Mim grecki w gatunkach literackich:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kraków
Polska Akademia Umiejętności
2015
|
| Schriftenreihe: | Prace Komisji Filologii Klasycznej PAU
Nr 47 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Register // Personenregister Literaturverzeichnis Abstract |
| Beschreibung: | Bibliografie Seite 151-158, Indizes |
| Beschreibung: | 170 Seiten 24 cm |
Internformat
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| 245 | 1 | 0 | |a Mim grecki w gatunkach literackich |c Kazimierz Korus |
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| 490 | 1 | |a Prace Komisji Filologii Klasycznej PAU |v Nr 47 | |
| 500 | |a Bibliografie Seite 151-158, Indizes | ||
| 546 | |a Zusammenfassung in englischer Sprache unter dem Titel: Greek mime in the literary genres | ||
| 650 | 7 | |a Literatura grecka / historia i krytyka |2 jhpk | |
| 650 | 7 | |a Rodzaje i gatunki literackie / historia i krytyka |2 jhpk | |
| 650 | 0 | 7 | |a Literaturgattung |0 (DE-588)4074285-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Griechisch |0 (DE-588)4113791-7 |2 gnd |9 rswk-swf |
| 688 | 7 | |a Mimus |0 (DE-2581)TH000005201 |2 gbd | |
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| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Personenregister |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
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Datensatz im Suchindex
| _version_ | 1804176251866316800 |
|---|---|
| adam_text | Spis tresci
Wst^p........................................................................... 5
I. W poszukiwaniu kryterium rozpoznawania gatunku. Mimy Herodasa........... 9
Wst^p....................................................................... 9
1. Trudnosci genologiczne................................................... 9
2. Pojecie mimu......................................................... 10
3. Mim czy komedia - mroczne pocz^tki................................... 13
a. Komedia i jambografia w mimach Herodasa............................... 13
b. Mim i komedia - razem czy osobno. Wplyw jambograñi................ 17
4. Mim i komedia - wzajemne wplywy strukturalne......................... 24
a. Mim i funkcje chóru w komedii......................................... 25
b. Mim i komediowe struktury:prólogos, epeisódia, éksodos............ 28
5. Cel mimu jako gatunku literackiego - gelotopoiéin i co to znaczy?.... 32
6. Wyrózniki gatunkowe mimu jako kryterium jego rozpoznawania w gatun-
kach literackich...................................................... 36
II. Mim w strukturach epickich.............................................. 37
Wst^p................................................................... 37
1. Dlaczego najpierw Odyseja?............................................... 37
2. Odyseja i Epicharm...................................................... 38
3. Gdzie szukac mimu w Odysei ~ wskazówki Lukiana....................... 41
4. Piesñ Demodoka (VIII 266-369) jako struktura mimiczna................ 45
5. Iliada - scena z Tersytesem (II 212-278)............................. 57
a. Sugestie nowozytnych uczonych...................................... 58
