George Shaw - My back to nature:
"George Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, he meditates on the central themes of relationships, ancestry and love. His preferred medium, Humbrol enamel pai...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
National Gallery Company
[2016]
[New Haven, Conn.] Yale University Press [2016] |
Schlagworte: | |
Zusammenfassung: | "George Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, he meditates on the central themes of relationships, ancestry and love. His preferred medium, Humbrol enamel paints, is a deliberate means of distancing himself from the traditions of oil painting. Yet as a teenager in Coventry, Shaw developed a deep relationship with the National Gallery, making regular day trips to London to draw from those artists he found inspiring. In 2014, Shaw began a two-year residency as Associate Artist in the Gallery, finding new inspiration from the Collection. Although the evocative works he made during this period appear strictly representational, they allude not only to the religious and mythological stories told in the paintings of Bellini, Crivelli, Titian, Poussin and Contable, but also to the popular and lowbrow films and magazines of his youth. This new series of paintings, Shaw's first on canvas, is reproduced here, together with working drawings and an illuminating essay by the artist himself"--Back cover |
Beschreibung: | Published to accompany the exhibition 'George Shaw: My Back to Nature', the National Gallery, London, 11 May - 30 October 2016 Includes bibliographical references (pages 105-106) |
Beschreibung: | 109 pages 27 cm |
ISBN: | 9781857096033 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043575602 | ||
003 | DE-604 | ||
005 | 20161110 | ||
007 | t| | ||
008 | 160531s2016 xx |||| 00||| eng d | ||
020 | |a 9781857096033 |9 978-1-85709-603-3 | ||
035 | |a (OCoLC)952564918 | ||
035 | |a (DE-599)BVBBV043575602 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 |a DE-11 | ||
084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
100 | 1 | |a Shaw, George |d 1966- |0 (DE-588)12410259X |4 art |4 aut | |
245 | 1 | 0 | |a George Shaw - My back to nature |c George Shaw with an introduction by Colin Wiggins |
246 | 1 | 3 | |a My back to nature |
264 | 1 | |a London |b National Gallery Company |c [2016] | |
264 | 1 | |a [New Haven, Conn.] |b Yale University Press |c [2016] | |
300 | |a 109 pages |c 27 cm | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Published to accompany the exhibition 'George Shaw: My Back to Nature', the National Gallery, London, 11 May - 30 October 2016 | ||
500 | |a Includes bibliographical references (pages 105-106) | ||
505 | 8 | |a Director's foreword -- 'Naked women and pictures of Jesus' / Colin Wiggins -- Rooms used in daylight as though they were dark woods / George Shaw -- Artist biography -- List of exhibited works | |
520 | |a "George Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, he meditates on the central themes of relationships, ancestry and love. His preferred medium, Humbrol enamel paints, is a deliberate means of distancing himself from the traditions of oil painting. Yet as a teenager in Coventry, Shaw developed a deep relationship with the National Gallery, making regular day trips to London to draw from those artists he found inspiring. In 2014, Shaw began a two-year residency as Associate Artist in the Gallery, finding new inspiration from the Collection. Although the evocative works he made during this period appear strictly representational, they allude not only to the religious and mythological stories told in the paintings of Bellini, Crivelli, Titian, Poussin and Contable, but also to the popular and lowbrow films and magazines of his youth. This new series of paintings, Shaw's first on canvas, is reproduced here, together with working drawings and an illuminating essay by the artist himself"--Back cover | ||
600 | 1 | 4 | |a Shaw, George / 1966- / Exhibitions |
600 | 1 | 7 | |a Shaw, George |d 1966- |0 (DE-588)12410259X |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x The National Gallery |y 11.05.2016-30.10.2016 |z London |2 gnd-content | |
689 | 0 | 0 | |a Shaw, George |d 1966- |0 (DE-588)12410259X |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Wiggins, Colin |4 win | |
710 | 2 | |a The National Gallery (London) |0 (DE-588)1003322-1 |4 isb | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028990357 |
Datensatz im Suchindex
_version_ | 1818141589556428800 |
---|---|
adam_text | |
any_adam_object | |
author | Shaw, George 1966- |
author_GND | (DE-588)12410259X |
author_facet | Shaw, George 1966- |
author_role | aut |
author_sort | Shaw, George 1966- |
author_variant | g s gs |
building | Verbundindex |
bvnumber | BV043575602 |
classification_rvk | LI 99999 |
contents | Director's foreword -- 'Naked women and pictures of Jesus' / Colin Wiggins -- Rooms used in daylight as though they were dark woods / George Shaw -- Artist biography -- List of exhibited works |
ctrlnum | (OCoLC)952564918 (DE-599)BVBBV043575602 |
discipline | Kunstgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV043575602</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20161110</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">160531s2016 xx |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781857096033</subfield><subfield code="9">978-1-85709-603-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)952564918</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043575602</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shaw, George</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)12410259X</subfield><subfield code="4">art</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">George Shaw - My back to nature</subfield><subfield code="c">George Shaw with an introduction by Colin Wiggins</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">My back to nature</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">National Gallery Company</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[New Haven, Conn.]