Musical semiotics revisited:
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Poznań
Wydawnictwo Naukowe UAM
2014
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Schriftenreihe: | Interdisciplinary Studies in Musicology
14 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | 306 s. il. 24 cm |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | Contents
Contributors............................................. 7
From the Editors ........................................ 13
BYRON ALMEN (Austin)
The teleology of the sign user .......................... 15
SIGLIND BRUHN (Ann Arbor)
Apparebit repentina dies: Hindemith’s musical panorama
of Judgment Day......................................... 34
ANDREW DAVIS (Houston)
Interpreting Puccini’s Suor Angelica: An application of the
semiotics of temporality ............................... 48
WILLIAM P. DOUGHERTY (Des Moines)
What is a musical sign?: A guess at the riddle ....... 62
TRISTIAN EVANS (Bangor)
Thesis and antithesis: Resolving the dialectique in the first
movement of Debussy’s Violin Sonata .................... 84
jtlLIUS FUJAK (Nitra)
The commentary to some motifs of Peter Faltin s
semiotics of music .................................... 100
MARTA GRABOCZ (Strasbourg)
Narrative strategies of the Romantic “philosophical epics”
in the piano works of Franz Liszt ( o/Sposalizio,
Valee D’Obermann, Ballade No. 2 and the Sonata in
B minor)............................................... 113
WILLIAM M. HELMCKE (Amherst)
At the “Crux” of Henryk Gorecki’s Totus Tuus, Op. 60:
Signification of Polish Catholic Marian devotion........ 136
6
Contents
GRISELL MACDONEL (Helsinki)
Existential semiotic analysis of the temporal and
subjective dimensions of art music performance..... 151
DARIO MARTINELLI (Kaunas)
Cinema and popular music, a multifold relationship.
The cases of Ennio Morricone and David Lynch....... 162
JUHA OJALA (Oulu)
A Peircean approach to musicality ................. 175
MARK REYBROUCK (Leuven)
Musical sense-making between experience and
conceptualisation: the legacy of Peirce, Dewey and James 193
PAOLO ROSATO (Fermo)
Levels of modalization in existential and transcendental
analysis: The matter of being-in-self...... 206
EERO TARASTI (Helsinki)
Culture and transcendence.......................... 221
ELIZA KRUPINSKA (Krakow)
On Ruwet’s semiotically oriented theory of music... 249
JUSTYNA HUMI^CKA-JAKUBOWSKA (Poznan)
Electronic music in the perspective of semiotics... 258
PIOTR PODLIPNIAK (Poznan)
Domain-specific character of tonal cognition and its
consequences for the semiotics of music ... 274
MACIEJ JABLOIsISKI (Poznan)
Musicology as a meta-theory of musical meaning .... 298
|
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language | English |
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physical | 306 s. il. 24 cm |
publishDate | 2014 |
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series | Interdisciplinary Studies in Musicology |
series2 | Interdisciplinary Studies in Musicology |
spelling | Musical semiotics revisited edited by Maciej Jabłoński, Jakub Kasperski, Piotr Podlipniak, Ewa Schreiber Theme issue: Musical Semiotics Revisited Poznań Wydawnictwo Naukowe UAM 2014 306 s. il. 24 cm txt rdacontent n rdamedia nc rdacarrier Interdisciplinary Studies in Musicology 14 Muzyka / filozofia i estetyka jhpk Analiza muzyczna jhpk Muzyka / historia i krytyka jhpk Semiotyka i muzyka jhpk Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikalische Semiotik (DE-588)4195308-3 s DE-604 Jabłoński, Maciej 1962- (DE-588)120939177 edt Interdisciplinary Studies in Musicology 14 (DE-604)BV022886739 14 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989162&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Musical semiotics revisited Interdisciplinary Studies in Musicology Muzyka / filozofia i estetyka jhpk Analiza muzyczna jhpk Muzyka / historia i krytyka jhpk Semiotyka i muzyka jhpk Musikalische Semiotik (DE-588)4195308-3 gnd |
subject_GND | (DE-588)4195308-3 (DE-588)4143413-4 |
title | Musical semiotics revisited |
title_alt | Theme issue: Musical Semiotics Revisited |
title_auth | Musical semiotics revisited |
title_exact_search | Musical semiotics revisited |
title_full | Musical semiotics revisited edited by Maciej Jabłoński, Jakub Kasperski, Piotr Podlipniak, Ewa Schreiber |
title_fullStr | Musical semiotics revisited edited by Maciej Jabłoński, Jakub Kasperski, Piotr Podlipniak, Ewa Schreiber |
title_full_unstemmed | Musical semiotics revisited edited by Maciej Jabłoński, Jakub Kasperski, Piotr Podlipniak, Ewa Schreiber |
title_short | Musical semiotics revisited |
title_sort | musical semiotics revisited |
topic | Muzyka / filozofia i estetyka jhpk Analiza muzyczna jhpk Muzyka / historia i krytyka jhpk Semiotyka i muzyka jhpk Musikalische Semiotik (DE-588)4195308-3 gnd |
topic_facet | Muzyka / filozofia i estetyka Analiza muzyczna Muzyka / historia i krytyka Semiotyka i muzyka Musikalische Semiotik Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989162&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV022886739 |
work_keys_str_mv | AT jabłonskimaciej musicalsemioticsrevisited AT jabłonskimaciej themeissuemusicalsemioticsrevisited |