b. Wskazówki starozytnych............................................... 59
c. Analiza sceny z Tersytesem........................................... 62
6. Hezjoda opowiadanie o Pandorze (Prace i dni, w. 50-105).............. 67
a. Mizoginizm - geneza toposu literackiego.............................. 68
b. Opowiadanie czy mim?................................................. 70
7. Podsumowanie rozdzialu - mimy diegematyczne............................. 72
III. Mim w liryce.............................................................. 73
Wst^p....................................................................... 73
1. Homeryckie Hymny. Od zartu do mimu................................... 74
2. lambe a nie Baubo, czyli o kryterium estetyki zartu w Hymnie do Demeter . 75
170
3. Kallimach przejmuje tradycje literackq.. Hymn do Demeter.............. 81
4. Hymn do Hermesa. Elementy komiezne czy mim?........................... 85
5. Scena klótni Hermesa z Apollonem (w. 235-496) jest mimem.............. 86
6. Dramatyczna liryka Teokryta........................................... 89
7. Pharmakéutria - miíosna piesñ liryezna czy mim?....................... 89
a. Stan badañ.......................................................... 91
b. Struktura pierwszej cz^sci utworu.................................. 93
c. Piesñ liryezna czy mim. Analiza cz^sci drugiej.................. 102
8. Podsumowanie rozdzialu............................................. 105
IV. Mim w dramacie: tragedia, komedia..................................... 107
Wstep................................................................. 107
1. Tragedia: od radosci do trwogi..................................... 108
2. Mim w Orestei Ajschylosa........................................... 112
3. Struktura mimiezna Ajschylosa w komedii Arystofanesa............... 118
a. Funkcja prologu w Orestei.......................................... 118
b. Prolog Acharnejczyków............................................. 119
4. Mim w strukturze Acharnejczyków...................................... 121
a. Akcja i konstrukeja seen mimicznych.............................. 122
b. Sposoby wi^zania seen mimicznych w cz$sci pierwszej (przed parabazq) 124
c. Sposób wi^zania mimów w cz^sci drugiej (po parabazie)............. 127
5. Podsumowanie calego rozdziahx...................................... 132
V. Mim w dialogach Platona............................................... 133
Wst?p................................................................. 133
L Stan badañ.......................................................... 135
2. Eutydem - dialog diegematyczny....................................... 136
3. Ion - dialog dramatyezny............................................. 140
4. Podsumowanie rozdzialu............................................... 143
Zakoñczenie............................................................... 145
Summary................................................................... 147
Bibliografía.............................................................. 151
Indeks osobowy.............................................................. 159
Indeks terminów literackich................................................. 165
Bayerische
