Freud, Sigmund: „A kisérteties”. In: Bôkay Antal-Erôs Ferenc (szerk.): Pszichoanalizis
és irodalomtudomâny. Budapest: Filum, 1998, 65-82.
Gilliam, Bryan: The Life of Richard Strauss. Cambridge: Cambridge University Press, 1999*
Bibliogrâfia
241
Gintli Tibor-Schein Gabor: Az irodalom rövid tôrténete I. A kezdetektol a romantikâig.
Pécs: Jelenkor, 2003.
Gyâni Gâbor: Nép, nemzet, zsidô. Pozsony: Kalligram, 2013.
Hamburger Klâra: Liszt Ferenc zenêje. Budapest: Balassi, 2010.
Hamilton, Kenneth: „Liszt”. In: Holoman, D. Kern (szerk.): The Nineteenth-Century
Symphony. New York: Schirmer Books, 1997,142-162.
Hamilton, Kenneth (szerk.): The Cambridge Companion to Liszt. Cambridge: Cambridge
University Press, 2005.
Harnoncourt, Nikolaus: Zene mint pârbeszéd: Monteverdi, Bach, Mozart. Budapest:
Europa, 2002.
Hatten, Robert S.: „The Place of Intertextuality in Music Studies”, American Journal
of Semiotics 3 (1985V4, 69-82.
Hauptmann, Moritz: Die Natur der Harmonik und der Metrik: Zur Theorie der Musik.
Lipcse: Breitkopf Härtel, 1853.
Helling, Stephen E.: „Mahler’s ’Todtenfeier’ and the Problem of Program Music”.
içth-Century Music 12 (1988)/!, 27-53.
Hefling, Stephen E. (szerk.): Mahler Studies. Cambridge: Cambridge University Press, 1997.
Hefling, Stephen E.: „Mahler: Symphonies 1-4”. In: D. Kern Holoman, (szerk.) (1997a),
The Nineteenth-Century Symphony, New York: Schirmer Books, 1997, 369-416.
Hefling, Stephen E.:,»Aspects of Mahler’s Late Style”. In: Karen Painter (szerk.): Mahler and
His World. Princeton: Princeton University Press, 199-223.
Hefling, Stephen E.: „Preface”. In: Gustav Mahler: Symphonie Nr. 2. Bées: Universal, 2010,
XXII—XXVII.
Helm, Theodor: „Feuilleton: Wiener Musikbrief’. Pester Lloyd (1900. november 27.), 2-3.
Hepokoski, James: „Beethoven Reception: the Symphonic Tradition”. In: Jim Samson
(szerk.): The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge
University Press, 2002, 424-459.
Hirschfeld, Robert: „Feuilleton”, Wiener Abendpost (1900. november 20.), 1-2.
Hoffmann, E. T. A.:Az arany virägeserep: välogatott novelläk. Budapest: Europa, 1982.
Hoffmann, E. T. A.: Fantaziadarabok Callot modoraban /-//. Budapest: Cartaphilus, 2007.
Hoffmann, E. T. A.: Murr kandür eletszemlelete, valamint Johannes Kreisler karmester
töredekes eletrajza. Budapest: Pallas Studio - Attraktor Kft., 2000.
Hofstadter, Douglas R., Gödel, Escher, Bach: Egybefont Gondolatok Birodalma. Budapest:
Typotex, 1998.
Holoman, D. Kern (szerk.): The Nineteenth-Century Symphony. New York: Schirmer
Books, 1997.
Holoman, D. Kern: „Berlioz”. In: Holoman, D. Kern (szerk.): The Nineteenth-Century
Symphony. New York: Schirmer Books, 1997,108-141.
Hooker, Lynn: „Ideas about ’Hungarian Music’ in Early Hungarian Musicology”. In: Zdravko
Blazekovic-Barbara Dobbs Mackenzie (szerk.): Music s Intellectual History. New York:
RILM, 2009,565-580.
Hopkins, Robert G.: Closure and Mahler s Music: the Role of Secondary Parameters.
Philadelphia: University of Pennsylvania Press, 1990.
Idelsohn, Abraham Zvi: Jewish Music in its Historical Development [192g]. New York:
Shocken Books, 1967.
Jackson, Timothy L,-Hawkshaw, Paul (szerk.): Bruckner Studies. Cambridge: Cambridge
University Press, 1997.
242
Bibliográfia
Jaros, Zdenék: The Young Gustav Mahler and Jihlava. Jihlava: Museum of Highlands
in Jihlava, 1994.
Jentseh, Ernst: „Zur Psychologie des Unheimlichen I.”. Psychiatrisch-Neurologische
Wochenschrift (1906), 195-198.
Jentsch, Ernst: „Zur Psychologie des Unheimlichen II.”. Psychiatrisch-Neurologische
Wochenschrift (1906), 203-205.
Jentsch, Ernst: „On the Psychology of the Uncanny (1906)”. Angelaki: Journal of the
Theoretical Humanities 2 (1995V1, 7-16.
Johnson, Julian: Mahler s Voices: Expression and Irony in the Songs and Symphonies.
Oxford: Oxford University Press, 2009.
Kallberg, Jeffrey: „The Rhetoric of Genre: Chopin’s Nocturne in G Minor”. igth-Century
Music 11 (1988V3, 238-261.
Kant, Immanuel: A tiszta ész kritikája. Budapest: Atlantisz, 2004.
Kaplan, Richard: „Temporal Fusion and Climax in the Symphonies of Mahler”. Journal
of Musicology 14 (i996)/2, 213-232.
Karády Viktor: Zsidóság Európában a modern korban: Társadalomtorténeti vázlat
Budapest: Új Mandátum, 2000.