</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">109 pages</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Published to accompany the exhibition 'George Shaw: My Back to Nature', the National Gallery, London, 11 May - 30 October 2016</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 105-106)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Director's foreword -- 'Naked women and pictures of Jesus' / Colin Wiggins -- Rooms used in daylight as though they were dark woods / George Shaw -- Artist biography -- List of exhibited works</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"George Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, he meditates on the central themes of relationships, ancestry and love. His preferred medium, Humbrol enamel paints, is a deliberate means of distancing himself from the traditions of oil painting. Yet as a teenager in Coventry, Shaw developed a deep relationship with the National Gallery, making regular day trips to London to draw from those artists he found inspiring. In 2014, Shaw began a two-year residency as Associate Artist in the Gallery, finding new inspiration from the Collection. Although the evocative works he made during this period appear strictly representational, they allude not only to the religious and mythological stories told in the paintings of Bellini, Crivelli, Titian, Poussin and Contable, but also to the popular and lowbrow films and magazines of his youth. This new series of paintings, Shaw's first on canvas, is reproduced here, together with working drawings and an illuminating essay by the artist himself"--Back cover</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shaw, George / 1966- / Exhibitions</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shaw, George</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)12410259X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">The National Gallery</subfield><subfield code="y">11.05.2016-30.10.2016</subfield><subfield code="z">London</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shaw, George</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)12410259X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wiggins, Colin</subfield><subfield code="4">win</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">The National Gallery (London)</subfield><subfield code="0">(DE-588)1003322-1</subfield><subfield code="4">isb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028990357</subfield></datafield></record></collection> |
genre | (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog The National Gallery 11.05.2016-30.10.2016 London gnd-content |
genre_facet | Ausstellungskatalog Ausstellungskatalog The National Gallery 11.05.2016-30.10.2016 London |
id | DE-604.BV043575602 |
illustrated | Not Illustrated |
indexdate | 2024-12-11T11:02:16Z |
institution | BVB |
institution_GND | (DE-588)1003322-1 |
isbn | 9781857096033 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028990357 |
oclc_num | 952564918 |
open_access_boolean | |
owner | DE-255 DE-11 |
owner_facet | DE-255 DE-11 |
physical | 109 pages 27 cm |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | National Gallery Company Yale University Press |
record_format | marc |
spelling | Shaw, George 1966- (DE-588)12410259X art aut George Shaw - My back to nature George Shaw with an introduction by Colin Wiggins My back to nature London National Gallery Company [2016] [New Haven, Conn.] Yale University Press [2016] 109 pages 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Published to accompany the exhibition 'George Shaw: My Back to Nature', the National Gallery, London, 11 May - 30 October 2016 Includes bibliographical references (pages 105-106) Director's foreword -- 'Naked women and pictures of Jesus' / Colin Wiggins -- Rooms used in daylight as though they were dark woods / George Shaw -- Artist biography -- List of exhibited works "George Shaw is known for his minutely detailed and luminously atmospheric depictions of the urban landscape and woodlands of central England. Painting scenes from his native region, he meditates on the central themes of relationships, ancestry and love. His preferred medium, Humbrol enamel paints, is a deliberate means of distancing himself from the traditions of oil painting. Yet as a teenager in Coventry, Shaw developed a deep relationship with the National Gallery, making regular day trips to London to draw from those artists he found inspiring. In 2014, Shaw began a two-year residency as Associate Artist in the Gallery, finding new inspiration from the Collection. Although the evocative works he made during this period appear strictly representational, they allude not only to the religious and mythological stories told in the paintings of Bellini, Crivelli, Titian, Poussin and Contable, but also to the popular and lowbrow films and magazines of his youth. This new series of paintings, Shaw's first on canvas, is reproduced here, together with working drawings and an illuminating essay by the artist himself"--Back cover Shaw, George / 1966- / Exhibitions Shaw, George 1966- (DE-588)12410259X gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog The National Gallery 11.05.2016-30.10.2016 London gnd-content Shaw, George 1966- (DE-588)12410259X p DE-604 Wiggins, Colin win The National Gallery (London) (DE-588)1003322-1 isb |
spellingShingle | Shaw, George 1966- George Shaw - My back to nature Director's foreword -- 'Naked women and pictures of Jesus' / Colin Wiggins -- Rooms used in daylight as though they were dark woods / George Shaw -- Artist biography -- List of exhibited works Shaw, George / 1966- / Exhibitions Shaw, George 1966- (DE-588)12410259X gnd |
subject_GND | (DE-588)12410259X (DE-588)4135467-9 |
title | George Shaw - My back to nature |
title_alt | My back to nature |
title_auth | George Shaw - My back to nature |
title_exact_search | George Shaw - My back to nature |
title_full | George Shaw - My back to nature George Shaw with an introduction by Colin Wiggins |
title_fullStr | George Shaw - My back to nature George Shaw with an introduction by Colin Wiggins |
title_full_unstemmed | George Shaw - My back to nature George Shaw with an introduction by Colin Wiggins |
title_short | George Shaw - My back to nature |
title_sort | george shaw my back to nature |
topic | Shaw, George / 1966- / Exhibitions Shaw, George 1966- (DE-588)12410259X gnd |
topic_facet | Shaw, George / 1966- / Exhibitions Shaw, George 1966- Ausstellungskatalog Ausstellungskatalog The National Gallery 11.05.2016-30.10.2016 London |
work_keys_str_mv | AT shawgeorge georgeshawmybacktonature AT wigginscolin georgeshawmybacktonature AT thenationalgallerylondon georgeshawmybacktonature AT shawgeorge mybacktonature AT wigginscolin mybacktonature AT thenationalgallerylondon mybacktonature |