Staatsbibliothek
München
Indeks osobowy
Indeks nie obejmuje postaci mitycznych, legendarnych i literackich.
Autorzy starozytni sq wyroznieni pogrubionq czcionkq.
A
Ach a j os (Achaios) z Eretrii 84
Aga ton z Aten 108
Ajschylos (Aischylos, Aeschylus) 10, 11, 20, 96,
107-110, 112-115, 117-121, 126, 145, 148
Alessio Giovanni Battista 79
Alkimos 135
Aly Wolfgang 61, 151
Ameis Karl Friedrich 62, 151
Ammonius 15
Andersen 0ivind 59, 151
Andreassi Mario 9, 151
Andrews Nancy E. 95, 151
Ankarloo Bengt 92, 155
Apollodor z Aten 88
Apollonius z Rodos 82, 84
Appel Wlodzimierz 11, 23, 40, 74, 79, 151
Archiloch 23, 33
Arthur (Katz) Marylin B. 74, 78
Arystarch z Samotraki 64
Arystofanes (Aristophanes) 23-25, 33, 37, 39,
73,74, 80-82, 84, 96,97, 108, 110, 118-127,
129-132, 145, 148
Arystoteles 11-13, 16-21, 23-25, 37, 38, 105,
109-114, 117, 119, 120, 134
Asklepiades z Myrlea 18
Atenajos (Athenaios) 10, 13, 21
Austin Colin 10, 12, 23, 38, 136, 153
B
Bannert Margaretha 90, 93, 151
Bartol Krystyna 10, 113, 151
Bielawski Krzysztof 115, 151
Blass Friedrich W. 45
Blumenthal Albrecht von 89
Blümer Wilhelm 68, 151
Bogucki Michal Konstanty 33, 43, 45, 98, 99
Brink Charles Oskar 19
Brown Norman Oliver 74, 85, 151, 155
Brück Erich 59, 155
Brumfield Allaire Chandor 77, 151
Bulloch Anthony W. 82-84, 89, 151
Burkert Walter 46, 75, 152
Burton Joan B. 89, 152
C
Calliachius Nicolaus 5
Chajremon z Aten 16
Chodkowski Robert R. 109, 112, 114, 115, 117,
118, 133, 152, 154
Cicero 79
Ciesla-Korytowska Maria 75, 155
Clark Stuart 92, 155
Comford Fracis M. 140, 152
Cooper Lane 13, 152
Cunningham Ian Campbell 13, 152
D
Danielewicz Jerzy 10, 20, 21, 34, 79, 81, 83, 84,
151, 152
Demetriusz 18
Demostenes 12
Dçbicki Antoni 115, 157
Dickie Matthew W. 95, 97, 152
160
Diehl Emestus 73
Dillon Matthew 108, 109, 152
Diogenes Laertios 12, 20, 39, 40, 133-135,
139
Diomedes 14, 15, 61, 63
Dion z Prusy 60
Dionizjusz z Halikamasu 60, 62, 67
Dorrie Heinrich 59, 154
Dover Kenneth James 97, 152
Duckworth George E. 41, 152
Dutsch Dorota 75, 152
E
Easterling Patricia Elizabeth 89, 151
Ebert Joachim 58, 59, 61, 64, 152
Edmonds John Maxwell 40
Effe Bemd 90, 91, 152, 153
Eliusz Donat 38
Empedokles z Akragas 18
Epicharm (Epicharmus) z Syrakuz 6, 9, 10, 19-
21, 23-25, 34, 38-41, 84, 89, 122, 134-136,
139, 143, 145, 149
Epiktet 61
Euanthius 37, 38
Eupolis 37
Eurypides 12, 20, 41, 78, 110, 111, 120, 123,
125-127
Eustatios 61, 63
Evelyn-White Hugh G. 85, 152
F
Faesi Johann Ulrich 45, 152
Fantuzzi Marco 14
Faraone Christopher A. 92, 95, 97, 152
Filip II Macedonski 12
Filodemos (Philodemus) z Gadary 12, 18, 19
Finsler Georg 45
Foley Helene P. 74, 77-79, 85, 157
Fraenkel Eduard 114
Fryer Evelyn F. 9, 152
Frynich z Aten 109
G
Ganszyniec Ryszard 19, 152
Gebhard Viktor 58, 61, 63, 66, 152
Gelon, tyran Geli i Syrakuz 38
Gemoll Albert 73, 88, 152
Girard Rene 134
Gordziejew Wlodzimierz 119, 120, 152
Görgemanns Herwig 87, 152
Gow Andrew S. F. 89, 91, 93, 96-98, 101, 152
Graf Fritz 75, 92-95, 98, 100, 104, 153
Green J. Richard 112, 153
Greene Elizabeth S. 87, 153
Grube George Maximilian Antony 73, 153
Grzegorz z Nazjanzu 23
Gudeman Alfred 19
Gundert Hermann 82
H
Hack Roy Kenneth 14, 153
Hader Michael 59, 153
Halperin David M. 78, 91, 153, 155
