The grotesque in contemporary Anglophone drama:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave Macmillan
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 178 Seiten |
| ISBN: | 9781137513175 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
1 Introduction: The Grotesque and Contemporary Drama 1
2 Engaging Monsters: Philip Ridley 29
3 Wild Justice: Mark O’Rowe 57
4 Life in a Box: Enda Walsh 81
5 Mutabilities: Suzan-Lori Parks 103
6 Imagine This: Tim Crouch 131
7 Afterword: The Grotesque and Spectatorship 163
Index
171
Following on from the work of art historians and literary and cultural theorists, this book
examines the ways in which varieties of the grotesque function in the plays of Philip Ridley,
Mark O Rowe, Enda Walsh, Suzan-Lori Parks, and Tim Crouch.
The term grotesque has been frequently applied in commentaries on some of the most
exciting contemporary drama, without much further elucidation. By producing visions of an
alienated world, engendering simultaneous attraction and repulsion, and often triggering
laughter that comes with a chill in the spine, the grotesque attacks both aesthetic and social
conventions and requires a creative use of the imagination on the part of the spectators.
The book argues that as such, the grotesque in the works of the selected playwrights solicits
profound audience engagement with urgent ethical, social and political issues. The inevitable
openness caused by the grotesque demonstrates the authors faith in the deliberative powers
of their audience, which stands in contrast to the ready-made choices offered by overtly
committed political theatre.
|
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| author | Pilný, Ondřej 1970- |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1990-2010 gnd |
| era_facet | Geschichte 1990-2010 |
| format | Book |
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| isbn | 9781137513175 |
| language | English |
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| title | The grotesque in contemporary Anglophone drama |
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