Plots:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
2016
|
| Schriftenreihe: | Leonard Hastings Schoff memorial lectures
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxiv, 165 Seiten |
| ISBN: | 9780231177825 |
Internformat
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| 245 | 1 | 0 | |a Plots |c Robert L. Belknap ; with an introduction by Robin Feuer Miller |
| 264 | 1 | |a New York |b Columbia University Press |c 2016 | |
| 300 | |a xxiv, 165 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
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| 490 | 0 | |a Leonard Hastings Schoff memorial lectures | |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
Preface xi
Introduction Robin Feuer Miller xiii
Part i
Literary Plots Deserve Still More Study I
1. Plots Arrange Literary Experience 3
2. Plot Summaries Need More Serious Study 6
3. The Fabula Arranges the Events in the World the Characters
Inhabit; the Siuzhet Arranges the Events in the World the Reader
Encounters in the Text 16
4. Authors Can Relate One Incident to Another Only
Chronologically, Spatially, Causally, Associatively,
or Narratively 19
5. Plots Are Fractal, Formed from Incidents That Are Formed from
Smaller, Similarly Shaped Incidents 29
Ill CONTENTS
6. The Best Authorities Consider Plots and Incidents
to Be Tripartite, with a Situation, a Need, and an Action 34
7. But Siuzhets and the Incidents That Form Them Have
Two Parts: An Expectation and Its Fulfillment or Frustration 38
Part 11
The Plot of King Lear Operates Purposefully
But Also Reflects the Creative Process 41
8. For Integrity of Impact, Stages, Actors, and the Audience
Need a Unity of Action 43
9. Shakespeare Replaced the Greek Unity of Action with
a New Thematic Unity Based on Parallelism 49
10. Shakespeare Uses Conflict, the Righting of Wrongs,
the Healing of an Inruption or Disruption, and Other
Standard Plotting Devices, But His Recognition Scenes
Move Us Most 73
11. Shakespeare Prepares for His Recognition Scenes with
Elaborate Lies 59
12. In King Lear, Shakespeare Uses Elaborated Lies to
Psychologize the Gloucester Subplot 64
13. Tolstoy and Tate Preferred the Comforting Plots of Lear*s
Sources to Shakespeare’s, But Shakespeare Had Considered
That Variant and Rejected It 70
Part III
The Plot of Crime and Punishment Draws Rhetorical
and Moral Power from the Nature of Novel Plots and
from the European and Russian Tradition Dostoevsky
Inherited and Developed 77
14. European Novelists Elaborated or Assembled Incidents
into Plots Long Before Critics Recognized the Sophistication
of the New Genre in Plotting Such Subgenres as the
Letter Novel and the Detective Novel 79
15. Dostoevsky Shaped and Was Shaped by the Russian Version
of the Nineteenth-Century Novel 86
16. In Reinventing the Psychological Plot, Dostoevsky
Challenged die Current Literary Leaders 96
17. The Siuzhet of Part 1 of Crime and Punishment Programs
the Reader to Read the Rest and to Participate Actively
in a Vicious Murder 101
18. The One-Sidedness of Desire and Violence in Crime and
Punishment Is More Peculiar to Dostoevsky’s Plotting
Than Dostoevshchina 108
19. Critics Often Attack Crime and Punishment for a Rhetoric That
Exploits Causality in Ways They Misunderstand 117
20. The Epilogue of Crime and Punishment Crystallizes Its
Ideological Plot 122
21. The Plots of Novels Teach Novelistic Justice, Not Poetic
Justice 129
Bibliography 141
Index 153
Works by Robert Belknap 167
ih- :■:.£
Rob^l L. Belkiia|^s of plot illustrates
the active and ^ii^e x«®eiS literature plays
in creating its owl dyu^uc reading experi-
ence. Literary us through
its developxnehLbut plot tells its
own story about the making of narrative,
revealing duxntgh it£ structures, preoccupa-
tions, and strategy xtf representation criti-
cal details about how and wben a work: came
into being.