Hammer Seweryn 22
Hartland-Swann John 134, 153
Haskins Ekaterina V. 11
Hauser Arnold 59, 62, 153
Hausrath August 12
Hellems Fred Burton Rennie 14
Hermippos ze Smymy 110
Herodas 5-7, 9, 10, 13-17, 23, 24, 26-29, 32-
36, 56, 97, 99, 104, 114-117, 131, 136, 147,
148
Herodot (Herodotus) 21, 22, 146, 149
Hess Konrad 68
Hezjod (Hesiod) z Boecji 6, 7, 67-71, 73, 76,
85, 99, 145, 148
Hieron I Starszy, tyran Syrakuz 20, 38, 39
Hill Charles Delmer 13, 152
Hipparch, tyran Aten 38, 39, 74
Hipponaks 14, 16, 17, 32-34
Homer 18, 23, 37-41, 43-46, 50, 52-57, 59-68,
70, 73, 74, 76, 78, 79, 81, 82, 84, 85, 87, 100,
101, 105, 136-139, 141-143, 145, 148
Hommel Hildebrecht 91, 104, 153
Hopkinson Neil 79
Horstmann Axel E.-A. 90, 151
Howland Jacob 134, 153
I
Izokrates 120
J
Jäkel Siegfried 111, 158
Jakubczyk Weronika 8
Janko Richard 13, 18, 19, 100, 153, 157
Jauss Hans Robert 61, 155
Jezewska Kazimiera 57
Johnston Richard W. 85, 153
Johnston Sara lies 75, 76, 153
Jordan David R. 92, 152
K
Kaibel George 18, 20, 153
Kakridis Johannes Th. 59, 153
Kaleta Marcin 90-92, 95, 97, 100, 101, 153
Kallimach (Callimachus) z Cyreny 74, 79, 81-
84, 105, 145, 148
Kania Ireneusz 75, 153
Kassel Rudolf 10, 12, 23, 38, 136, 153
Kayser Joannes 19
Kayser Wolfgang C. 45
Kenyon Frideric George 7, 147
Kerényi Kâroly 75, 76, 78, 79, 153
Kitto Humprey D. F. 111-113, 115, 153
Klemens Aleksandryjski 78
Knox Bernard M. W. 89, 111, 151, 153
Korus Kazimierz 11, 22, 28, 32, 33, 41, 59, 61,
63, 73, 99, 103, 135, 153, 154
Kratinos 37
Kratylos 11
Krokiewicz Adam 65, 154
Kronska Irena 20, 133
Ksenarch 6, 10, 12, 18, 134
Ksenofanes z Kolofonu 39, 40, 61, 149
Ksenofont z Aten 146
Kullmann Wolfgang 58, 59, 62, 154
Kwintylian 12, 61, 63
L
Lamachos, wôdz atenski 126, 127, 129
Lambert Michael 92, 95, 97, 154
Lamberton Robert 78, 155
Lamrnli Franz 59, 154
Lanckoronska Karolina 7
Lanza Diego 14
Lawall Gilbert 91, 154
Lefèvre Eckard 59, 155
Lenchantin Massimo 154
Lesky Albin 89, 107, 109, 113, 154
Libanios z Antiochii 61
Likurg, reformator spartanski 22
Lohmann Dieter 59, 61, 63, 64, 154
Luck Georg H. B. 92, 154
161
Lukian (Lucian) z Samosat 32, 33, 35, 41, 43-
45, 51-53, 55, 61-64, 66, 85, 86, 97-99, 101,
138, 146, 149
L
Lanowski Jerzy 24, 25, 69, 76, 90, 92, 98, 154
Lawinska-Tyszkowska Janina 14, 24, 80, 89,
122, 125, 154
M
Madyda Wladyslaw 98
Maksymos z Tyru 61
Margahski Janusz 111, 153
Marquardt Patricja A. 68, 154
Mastromarco Giuseppe 5
McKay Kenneth John 83, 154
Medda Enrico 110, 155, 156
Mejer Jorgen 133, 155
Menander 10, 24, 25, 27, 33
Meyer Ernst 22, 155
Mirto Marina Serena 110, 155, 156
Montgomery Hugo 92, 152
Moraux Paul 59, 154
Mühll Peter von der 59, 61, 155
Müller Gerhard 61, 155
Mulroy David 85, 153
N
Narecki Krzysztof 20, 34, 133, 154
Neitzel Heinz 68, 155
Nikiasz, wödz atenski 120
Nilsson Martin Persson 74, 75, 85, 155
Notopoulos James A. 68
O
Ogden Daniel 92, 95, 155
Ölender Maurice 78, 155
Olshausen Eckart 59, 62-64, 155
Olszewski Witold 20, 133
Orygenes 68
Otto Ulrich 91, 155
P
Page Denys 112, 155
Parandowski Jan 41
Pasquali Giorgio 61, 63, 155
Pattoni Marina Pia 110, 155, 156
Patzer Harald 107, 109, 155
162
Pauzaniasz 78
Perses (brat Hezjoda) 68, 71, 76
Petroniusz 28
Petrovic Ivone 92, 95, 155