Karbusicky, Vladimir: „Gustav Mahler’s Musical Jewishness”. In: Jeremy Barham (szerk.):
Perspectives on Gustav Mahler (Hants: Ashgate, 2005), 195-219
Kirby, Frank E.: „The Germanic Symphony of the Nineteenth Century: Genre, Form,
Instrumentation, Expression”. Journal of Musicological Research 14 (1995V3-4,
193-221.
Knapp, Raymond: Symphonic Metamorphoses: Subjectivity and Alienation in Mahler s
Re-Cycled Songs. Middletown: Wesleyan University Press, 2003.
Korngold, Julius: „Feuilleton: Mahlers Siebente Symphonie” Neue Freie Presse
(1909. november 6.), 1-3.
Kramer, Lawrence: Music as Cultural Practice, 1800—1900. Berkeley: University
of California Press, 1990.
Ernst Kuhn-Andreas Wehrmeyer-Günter Wolter (szerk.): Dmitri Schostakowitch
und das jüdische musikalische Erbe. Berlin: Verlag Ernst Kuhn, 2001.
La Grange, Hemy-Louis de: Mahler I. London: Victor Gollanz, 1974.
La Grange, Henry-Louis de: Gustav Mahler VoL 2: Vienna: The Years of Challenge
(1897—1904). Oxford: Oxford University Press, 1995-
La Grange, Henry-Louis de: „Music about Music in Mahler: Reminiscences, Allusions,
or Quotations?”. In: Stephen E. Hefling (szerk.): Mahler Studies. Cambridge: Cambridge
University Press 1997,122-168. Magyarul olvasható: „Utánérzés, utalás, idézet. Mahler
zenéjének forrásvidéke”. Café Babel 45-46 (2003), 21-34.
La Grange, Henry-Louis de: Gustav Mahler VoL 3: Vienna: Triumph and Disillusion
(1904—1907). Oxford: Oxford University Press, 1999.
La Grange, Henry-Louis de: Gustav Mahler VoL 4: A New Life Cut Short (1907-1911).
Oxford: Oxford University Press, 2008.
La Grange, Henry Louis de-Weiß, Günther: Die Briefe Gustav Mahlers an Alma: Erste
Gesamtausgabe, Berlin: Siedler Verlag, 1995.
Layton, Robert (szerk.): A Guide to the Symphony. Oxford: Oxford University Press, 1995.
Louis, Rudolf: Die deutsche Musik der Gegenwart. München: Georg Müller, 1909.
Mahler, Gustav: Briefe. Lipcse: Verlag Philipp Reclam, 1985.
Mahler, Gustav: Symphonie Nr. 2 in fünf Sätzen für großes Orchester, gemischten Chor,
Sopran- und Alt-Solo (1894, letzte Revision 1910), nach dem Text der Neuen Kritischen
Bibliogrâfia
243
Gesamtausgabe (2010). Közreadja: Renate Stark-Voit és Gilbert Kaplan. Bées és New
York: Universal Edition és Kaplan Foundation, 2010.
Marston, Nicholas: „Schubert’s Homecoming”, Journal of the Royal Musical Association
125 (2000), 248-270.
Martner, Knud: Mahler s Concerts. New York: Kaplan Foundation, 2010.
Mauser, Siegfried (szerk.): Theorie der Gattungen. Laaber: Laaber-Verlag, 2005.
McClatchie, Stephen: „The 1889 Version of Mahler’s First Symphony: A New Manuscript
Source”. 19th-Century Music 20 (1996V2, 99-124.
McClatchie, Stephen (szerk.): The Mahler Family Letters. Oxford: Oxford University
Press, 2006.
McClatchie, Stephen: „Introduction: Gustav Mahler and His Family”. In: Uo (szerk.):
The Mahler Family Letters. Oxford: Oxford University Press, 2006, 3-16.
McColl, Sandra: „Max Kalbeck and Gustav Mahler”. içth-Century Music 20 (1996V2,
167-184.
McGrath, William J.: Dionysian Art and Populist Politics in Austria. New Haven: Yale
University Press, 1974.
Micznik, Vera: „Mahler and ’The Power of Genre’” The Journal of Musicology 12 (1994V2,
117-151.
Micznik, Vera: „’Ways of Telling’ in Mahler’s Music: The Third Symphony as Narrative Text”.
In: Jeremy Barham (szerk.): Perspectives on Gustav Mahler, Hants: Ashgate, 2005,
295-323.
Mitchell, Donald: Gustav Mahler: The Wunderhorn Years. London: Faber, 1975.
Mitchell, Donald: Gustav Mahler: The Early Years. Berkeley: University of California
Press, 1980.
Mitchell, Donald: Gustav Mahler III: Songs and Symphonies of Life and Death. London:
Faber Faber, 1985.
Mitchell, Donald: Discovering Mahler: Writings on Mahler 1955-2005. Woodbridge:
The Boydell Press, 2007.
Mitchell, Donald: „Mahler’s Hungarian Glissando (1991)”. In: Donald Mitchell: Discovering
Mahler: Writings on Mahler 1955-2005. Woodbridge: The Boydell Press, 2007,
125-130.
Mitchell, Donald-Nicholson, Andrew (szerk.): The Mahler Companion. Oxford: Oxford
University Press, 1999.
Moricz Klara: Jewish Identities: Nationalism, Racism, and Utopianism in
Twentieth-Century Music. Berkeley: California University Press, 2008.
[N. NJ: „Theater”. Prager Abendblatt (1898. mârcius 3.), 3.
Naegele, Philip Otto: Gustav Mahler and Johann Sebastian Bach. Northampton: Smith
College, 1983.
Nietzsche, Friedrich: tgy szölott Zarathustra. Budapest: Osiris Kiadô, 2004.
