Museums in a digital culture: how art and heritage become meaningful
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis Klappentext Inhaltsverzeichnis |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Beschreibung: | 141 Seiten Illustrationen |
| ISBN: | 9789089646613 |
| DOI: | 10.1515/9789048524808 |
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CONTENTS
I
NTRODUCTION
7
MUSEUMS IN A DIGITAL CULTURE: HOW ART AND HERITAGE BECOME
MEANINGFUL
CHIEL VAN DEN AKKER AND SUSAN LEGENE
1 T
OUCHED FROM A DISTANCE
13
THE PRACTICE OF AFFECTIVE BROWSING
MARTIJN STEVENS
2 V
ISUAL TOUCH
31
EKPHRASIS
AND INTERACTIVE ART INSTALLATIONS
CECILIA LINDHE
3 B
REATHING ART
41
ART AS AN ENCOMPASSING AND PARTICIPATORY EXPERIENCE
CHRISTINA GRAMMATIKOPOULOU
4 C
URIOSITY AND THE FATE OF CHRONICLES AND NARRATIVES
57
CHIEL VAN DEN AKKER
5 N
ETWORKED KNOWLEDGE AND EPISTEMIC AUTHORITY IN THE
DEVELOPMENT OF VIRTUAL MUSEUMS
75
ANNE BEAULIEU AND SARAH DE RIJCKE
6 B
ETWEEN HISTORY AND COMMEMORATION
93
THE DIGITAL MONUMENT TO THE JEWISH COMMUNITY IN THE NETHERLANDS
SERGE TER BRAAKE
7 F
ROM THE SMITHSONIAN*S MACFARLANE COLLECTION TO INUVIALUIT
LIVING HISTORY
109
KATE HENNESSY
C
ONCLUSION
129
CHIEL VAN DEN AKKER
NO
TES ON CONTRIBUTORS
135
I
NDEX
139
LIST OF FIGURES
FIGURE 1
P
HILIP JAMES DE LOUTHERBOURG.
THE VISION OF THE WHITE
HORSE
1798
28
FIGURE 2 C
HAR DAVIES. BREATHING AND BALANCE INTERFACE USED IN THE
PERFORMANCE OF IMMERSIVE VIRTUAL REALITY ENVIRONMENTS
OSMOSE
(1995) AND
EPHEMERE
(1998)
47
FIGURE 3
C
HAR DAVIES. FOREST GRID,
OSMOSE
(1995). DIGITAL STILL
CAPTURED IN REAL-TIME THROUGH HMD (HEAD-MOUNTED
DISPLAY) DURING LIVE PERFORMANCE OF THE IMMERSIVE VIRTUAL
ENVIRONMENT
OSMOSE
49
FIGURE 4 G
EORGE KHUT.
CARDIOMORPHOLOGIES V.2
(2005). INTERACTIVE
INSTALLATION
51
FIGURE 5
C
HRISTA SOMMERER AND LAURENT MIGNONNEAU.
MOBILE
FEELINGS II
(2003). INTERFACE DEVICES
53
FIGURE 6 A
NTON RAPHAEL MENGS (1772/73).
THE TRIUMPH OF HISTORY
OVER TIME: ALLEGORY OF THE MUSEUM CLEMENTINUM
. CEILING
FRESCO IN THE CAMERA DEI PAPIRI, VATICAN LIBRARY
59
FIGURE 7 S
CREENSHOT FROM THE DIGITAL MONUMENT TO THE JEWISH
COMMUNITY
95
FIGURE 8 A
LBERT ELIAS AND TEAM MEMBERS DISCUSSING AN INUVIALUIT
HUNTING BOW IN THE SMITHSONIAN*S MACFARLANE COLLECTION
AT THE NATIONAL MUSEUM OF NATURAL HISTORY 2009
111
FIGURE 9 H
ANDWRITTEN LABEL IN THE MACFARLANE COLLECTION 2009
117
FIGURE 10 S
CREENSHOT FROM
INUVIALUIT LIVING HISTORY
121
Information and communication technology allows new forms of engaging
with art and artifacts. We touch and are touched by (installation) art and
artifacts, and intuitively and affectively browse and navigate heritage
collections online. Databases and interfaces online and onsite mediate our
access to and interpretation of art and artifacts. Information technology is
therefore a transformative cultural phenomenon, providing new sensory
experiences and affective responses, and new knowledge infrastructures to
access and interpret the objects belonging to our cultural heritage.