Philip James A. 11
Pickard-Cambridge Arthur Wallace 19, 155
Pindar 10, 11, 20, 94
Pitagoras 39, 134
Pizystrat, tyran Aten 38, 79
Platon (Plato) 6, 7, 9, 11-13, 16, 20, 21, 38, 59,
60, 63, 108, 133-141, 143, 145, 148, 149
Plutarch (Plutarchus) 21, 22, 60, 103, 146, 149
Podbielski Henryk 17, 85, 87, 89, 109, 113, 133,
152, 154, 155
Podbielski Marcin 140, 155
Polluks 15, 23
PostL. A. 135, 155
Propris Americo de 120, 155
Puccioni Giulio 27
Pyplacz Joanna 107, 108, 156
R
Racine Jean Baptiste 90, 91
Ranta Jerrald 140, 142, 156
ReardenAnna 110, 156
Reich Hermann 5, 6, 9, 10, 19, 135, 140, 142,
143, 156
Richardson Nicholas J. 78, 79, 85, 156
Riikonen Hannu K. 28
Rist Anna 91, 156
Robinson Christopher 97, 156
Roscher Wilhelm Heinrich 15, 156
Rosen Ralph M 17, 156
Rossi Luigi Enrico 14, 16, 156
S
Scarpi Paolo 78, 156
Schmidt Emst A. 87, 152
Schmidt Johannes 110, 156
Schweizer Hans 91, 156
Schwinge Emst Richard 68, 156
Séchan Louis 91, 156
Segal Charles P. 90, 98, 156
Segal Erich 113, 157
Seidensticker Bernd 113, 114, 156, 157
Sekstus Empiryk 18
Semonides z Samos 33, 70
Seneka (Seneca) 28, 35
Sifakis Gregory M. 122, 156
Silk Michael S. 113, 157
Simon Erika 75, 156
Simon Frank-Joachim 26-28, 156
Sinko Tadeusz 20, 39, 40, 59, 66, 67, 85, 89,
91, 98, 134, 135, 140, 156
Sofokles (Sophocles) 12, 109-111, 117, 134
Sofron (Sophron) 5, 6, 9, 10, 12, 13, 18-21, 23,
24, 89, 98, 134, 147
Sokalska Malgorzata 75, 155
Sokrates (Socrates) 6, 33, 108, 133-135, 137—
145, 149
Sommerstein Alan H. 110, 156
Sowa Cora Angier 85, 156
Srebmy Stefan 39, 73, 114, 118
Stabryla Stanislaw 14, 16, 21, 37, 38, 75, 152,
157
Steffen Wiktor 15, 19, 73, 84, 112, 117, 157
Stem-Gillet Suzanne 140, 157
Strabon 10
Styka Jerzy 81, 157
Szymon Szymonowic 90
S
Sniezewski Stanislaw 61
Swiderköwna Anna 89, 90, 92, 97, 154, 157
T
Taplin Oliver P. 108, 111, 113, 114, 116, 117,
157
Tarrant Dorothy 134, 157
Tatarkiewicz Wladyslaw 73, 157
Teokryt (Theocritus) 9, 74, 84, 89-105, 145,
148
Terencjusz 37, 38
Tespis 37, 38
Thalmann William G. 85, 157
Theognis (Teognis) z Megary 121
Thomassen Einar 92, 152
Thomson George 115, 157
Thraemer Eduard 15
Timajos 38
Timonen Asko 111, 159
Thistochowska Maria 8
Tukidydes 99
Tupet Anna Maria 92, 157
Tzifopoulos Yiannis Z. 87, 157
163
u
Ussher Robert G. 34, 157
V
Vemant Jean-Pierre 134
Verdenius Willem J. 114, 157
Vogt Ernst 68
Vretska Karl 5, 20, 135, 157
W
Waleriusz Maksymus 12
Wartelle André 112, 157
Weiner Magdalena 107, 109, 154
Wendel Carolus 89, 157
Wergiliusz 90
West Martin L. 46, 68, 114, 116, 157
West Stephanie 46
Wiemken Helmut 5, 9, 10, 157
Wilamowitz Ulrich von 117
Wiles David 112, 158
Winkler John J. 78, 155
Witwicki Wladyslaw 108, 137, 142
Wojtasik Andrzej 114, 157
Wüst Ernst 5, 14, 60, 134, 135, 158
Wypustek Andrzej 92, 158
Wyrozumski Jerzy 7
Z
Zacharia Katerina 111, 158
Zeitlin Froma I. 78, 111, 155, 158
Zenodot z Efezu 64
Zielinski Tadeusz 24, 122, 158
Zimmermann Bernhard 24, 25, 122, 158
opracowal: Krzysztof W. Ziçba
Bibliografia
Skröty:
RE - Paulys Realencyclopädie der classischen Altertumswissenschaft
s.v. - sub voce (pod haslem)
szp. - szpalta
Opracowania:
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Ameis K.F., Anhangzu Homers Ilias, Leipzig 1896.