Notley, Margaret: „Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century
Vienna”. I9th-Century Music, 17 (1993V2,107-123.
Notley, Margaret: „Bruckner and Viennese Wagnerism”. In: Timothy L. Jackson-Paul
Hawkshaw (szerk.): Bruckner Studies. Cambridge: Cambridge University Press, 1997,
54-71.
Notley, Margaret: „Volkskoncerte’ in Vienna and Late Nineteenth-Century Ideology
of the Symphony”. Journal of the American Musicological Society 50 (1997V2-3,
421-453.
244
Bibliogrâjïa
Odefey, Alexander: „Gustav Mahler, Johann Sebastian Bach und die Mystik”. In: Spindler,
Matthias-Krieger, Gottfried (szerk.): Musik als Lebensprogramm: Festschrift fur
Constantin Floros zum 70. Geburtstag. Frankfurt am Main: Peter Lang, 2000,129-142.
Oxaal, Ivar-Pollak, Michael-Botz, Gerhard (szerk.): Jews, Anti-Semitism and Culture in
Vienna. London: Routledge, 1987.
Painter, Karen: „The Sensuality of Timbre: Responses to Mahler and Modernity at the Tin
de Siècle’”. I9th-Century Music 18 (1995V3, 235-256.
Painter, Karen: „Contested Counterpoint: ’Jewish’ Appropriation and Polyphonic
Liberation”, Archivjur Musikwissenschaft 58 (200i)/3, 201-230.
Painter, Karen (szerk.): Mahler and His World. Princeton: Princeton University Press, 2002.
Painter, Karen: „Jewish Identity and Anti-Semitic Critique in the Austro-German Reception
of Mahler, 1900-1945”. In: Jeremy Barham (szerk.): Perspectives on Gustav Mahler.
Hants: Ashgate, 2005,175-194-
Painter, Karen-Varwig, Bettina: „Mahler’s German-Language Critics”. In: Karen Painter
(szerk.): Mahler and His World. Princeton: Princeton University Press, 2002, 267-378.
Palmer, John R.: Program and Process in the Second Symphony of Gustav Mahler.
PhD-disszertâciô, University of California, 1996.
Pascall, Robert: „Genre and the Finale of Brahms’s Fourth Symphony”. Music Analysis 8
(1989V3, 233-245.
Peattie, Thomas: „In Search of Lost Time: Memory and Mahler’s Broken Pastoral”.
In: Karen Painter (szerk.): Mahler and His World. Princeton and Oxford: Princeton
University Press, 2002,185-198.
Péteri Lôrânt: „Tort tükrôzôdések: Mahler-zene-recepciô-identitâs”. In: Neumer Katalin
(szerk.): Identitâsok és vâltâsok (Budapest: MTA-BTK-Gondolat, 2015) - megjelenés
elôtt.
Petersen, Peter-Rôsing, Helmut (szerk.): 50 Jahre Musikwissenschaftliches Institut
in Hamburg. Frankfurt: Peter Lang, 1999.
Ratner, Leonard G. „’Ars Combinatoria’ - Chance and Choice in Eighteenth-Century Music”.
In: H. C. Robbins Landon-Roger E. Chapman (szerk.): Studies in Eighteenth Century
Music: A Tribute to Karl Geiringer on his Seventieth Birthday. New York: Allen Unwin,
1971, 343-363.
Reilly, Edward R.: „Todtenfeier and the Second Symphony”. In: Donald Mitchell és Andrew
Nicholson (szerk.): The Mahler Companion. Oxford: Oxford University Press, 1999,
84-122.
Riemann, Hugo: Vereinfachte Harmonielehre oder die Lehre von den tonalen Funtionen
der Akkorde. London: Augener Co, 1893.
Riley, Matthew: „The ’Harmonic Major’ Mode in Nineteenth-Century Theory and Practice”.
Music Analysis 23 (2004)/!, 1-26.
Ruprecht, Lucia: Dances of the Self in Heinrich von Kleist, E. T. A. Hoffmann and Heinrich
Heine. Aldershot: Ashgate, 2006.
Rushton, Julian: Berlioz: Roméo et Juliette. Cambridge: Cambridge University Press, 1994-
Russell, Tilden A. és Macdonald, Hugh Macdonald: „Scherzo”. In: Grove Music Online.
Oxford Music Online. Oxford University Press, utolsô elérés 2015. âprilis 29-én. http://
www.oxfordmusiconline.com/ subscriber/article/grove/ music/24827.
Sage, Victor: „Diderot and Maturin: Enlightenment, Automata, and the Theatre of Terror”.
In: Avril Horner (szerk.): European Gothic: A Spirited Exchange 1760-1960.
Manchester: Manchester University Press, 2002, 55-70.
Salmen, Walter: A klezmer zene és eredete. Budapest: Rôzsavolgyi és Târsa, 2001.
Bibliografiei
245
Samson, Jim: „Chopin and Genre”. Music Analysis 8 (1989V3, 213-231.
Samson, Jim (szerk.): The Cambridge History of Nineteenth-Century Music. Cambridge:
Cambridge University Press, 2002.
Samuels, Robert: Mahler’s Sixth Symphony: A Study in Musical Semiotics. Cambridge:
Cambridge University Press, 1995.
Särosi Bälint: „Cigänyzene”. In: Carl Dahlhaus-Hans Heinrich Eggebrecht (szerk.),
Boronkay Antal (magyar szerk.): Brockhaus-Riemann Zenei Lexikon I. Budapest:
Zenemukiado, 1983, 331-332.
Särosi Bälint, Bihari Janos Budapest: Mägus, 2002.
Särosi Bälint: A hangszeres magyar nepzenei hagyomäny. Budapest: Balassi Kiado, 2008.