This collection of essays invites readers to think along with the authors
about the cultural meaning of information and communication technology.
How is the sensory experience of art and heritage to be theorized? What
does information technology mean for the authority, appropriation
and ownership of heritage? And how does it affect the acquisition and
production of knowledge? These are some of the questions addressed in
this interdisciplinary take on art and heritage in a digital culture.
Dr. Chiel van den Akker is assistant professor of Historical Theory at
the Department of Art and Culture, History and Antiquities at the Vrije
Universiteit Amsterdam. His research focuses on narrative theory and
interpretation in relation to (online) museums, art, and history.
Dr. Susan Legêne is professor of Political History at the Department of Art
and Culture, History and Antiquities at the Vrije Universiteit Amsterdam.
Her research focuses on processes of inclusion and exclusion in colonial and
Contents
Introduction 7
Museums in a Digital Culture: How Art and Heritage Become
Meaningful
ChieL van den Akker and Susan Legene
1 Touched from a Distance 13
The Practice of Affective Browsing
Marti]n Stevens
2 Visual Touch 31
Ekphrasis and Interactive Art Installations
Cecilia Lindhe
3 Breathing Art 41
Art as an Encompassing and Participatory Experience
Christina Grammatikopoulou
4 Curiosity and the Fate of Chronicles and Narratives 57
ChieL van den Akker
5 Networked Knowledge and Epistemic Authority in the
Development of Virtual Museums 75
Anne Beaulieu and Sarah de Rijcke
6 Between History and Commemoration 93
The Digital Monument to the Jewish Community in the Netherlands
Serge ter Braake
7 From the Smithsonian's MacFarlane Collection to Inuvialuit
Living History 109
Kate Hennessy
Conclusion 129
ChieL van den Akker
Notes on Contributors 135
Index
139 |
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| discipline | Kunstgeschichte Allgemeines Informatik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| doi_str_mv | 10.1515/9789048524808 |
| era | Geschichte 2000-2016 gnd |
| era_facet | Geschichte 2000-2016 |
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| publisher | Amsterdam University Press |
| record_format | marc |
| spellingShingle | Museums in a digital culture how art and heritage become meaningful Neue Medien (DE-588)4196910-8 gnd Museum (DE-588)4040795-0 gnd Kulturgüterschutz (DE-588)4165975-2 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4040795-0 (DE-588)4165975-2 (DE-588)4143413-4 |
| title | Museums in a digital culture how art and heritage become meaningful |
| title_auth | Museums in a digital culture how art and heritage become meaningful |
| title_exact_search | Museums in a digital culture how art and heritage become meaningful |
| title_full | Museums in a digital culture how art and heritage become meaningful edited by Chiel van den Akker and Susan Legêne |
| title_fullStr | Museums in a digital culture how art and heritage become meaningful edited by Chiel van den Akker and Susan Legêne |
| title_full_unstemmed | Museums in a digital culture how art and heritage become meaningful edited by Chiel van den Akker and Susan Legêne |
| title_short | Museums in a digital culture |
| title_sort | museums in a digital culture how art and heritage become meaningful |
| title_sub | how art and heritage become meaningful |
| topic | Neue Medien (DE-588)4196910-8 gnd Museum (DE-588)4040795-0 gnd Kulturgüterschutz (DE-588)4165975-2 gnd |
| topic_facet | Neue Medien Museum Kulturgüterschutz Aufsatzsammlung |
| url | https://www.doabooks.org/doab?func=search&query=rid:38342 https://doi.org/10.1515/9789048524808 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028994787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028994787&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028994787&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT akkerchielvanden museumsinadigitalculturehowartandheritagebecomemeaningful AT legenesusan museumsinadigitalculturehowartandheritagebecomemeaningful |