Andersen 0., Thersites und Thoas vor Troia, „Symbolae Osloenses” 1982, t. 57, s. 7-34.
Andreassi M., Mimi greci in Egitto. Charition e Moicheuteria, Bari 2001.
Andrews N.E., Narrative and Allusion in Theocritus Idyll 2, w: Theocritus, „Hellenistica
Groningana” 1996, s. 21-53.
Appel W., YMNOIOMERIKOI czyli Hymny Homeryckie, Toruh 2001.
Appel W., Homerikä czyli Zywoty Homera i poematy przypisywane poecie, Warszawa
2007.
Bannert M., Zum Auftau der Beschwörungsszene in Theokrits Pharmakeutria (Id. 2.17—
63% „Wiener Studien”, t. 101/1988, s. 69-83.
Bartol K., Danielewicz J., Komedia grecka od Epicharma do Menandra, Warszawa 2011.
Bielawski K., Terminy rytualno-kultowe w tragedii greckiej epoki klasycznej, „Prace Ko-
misji Filologii Klasycznej PAU”, nr 32, Krakow 2004.
Blümer W., Interpretation archaischer Dichtung. Die mythologischen Partien der Erga
Hesiods, Münster 2001.
Brown N.O., Hermes the Thief. The Evolution of a Myth, The University of Wisconsin
Press, t. 6, Madison 1947.
Brumfield A.C., The Attic Festivals of Demeter and Their Relation to the Agricultural
Year, New York 1981.
Bulloch A.W., Callimachus’ Erysichthon. Homer and Apollonius Rhodius, „The American
Journal of Philology” 1977, nr 2, t. 98. s. 97—123.
Bulloch A.W., Hellenistic Poetry, w: The Hellenistic Period and the Empire, red. P, E.
Easterling, B.M.W. Knox, Cambridge 1989.
Burkert W., Greek Religion, Cambridge-Massachusetts 1985 (wyd. 9 w r. 1994).
152
Burton J.B., Theocritus Urban Mimes. Mobility; Gender; and Patronage, University of Ca-
lifornia Press, Berkeley—Los Angeles-London 1995.
Chodkowski R.R., Funkcja obrazow scenicznych w tragediach Ajschylosa, Wroclaw 1975.
Chodkowski R.R., Ajschylos i jego tragedie, Lublin 1994.
Chodkowski R.R., Poczqtki tragedii greckiej, w: Literatura Grecji starozytnej, red. H. Pod-
bielski, t. 1, Lublin 2005.
Chodkowski R.R., Sofokles, Krol Edyp, Lublin 2007.
Comford F.M., The Origin of Attic Comedy, Cambridge 1934.
Cooper L., An Aristotelian Theory of Comedy, Oxford 1924.
Cunningham I.C., Praefatio, w: Herodae, Mimiambii, Teubner, Leipzig 1987.
Danielewicz J., Morfologia hymnu antycznego, Poznan 1976.
Danielewicz J., Wspolczesna dyskusja nad hymnami Kallimacha z Cyreny, „Collectanea
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Greek mime in the literary genres
Summary
The scholars’ common opinion as follows: the history of Greek literary mime starts
with Sophron. Before we only have some scarce information about its non-literary stage.
The author of the dissertation has tried to proof, that the mime in the Greek literature
had existed at least from the time of Iliad and Odyssey, codependent, in all basic kind of
literary forms: in epic, lyric and drama.
The main difficulty has been to find the criteria to recognize the mime. As is known,
from the beginning of Greek literature up to the Hellenistic era, the mimes, which would
function in their independent literary form, have not been found. It was absolutely crucial
to discover the earliest literary form of mime, which would exist in its entirety, and base on
its analysis to start the reconstruction of distinguishing features of the genre, which were
also called genological characteristics. Discovered and then published in 1891 by Frederic
George Kenyon Herodas’ mimes (poet, III century before the Christ), brought seven well-
preserved literary forms. Also we have found large fragments (except the main part) of the
eighth mime, often described as autobiographic.