Schiedermair, Ludwig: Gustav Mahler: Eine biografisch-kritische Würdigung. Lipcse:
Hermann Seemann Nachfolger, 1901.
Schmierer, Elisabeth: „The First Movement of Mahler’s Das Lied von der Erde: Genre,
Form and Musical Expression”. In: Jeremy Barham (szerk.), Perspectives on Gustav
Mahler. Hants: Ashgate, 2005, 253-259.
Schönberg, Arnold: A zeneszerzes alapjai. Budapest: Zenemükiadö, 1971.
Schopenhauer, Arthur: A viläg mint akarat es kepzet. Budapest: Osiris Kiado, 2007.
Schwarz, David: Listening Subjects: Music, Psychoanalysis, Culture. Durham: Duke
University Press, 1997.
Shakespeare, William: Romeo es Julia, Kosztolänyi Dezso (ford.). In: Magyar Elektronikus
Könyvtär. http://mek.oszk.hu/00400/00492/00492.pdf
Shakespeare drämäk. Nädasdy Ädämforditäsai. Mäsodik kötet. Budapest: Magvetö, 2006.
Sheinberg, Esti: Irony, Parody and the Grotesque in the Music of Shostakovich. A Theory
of Musical Incongruities. Aldershot: Ashgate, 2000.
Sheinberg, Esti: „Shostakovich’s ’Jewish Music’ as an Existential Statement”. In: Ernst
Kuhn-Andreas Wehrmeyer-Günter Wolter (szerk.): Dmitri Schostakowitch und das
jüdische musikalische Erbe. Berlin: Verlag Ernst Kuhn, 2001, 90-101.
Shulstad, Reeves: „Liszt’s symphonic poems and symphonies”. In: Kenneth Hamilton
(szerk.): The Cambridge Companion to Liszt. Cambridge, Cambridge University Press,
2005, 206-222.
Sikkus: „Porträtskizzen und Momentbilder V: Gustav Mahler”. Rheinische Musik- und
Theater-Zeitung 4 (i903)/3b 285-287.
Solvik, Morten: „Mahler and Germany”. In: Donald Mitchell es Andrew Nicholson (szerk.):
The Mahler Companion. Oxford: Oxford University Press, 1999,126-137.
Specht, Richard: Gustav Mahler. Berlin: Schuster Loeffler, 1913.
Sponheuer, Bernd-Steinbeck, Wolfram: Gustav Mahler und die Symphonik des 19.
Jahrhunderts: Referate des Bonner Symposions 2000. Frankfurt am Main: Peter
Lang, 2001.
Steblin, Rita: „Death as a Fiddler: The Study of a Convention in European Art, Literature
and Music”. Basler Jahrbuch für Historische Musikpraxis 14 (1990), 271-322.
Steinbeck, Wolfram: „Gustav Mahler und das Scherzo”. In: Bernd Sponheuer-Wolfram
Steinbeck: Gustav Mahler und die Symphonik des 19. Jahrhunderts: Referate des
Bonner Symposions 2000. Frankfurt am Main: Peter Lang, 2001, 63-79.
Steinbeck, Wolfram-Blumröder, Christoph von: Die Symphonie im 19. und 20.
Jahrhundert, I, II. Laaber: Laaber-Verlag, 2002.
Stephan, Rudolf: Gustav Mahler - II. Symphonie c-moll. München: Fink, 1979.
Szöke Ä. Katalin: „A zenei kockajätek”. Muzsika 40 (1997V3, 20-25.
246
Bibliogrâfia
Tibbe, Monika: Über die Verwendung von Liedern und Liedelementen in instrumentalen
Symphoniesätzen Gustav Mahlers. Munich: Katzbichler, 1971.
Todorov, Tzvetan: Les genres du discours. Paris: Seuil, 1978.
Toncrovâ, Marta-Elschek, Oskar: „Czech Republic, § II, 2: Traditional Music: Moravia
and Silesia”, Grove Music Online.
Tornyai Péter: „Egy antiklasszikus klasszikus: Alla danza tedesca”. Magyar Zene 52
(20143/2,175-203.
Tyllner, L.-Karel Vetterl: „Czech Republic § II, 1: Traditional Music: Bohemia”, Grove Music
Online.
Ujfalussy Jôzsef: Zenérol, esztétikârôl - cikkek, tanulmânyok. Budapest:
Zenemükiadô, 1980.
Vàncsa Istvân szakâcskônyve. Ezeregy recept. Budapest: Vince Kiadô, 2003.
Vârnai Péter (szerk.): E. T. A. Hoffmann vâlogatott zenei irâsai. Budapest:
Zenemükiadô, i960.
Vikârius Laszlo: Modell és inspirâciô Bartok zenei gondolkodâsâban. Pécs: Jelenkor, 1999.
Vill, Susanne: Vermittlungsformen verbalisierter und musikalischer Inhalte in der Musik
Gustav Mahlers. Tutzing: Hans Schneider, 1979.
Walker, Alan: Liszt Ferenc 2: A weimari évek 1848-1861. Budapest: Editio Musica
Budapest, 1994.
Walter, Bruno: Mahler. Budapest: Gondolât, 1981.
Webster, James: „Between Enlightenment and Romanticism in Music History: ’First
Viennese Modernism’ and the Delayed Nineteenth Century”. igth-Century Music 25
(20023/2—3,108-126.
Wicke, Peter: A szôrakoztatô zene Mozarttôl Madonnâig. Budapest: Athenaeum
2000,1999.
Williamson, John G.: „The Earliest Completed Works: A Voyage towards the First
Symphony”. In: Mitchell, Donald-Nicholson, Andrew (szerk.3: The Mahler Companion.
Oxford: Oxford University Press, 1999, 39-61.
Williamson, John G.: „The Eighth Symphony”. In: Mitchell, Donald-Nicholson, Andrew
(szerk.3: The Mahler Companion. Oxford: Oxford University Press, 1999,407-418.
Wistrich, Robert (szerk.3: The Jews of Vienna in the Age of Franz Joseph. Oxford: Oxford
University Press, 1989.
Wistrich, Robert: Between Redemption and Perdition: Modern Antisemitism and Jewish
Identity. London: Routledge, 1990.
Zenck-Maurer, Claudia: „Technik und Gehalt im Scherzo von Mahlers Zweiter Symphonie”.
Melos 2 (19763/3,179-184.
Név- és târgymutatô
Abbate, Carolyn 27, 60,120,174,179,183,
184,185,191,179,183,184,185,188,191
Abbate, Elizabeth Theoli 188,190,191
Abraham a Santa Clara lâsd: Megerle,
Johann Ulrich
Adler, Felix 29
Adorno, Theodor W. 24, 68, 72, 73,120,124,
125,126,143,149
Arnim, Achim von 187,188
Ashkenazy, Vladimir 173
Assisi Szent Ferenc 188
Bach, Carl Philipp Emanuel 46
Bach, Johann Sebastian 17,41,125,174
a-moll partita (BWV 827) 41
d-moll angol szvit (BWV 811 ) 17
Brandenburgi versenyek (BWV 1046-
1051) 129
Musikalisches Opfer (BWV 1079) 174
Bahr, Hermann 30
Bai, Li 160
Banks, Paul 182, 200
Bargiel, Woldemar 42
Barham, Jeremy 28
Bartok Béla 25, 204
Scherzo (op. 2) 25
Bauer-Lechner, Natalie 77,93,152,181,187,
190, 201, 213, 215,
Baumann Thomas 18,19
Bées (Ausztria) 29, 30, 31, 32, 38, 40, 45, 55,
57, 69, 70,111,183,188,192,197,198,
200, 201, 208, 213, 214, 215, 216, 220
Beer, August 68, 69, 70,71, 205
Beethoven, Ludwig van 10, 21, 22, 39, 42,
43,44, 48, 58, 70,111,115,149,168,199
Fidelio 43
2. (D-dür) szimfonia (op. 36) 42
3. (Esz-dür) szimfonia („Eroica”, op. 55)
42-46, 52, 54, 55, 60
4. (B-dür) szimfonia (op. 60) 39
6. (F-dür) szimfonia (op.68) 44
7. (A-dür) szimfonia (op. 92) 39
8. (F-dür) szimfonia (op. 93) 25, 42
9. (d-moll) szimfonia (op. 126) 216
a-moll vonösnegyes (op. 132) 46
B-dür vonösnegyes (op. 130) 46-48
c-moll vonöstriö (op. 9/3) 21
Esz-dür szeptet (op. 20) 21
G-dür hegedü-zongoraszonäta (op. 96)
115
Bekker, Paul 76, 93,132,196
Berl, Heinrich 208
Berlioz, Hector 22, 50, 51, 52, 55, 70, 219
Az ämyak tänca (op. 2) 52
Fantasztikus szimfonia 25,54
Romeo es Jülia 25, 50-52,55
Bernstein, Leonard 181
Bethge, Hans 160
Biczo Gabor 165
Blaukopf, Herta 30, 68
Blaukopf, Kurt 30, 68, 70
Bloom, Harold 143, 216
Bonporti, Francesco Antonio 41
Invenzioni a violine solo (op. 10) 41
Botstein, Leon 215
Böcklin, Arnold 190
Brahms, Johannes 10,18, 21, 22, 24, 25, 215,
216, 217
Scherzo (op. 4) 24
B-dür zongoraverseny (op. 83) 24
Brentano, Clemens 187,188
Brittan, Francesca 51, 52
Brod, Max 208
Brown, Peter A. 42, 43, 44, 47,110,111,
112,193
248
Név- es târgymutatô
Bruckner, Anton io, 22, 57, 70, 72, 73,121,
129,139,143,193,196-198, 202, 203,
209-217, 220, 221
0. (d-moll) szimfônia 58, 59, 60,112
1. (c-moll) szimfônia 58, 59, 60
2. (c-moll) szimfônia 45, 58, 59, 60
3. (d-moll) szimfônia 58, 59, 214
4. (Esz-dur) szimfônia 58,193,195
5. (B-dûr) szimfônia 58
6. (A-dur) szimfônia 58
7. (E-dûr) szimfônia 45, 214
8. (c-moll) szimfônia 58
Buber, Martin 208
Budapest 19, 30, 67, 68, 69,112,192, 205,
207-208, 209
Burke, Edmund 38
Burney, Charles 40
Caballero, Carlo 27, 60,174
Callot, Jacques 30
Cangiasi, Giovanni Antonio 41
Scherzi forastieri per suonare (op. 8) 41
Carver, Anthony F. 60, 217
Castle, Terry 34, 36, 45, 59
Celestini, Federico 27,188
Chailly, Riccardo 181
Chapman, Roger E. 46
Cherlin, Michael 27
Chopin, Fryderyk 18, 22, 24,173
C-dûr mazurka (op. 7/5) 173
cisz-moll scherzo (op. 39) 22
Barcarolle (op. 60) 18
Chua, Daniel K. L. 46, 48
Coad, Philip 58
Cohn, Richard 27, 33, 35,137,171,172
Csajkovszkij, Pjotr Iljics 22, 24
5. (e-moll) szimfônia (op. 64) 72
6. (h-moll) szimfônia („Patetikus”, op.