The thesis’ author has proposed obviously occurred method of the genological pro-
ceeding. At first he established characteristics of a form and structure of the Herodas’
mime and accepted them as a criterion to recognize the mime in different literary genres
(chapter I).
Following the ancient philosophers, especially those of a peripatetic school, he ac-
cepted that mime as a form of drama has a characteristic of action and dialog. Opposite
to the comedy it has a form of a single stage. Its structure is framed by entries and exits
of the actors or openings and closings of a scene. The structure of a frame is parallel,
the functions of its elements respond to a prolog and consequently to an exodus of the co-
medy. There are three elements in the frame of an entry: formula of a salute, introduction
of a staged actor and explanation of the purpose of his arrival; which was an introduction
to an action. The frame of an exit is in conclusion of an action, includes an adequate
formula of salute or so called metatextual expressions, often connected to the name of an
actor which stays on the stage with a commentary about the fulfilled goal and introduces
the action’s continuation or its conclusion.
The goal of a mime, similarly to the comedy is to provoke to laughter (gelotopoiein).
The laughter had a described function: educational, well-behaving, commenting or just
148
provoking to entertaining (terpein). In case of Herodas’ mimes we can observe the de-
parture from the aggressive humor, which were characteristic to the old comedy and ac-
ceptation of the reflective humor, which could be a result of the influence by new comedy
or Menippean satire. It is noticed that the Greek poet is especially avoiding simple repri-
mand or teaching from the stage. From the technic of provoking laughter included in the
Tractatus Coislinianus the following were mention in particular: pleonddzein, duksesis
(amplification gradatio in maius vel peius), creation of an antitype based on a collision
of the contrasting attributes of a characters, para prosdokian technic, which is based on
the confrontation of the audience or the participants on the stage with unexpected turn of
action or expressions of the characters of a play.
Careful analyses of particular literary forms have brought exact proof of the literary
mime existence, but also allowed to verify mentioned in chapter I mime’s recognizing
criterion, to separate of its schematic characteristics, constant and individual in the literary
genres.
Further, following the ancient artists’ and commentators’ statements and also follow-
ing the intuitive suggestions of the modem times scholars who tried to characterize humor
of the episodes, the thesis’ author has established area of the investigation in epic: Iliad,
Odyssey, Hesiod’s Works and days (chapter II), in lyrics: Homers’ Hymn to Demeter and
Hymn to Hermes, Callimachus’ Hymn to Demeter, Theocritus Pharmakeutria (chapter
III), in drama: Aeschylus’ The Oresteia, Aristophanes’ The Acharnians (chapter IV) and
Plato’s dramatic dialogs Euthydemus, Ion (chapter V).
The results of this detailed work can be described in one sentence: the structures of
a mime were known and used in literary works of ancient poets, beginning with Homer
and concluding with drama authors. With preserved its structure the literary mime had
functioned in particular genres of literature.
Through the analyses of the chosen episodes it had been proved that mimic scenes
were purposely included in the structure of the presented literary world. Their purpose
was to provoke laughter (gelotopoiein) between persons acting on stage or provoke the
joyful feeling (terpein). Its function in the piece depends on the literary genre. In epic
forms mimes have had the diegematic character, which means, that scenes of entry and
exits of characters of a play and the commentary were directed by the omniscient narra-
tor. The purpose of the mime was to change the mood of the story, avoidance of quar-
rels and tensions between the characters of a play (Iliad, Odyssey). Also, the structure of
a mime has been used to illustrate narrator’s believe that, for example, the women is the
reason of all what is no good in the world (Hesiod - motive of Pandora). In lyric forms of
literatures the mimes trough the allusions and references (Hymn to Demeter) served to
express a play of words (intertextual game) with the obvious desire to create the feeling of
a pleasure in the audience (Hymn to Hermes, Callimachus’ Hymn to Demeter) or were just
the master play connecting its dramatic structure with lyric experience (Theocritus’ Phar-
makeutria). In Aeschylus’ tragedy mime had created pleasant feeling (terpein) for its
collision with tragic fobos. In Aristophanes’ comedy the mimic scenes had preserved its
original structure and established their main goal gelotopoiein, but the talents of the poet,
through their tide connectivity provided the dramatization of a scene. However, the single
scenes loosely bound, connected only through the main character and idea (for example
149
peace) performed illustrating functions. In Platon’s dramatic dialogs mimes are being
inspired by the art of Epicharmus. Meanwhile, the author creates mimes according to
the known scheme from epic scenes (in accordance to the rule „one, who laughs at some-
one will be laughed at” - Euthydemos) or in accordance with a scheme of a comic mimes
(collision Socrates’ ironic character with aladzon - braggart - Ion).