74)25
Csobô Péter 19
Dahlhaus, Carl 11,16,18,19, 32, 37, 38,107,
137
Darcy, Warren 127,158
Debussy, Claude 22
Deschamps, Émile 51, 52
Dobszay Laszlo 204
Dolinszky Miklôs 57
Doppelgänger (mint jelenség) 35-36
Draughon, Francesca 54, 72,179,198
Drezda (Németorszâg) 180
Dukas, Paul 22, 61,175
A büveszinas 22, 24, 60, 61, 62-64,174,
219
Dvorak, Antonín 24,111
Scherzo capriccioso (op. 66) 24, 55,56
7. (d-moll) szimfönia (op.70) 110
Eggebrecht, Hans Heinrich 75-82, 93, 95,
109,150,151,193,196, 202, 210
Eichendorff, Joseph von 185
Elschek, Oskar 211
Emerson, Ralph Waldo 167
Escher, Maurits Cornelius 2,173
Feldman, Walter Zev 213
Fibich, Zdenek 55,111
1. (F-dür) szimfönia (op. 17) 111
2. (Esz-dür) szimfönia (op. 38) 55,111
3. (e-moll) szimfönia (op. 53) 111
Floros, Constantin 68, 72, 75-81, 93,120,
125,159, 208
formai jelölö 83, 92,107,121,171,
Fowler, Alastair 15,16
Freud, Sigmund 11, 27-32,35“37 38, 54,
60,137,150, 220, 221
Fried, Oskar 181,182,183
Fuchs, Robert 42
Fucik, Julius ill
Firenzei indulö (op. 214) 111
Gladiätorok bevonuläsa (op. 68) 111
Genee, Richard 189
Gilliam, Biyan 20
Goehr, Lydia 38
Goethe, Johann Wolfgang 30, 60,159,185
Göllerich, August 214
Graf, Max 70
Guiraud, Emest 30
Gyäni Gabor 215
Haitink, Bernard 181
halältänc 42, 53-54,120
Hamburg (Nemetorszag) 19, 30, 43, 67, 68,
69, 216
Hamburger Klara 53
Hamilton, Kenneth 53
Harnoncourt, Nikolaus 40, 41, 70
Hatten, Robert S. 184,185
Hauptmann, Moritz 202
Haydn, Joseph 22, 24, 38,41,42,46, 47, 70
47. (G-dür) szimfönia 47
Nev- es tärgymutatö
249
A-dür szonäta (Hob. XVI:26/2) 47
Londoni szimföniäk 42
Vonösnegyesek (op. 33) 38, 41
Hefling, Stephen A. 75, 76, 96,130,150,
184,185
Heine, Heinrich 184,185
Helm, Theodor 70, 71, 208
Hepokoski, James 24,39,198,199
Hirschfeld, Robert 70
Hoffmann, E. T. A. 11, 28-31, 33-38, 48,
154,156,159
Hofstaedter, Douglas R. 173
Holoman, D. Kern 50,112
Hooker, Lynn 204
Hopkins, Robert G. 83
humor 21, 22, 25, 29, 41,109,112, 210,
220
Idelsohn, Abraham Zvi 205
Iglau (Jihlava, Csehorszäg) 200, 201, 211
Jaros, Zdenek 200
Jauss, Hans Robert 17
Jentsch, Ernst 28, 33-35, 47
Johnson, Julian 29, 201
Kafka, Franz 208
Kalbeck, Max 18
Kallberg, Jeffrey 15,16,17,19, 20,109
Kant, Immanuel 38,130
Kaplan, Richard 76,124,149,159
Karädy Viktor 208
Karbusicky, Vladimir 209
kataklizma 150,156,159,160,164,168,
203,
keringö (valcer) 40, 42, 46, 47, 54, 55, 56,
68, 70-72,111,180,182-185,189,193
Kirby, Frank E. 23, 42
Kirnbeger, Johann Philipp 47
kiserteties (unheimlich - Freud kategöriäja)
11, 27-29, 32-38, 45, 53, 60,137,150,
220, 221
Klemperer, Otto 181,182
Knapp, Raymond 120,179,183,184,190,
191,193,196,197, 209, 215, 216
kockajätek (zenei) 46-48
Kodäly Zoltän 204
Korngold, Julius 29
Kramer, Lawrence 27-28, 36
Krzyzanowski, Rudolf 214
Kurth, Ernst 137
La Grange, Henry-Louis de 19, 28, 29, 30,
31, 32, 45, 67, 68, 69, 72, 75-81, 93,160,
175,180,182,183,186,190,191,192,193,
215, 217, 220
Landon, H. C. Robbins 46
Lanner, Joseph 183
Lemberg (Lviv, Ukrajna) 220
Lenau, Nikolaus 54, 55, 56
Lendvai Ernd 137
Lipiner, Siegfried 185
Liszt Ferenc 25, 39, 50, 55, 56, 70,107, 219
1. Mefisztö-keringö 54-55
Faust-szimfönia 25, 52
Ket epizöd Lenau Faustjaböl 54
Louis, Rudolf 221
Lynch, David 156
Macdonald, Hugh 41
Mahler, Alma 28, 31, 32, 45
Mahler, Gustav
1. (D-dür) szimfönia 19, 30, 67, 68, 70,
72,109,115,116-117,126,127-128,129,
132,137,139,140,143,144-145,150,
160,179,182,192, 205, 206-207, 208,
209, 210, 217
2. (c-moll) szimfönia 9,10,11, 26, 42,
58, 60, 67, 75, 83, 84-90, 95, 97, 98-99,
100-103,104,109, ill, 112,115,120,
122,124,126,129,130,133-135,136,
137,140-142,143,146-148,150,151,
155,157-160,165,166,174,179,180,
185,190,192-194,197, 205, 209, 210,
211-212, 215, 216, 217, 219, 220, 221
3. (d-moll) szimfönia 18, 26,115,124,
152,165,175,180,190
4. (G-dur) szimfönia 18, 54, 94,115,118,
158
5. (cisz-moll) szimfönia 22, 26, 45, 55,
126.143.183
6. (a-moll) szimfönia 54,115,124,158
7. (e-moll) szimfönia 26,124
8. (Esz-dür) szimfönia 158
9. szimfönia 25, 54, 71, 96, 97,115,120,
121.124.184
10. szimfönia 26
A fiü csodakürtje 185,188,189,191,192
Dal a Földröl 112,113-114,115,119,124,
160,162-163
Egy vändorlegeny dalai 130,143,159,
185
Hans und Grethe 71
250
Név- és tárgymutató
Maitanz im Grünen 71
Päduai Szent Antal a halaknak predikäl
11, 81,109,121,161,167,182,183,187-
192,193, 213, 215, 216
Panaszos dal 185
Mahler, Otto 215
Marschalk, Max 181,187
Marston, Nicholas 27
Martner, Knud 31, 43, 58, 68, 70,189, 201
McClatchie, Stephen 67, 200, 201, 210
Megerle, Johann Urlich 188,189
Mendelssohn-Bartholdy, Felix 10, 22, 24
Szentiväneji älom - kiserözene (op. 61)
22, 50, 52-53,121,123
Mickiewicz, Adam 185
Micznik, Vera 17, 72,115,165,174
Millöcker, Carl 189
Mitchell, Donald 44, 58, 68, 69, 71, 72,129,
191,199, 205, 209, 214, 215
Monteverdi, Claudio 41
Scherzi musicali 41
Moricz Klara 205
moto perpetuo 72,120,124,131,174
Mozart, Leopold 197
Mozart, Wolfgang Amadeus 40,46,70,197
Don Giovanni 40
C-diir szimfönia (^Jupiter”, K. 551) 57
g-moll szimfönia (K. 550) 40, 57
müfaj (ältaläban) 15-18
müfaji szerzödes 17,18, 72,109,121,130,
132,136,139,150,168,170
München (Nemetorszäg) 180
nepi (nepies) 24,4L 58, 71, 72, m, 197,198,
199, 204, 209, 211,
Nietzsche, Friedrich 11,165,167,175
Norrington, Roger 181,182
Notker Balbulus 160
Notley, Margaret 214, 215
Offenbach, Jacques 30
Hoffmann mesei 30
Oszträk-Magyar Monarchia 11,189, 200
Päduai Szent Antal 188,193
Painter, Karen 208
Palma, Brian de 156
Palmer, John R. 161,167,168,169,190, 210
Pascall Robert 15,16, 22
pasztoral, pasztorälis 95,115,130,131,132,
136,153,155,156,158,159,164,167,
196,197
Paul, Jean 19
Peattie, Thomas 115
permutáció 46, 47, 48,108,153-156,159,
160,164,165,167-171,175, 219,
perpetuum mobile 42, 43, 51, 52,120,149,
174,181,184
Pester Lloyd 68, 70, 205, 208
Pfohl, Ferdinand 30
Praga (Csehország) 29, 58, 68,111, 205, 213
program (programzene) 9, 24, 30, 32, 37, 39,
44, 52, 53, 54, 55, 61, 68, 69, 75, 77, 96,
131,143,174,180,187,199, 204, 205, 219
Puccini, Giacomo 201
Puliti Scherzi, capricci etfantasie 41
Puliti, Gabrielo 41
Ratner, Leonard G. 46, 47
Ravel, Maurice 22
La valse 54, 56
Nemes és érzelmes keringök 56
Regenhart András 51
Reger, Max 22
Reilly, Edward R. 75, 76, 77, 78, 79, 81, 82,
93,107,185,190
Rheinberger, Josef 42
Richter, Johann Friedrich lásd: Paul, Jean
Riemann, Hugo 137, 202
Riley, Matthew 201, 202, 203
Rosé, Arnold 191
Rott, Hans 55
1. (E-dúr) szimfönia 55
Ruprecht, Lucia 49
Rushton, Julian 50, 52
Russel, Tildan A. 41
Sage, Victor 34
Saint-Saëns, Camille 24
Haláltánc (op. 40) 24, 54
Salmen, Walter 204, 213
Salzburg (Ausztria) 188
Samson, Jim 15
Samuels Robert 17,43, 53, 54,74,183
Sárosi Bálint 203, 204, 213
Schalk, Franz 68
scherzo (általános felépítése) 23
scherzo (mint müfaj) 18, 20, 22
scherzo (müfaj) torténete 38-40
Schiedermair, Ludwig 210
Schillings, Max von 210
Schindler, Alma lásd: Mahler, Alma
Schmierer, Elisabeth 189
Schopenhauer, Arthur 11,32,130,150,152
Név- és tárgymutató
251
Schönberg, Arnold 21, 22, 58, 59,107,
no, 143
Schubert, Franz 22
4. (c-moll) szimfönia (D. 417) 58
5. (B-dür) szimfönia (D. 485) 58
Teli utazäs (D. 911) 197
Schuch, Ernst von 180
Schumann, Robert 10, 22, 24, 39, 58,150,
184,185,187,190
Nyitäny, scherzo es finale (op. 52) 25
A költö szerelme (op. 48) 150,184,186
Fuvoläzäs, hegedüles hallatszik (op.