The goal, which stands now in front of us, is to write an analytic history of the
Greek’s literary mime in both, an independent form and as a structural part of other liter-
ary genres.
It will be very important to expand the scope of research on the history of mime in
Greek prose. Let’s mention the magnificent mimes scenes in earlier and classical histo-
riography (Herodotus, Xenophon), or from the time of Caesars (Plutarchus’ biography),
including Lucian’s of Samosata {Dialogues of the Dead, Dialogues of the Gods) achieve-
ments in this literary genre.
|
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| building | Verbundindex |
| bvnumber | BV043574371 |
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| id | DE-604.BV043574371 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:29:13Z |
| institution | BVB |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028989152 |
| oclc_num | 950258768 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 170 Seiten 24 cm |
| psigel | gbd_4_1608 |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Polska Akademia Umiejętności |
| record_format | marc |
| series | Prace Komisji Filologii Klasycznej PAU |
| series2 | Prace Komisji Filologii Klasycznej PAU |
| spelling | Korus, Kazimierz Verfasser aut Mim grecki w gatunkach literackich Kazimierz Korus Kraków Polska Akademia Umiejętności 2015 170 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Prace Komisji Filologii Klasycznej PAU Nr 47 Bibliografie Seite 151-158, Indizes Zusammenfassung in englischer Sprache unter dem Titel: Greek mime in the literary genres Literatura grecka / historia i krytyka jhpk Rodzaje i gatunki literackie / historia i krytyka jhpk Literaturgattung (DE-588)4074285-4 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Mimus (DE-2581)TH000005201 gbd Griechisch (DE-588)4113791-7 s Literaturgattung (DE-588)4074285-4 s DE-604 Prace Komisji Filologii Klasycznej PAU Nr 47 (DE-604)BV011115374 47 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Korus, Kazimierz Mim grecki w gatunkach literackich Prace Komisji Filologii Klasycznej PAU Literatura grecka / historia i krytyka jhpk Rodzaje i gatunki literackie / historia i krytyka jhpk Literaturgattung (DE-588)4074285-4 gnd Griechisch (DE-588)4113791-7 gnd |
| subject_GND | (DE-588)4074285-4 (DE-588)4113791-7 |
| title | Mim grecki w gatunkach literackich |
| title_auth | Mim grecki w gatunkach literackich |
| title_exact_search | Mim grecki w gatunkach literackich |
| title_full | Mim grecki w gatunkach literackich Kazimierz Korus |
| title_fullStr | Mim grecki w gatunkach literackich Kazimierz Korus |
| title_full_unstemmed | Mim grecki w gatunkach literackich Kazimierz Korus |
| title_short | Mim grecki w gatunkach literackich |
| title_sort | mim grecki w gatunkach literackich |
| topic | Literatura grecka / historia i krytyka jhpk Rodzaje i gatunki literackie / historia i krytyka jhpk Literaturgattung (DE-588)4074285-4 gnd Griechisch (DE-588)4113791-7 gnd |
| topic_facet | Literatura grecka / historia i krytyka Rodzaje i gatunki literackie / historia i krytyka Literaturgattung Griechisch |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028989152&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011115374 |
| work_keys_str_mv | AT koruskazimierz mimgreckiwgatunkachliterackich |