48/9) 150,184,185,187
Schwarz, David 27
Sellars, Roy 35
Shakespeare, William 50
Romeo es Julia 50, 52
Szentiväneji alom 53
Sheinberg, Esti 164, 209
Shulstad, Reeves 53
Smetana, Bedfich 201
Dalibor 201
Sosztakovics, Dmitrij 10
Speer, Daniel 189
Spohr, Louis 45
2. (d-moll) szimfönia (op. 49) 45
Stefan, Paul 68, 69
Steinbeck, Wolfram 24, 25,150,191
Steinitzer, Max 29
Stephan, Rudolf 75, 76, 77, 78, 79, 80, 81,
93,188,189
Strauss, ilj. Johann 112,183,184,189
Strauss, Richard 20,107
Burleske 25
Imigyen szölott Zarathustra (op. 30) 20,
165
Till Eulenspiegel vidäm csinjei (op. 28)
24
Stravinsky, Igor 24
Scherzo fantastique (op. 3) 24
Petruska 25
Tavaszi äldozat 54
Suppe, Franz von 189
Szaminszkij Lazar (Saminsky, Lazare) 204,
205, 208
szonátaforma 24, 39, 43, 59, 72, 73, 76, 96,
103,107,110,111,129, 216
Szôke Â. Katalin 47
Taj-po, Li 160
tánc (tánczene) il, 17,18,19, 23, 24, 25,
26, 29, 40, 41,42, 43, 46-49, 52,
68, 70, 71, 72, ni, 115,120,136,153,
155,156,158,159,161,164,167,173,
179-185,187,189,191,197,198, 209,
219, 220
Tibbe, Monika 76,150,184
Todorov, Tzvetan 17
Toncrová, Marta 211
Tornyai Péter 48
trios forma 39,57, 58,111
Ujfalussy Jôzsef 16
valcer lâsd: keringo
Vanesa István 15
variáció (variációs elv) 110,111,152
végtelen forma 39,57,108,127,171,172,173,
174,175, 219
Verdi, Giuseppe 54, 201
Traviata 54
Vikárius László 216
Wagner, Richard 95, 214, 217
Walter, Bruno 29,120,181,182
Weber, Carl Maria von 70,185
A büvös vadász 70,183,185
Felhívás keringöre (op. 65) 70
Webster, James 38, 47
Weiß, Günther 28, 32, 45, 220
Whitman, Walt 22
Wicke, Peter 23, 54, 70,179
Williams, Ralph Waughan 22
1. szimfönia (A tenger”) 22
Williamson, John G. 30,158
Wittgenstein, Paul 72
Youens, Susan 137
zsidó (zsidóság) 30, 200, 201, 204, 205, 208,
209, 210, 213, 215, 216, 220, 221
|
any_adam_object | 1 |
author | Péteri, Lóránt 1976- |
author_GND | (DE-588)1028029462 |
author_facet | Péteri, Lóránt 1976- |
author_role | aut |
author_sort | Péteri, Lóránt 1976- |
author_variant | l p lp |
building | Verbundindex |
bvnumber | BV043594919 |
ctrlnum | (OCoLC)959564781 (DE-599)BVBBV043594919 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02258nam a2200469 c 4500</leader><controlfield tag="001">BV043594919</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160920 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160610s2015 agl| |||| 00||| hun d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786155062216</subfield><subfield code="9">978-615-5062-21-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)959564781</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043594919</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">hun</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Péteri, Lóránt</subfield><subfield code="d">1976-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1028029462</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mahler, a scherzo és a "kísérteties"</subfield><subfield code="c">Péteri Lóránt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Budapest</subfield><subfield code="b">Rózsavölgyi</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">251 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Musica scientia</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverzeichnis: Seiten 239-246</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mahler, Gustav</subfield><subfield code="d">1860-1911</subfield><subfield code="0">(DE-588)118576291</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Scherzo</subfield><subfield code="0">(DE-588)4179504-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Mahler, Gustav</subfield><subfield code="d">1860-1911</subfield><subfield code="0">(DE-588)118576291</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Scherzo</subfield><subfield code="0">(DE-588)4179504-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSBWK1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029009219</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">355.009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">436</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">355.009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">439</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">355.009</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">436</subfield></datafield></record></collection> |
id | DE-604.BV043594919 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:30:32Z |
institution | BVB |
isbn | 9786155062216 |
language | Hungarian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029009219 |
oclc_num | 959564781 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 251 Seiten Illustrationen, Notenbeispiele |
psigel | BSBWK1 |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Rózsavölgyi |
record_format | marc |
series2 | Musica scientia |
spelling | Péteri, Lóránt 1976- Verfasser (DE-588)1028029462 aut Mahler, a scherzo és a "kísérteties" Péteri Lóránt Budapest Rózsavölgyi 2015 251 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musica scientia Literaturverzeichnis: Seiten 239-246 Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Geschichte gnd rswk-swf Scherzo (DE-588)4179504-0 gnd rswk-swf Mahler, Gustav 1860-1911 (DE-588)118576291 p Scherzo (DE-588)4179504-0 s Geschichte z DE-604 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
spellingShingle | Péteri, Lóránt 1976- Mahler, a scherzo és a "kísérteties" Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Scherzo (DE-588)4179504-0 gnd |
subject_GND | (DE-588)118576291 (DE-588)4179504-0 |
title | Mahler, a scherzo és a "kísérteties" |
title_auth | Mahler, a scherzo és a "kísérteties" |
title_exact_search | Mahler, a scherzo és a "kísérteties" |
title_full | Mahler, a scherzo és a "kísérteties" Péteri Lóránt |
title_fullStr | Mahler, a scherzo és a "kísérteties" Péteri Lóránt |
title_full_unstemmed | Mahler, a scherzo és a "kísérteties" Péteri Lóránt |
title_short | Mahler, a scherzo és a "kísérteties" |
title_sort | mahler a scherzo es a kiserteties |
topic | Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Scherzo (DE-588)4179504-0 gnd |
topic_facet | Mahler, Gustav 1860-1911 Scherzo |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029009219&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT peterilorant mahlerascherzoesakiserteties |