Through ricb readings of Shakespeare’s Rirzg
Le^r and Dostoevsky’s Cr-ime cirzcl F*zcnisb-
rrzertty Belkti^p explores the spatial, chrono-
logical, auâ iÉ^al aspects of plot, its bril-
liant manipukti^u of reader frustration
and involvei3#^^^'\i|imd its critical cohesion
of characters^ ^)B|feJf:^éonsiders Shakespeare’s
transformatioait Ifh^i^h^unatic plot through
paraüeÜsa^|iÉà|^^^^^tesolution^ and recog-
nition. He then s4Sd|llovvrs with Dostoevsky’s
developmea^p^^jjipej rhetorical and moral
devices of ii^^^èfcifli-century Russian fic-
tion, along epistolary and detective
genres, to ; ; e fab*#*®? ^ JÉbe reader in the murder
Raskolnikov comiaits. Dostoevsky’s reinven-
tion of the'p^ilMifegical plot was profound,
and Belkpl^: challenges the idea
that the ai^b^i^Kused causality to achieve
his ideolo§^caj|In a final chapter,
Belknap plots teach us novelistic
rather than Justice. Operating accord-
ing to their k^ic, plots provide us 'with
a coinpelling^v^i^ to see and order our world- |
| any_adam_object | 1 |
| author | Belknap, Robert L. 1929-2014 |
| author_GND | (DE-588)1106862090 (DE-588)133768066 |
| author_facet | Belknap, Robert L. 1929-2014 |
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| ctrlnum | (OCoLC)953539516 (DE-599)BVBBV043573486 |
| dewey-full | 808.3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.3 |
| dewey-search | 808.3 |
| dewey-sort | 3808.3 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Slavistik Literaturwissenschaft |
| format | Book |
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| indexdate | 2024-10-14T14:12:08Z |
| institution | BVB |
| isbn | 9780231177825 |
| language | English |
| lccn | 015039972 |
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| physical | xxiv, 165 Seiten |
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| series2 | Leonard Hastings Schoff memorial lectures |
| spelling | Belknap, Robert L. 1929-2014 Verfasser (DE-588)1106862090 aut Plots Robert L. Belknap ; with an introduction by Robin Feuer Miller New York Columbia University Press 2016 xxiv, 165 Seiten txt rdacontent n rdamedia nc rdacarrier Leonard Hastings Schoff memorial lectures Includes bibliographical references and index Dostoevskij, Fëdor Michajlovič 1821-1881 Prestuplenie i nakazanie (DE-588)4099168-4 gnd rswk-swf Shakespeare, William 1564-1616 King Lear (DE-588)4099357-7 gnd rswk-swf Plots (Drama, novel, etc.) Fiction Technique Handlung Literatur (DE-588)4159031-4 gnd rswk-swf Shakespeare, William 1564-1616 King Lear (DE-588)4099357-7 u Dostoevskij, Fëdor Michajlovič 1821-1881 Prestuplenie i nakazanie (DE-588)4099168-4 u Handlung Literatur (DE-588)4159031-4 s DE-604 Miller, Robin Feuer 1947- (DE-588)133768066 win Erscheint auch als Online-Ausgabe 978-0-231-54147-3 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028988286&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028988286&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Belknap, Robert L. 1929-2014 Plots Dostoevskij, Fëdor Michajlovič 1821-1881 Prestuplenie i nakazanie (DE-588)4099168-4 gnd Shakespeare, William 1564-1616 King Lear (DE-588)4099357-7 gnd Plots (Drama, novel, etc.) Fiction Technique Handlung Literatur (DE-588)4159031-4 gnd |
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| title | Plots |
| title_auth | Plots |
| title_exact_search | Plots |
| title_full | Plots Robert L. Belknap ; with an introduction by Robin Feuer Miller |
| title_fullStr | Plots Robert L. Belknap ; with an introduction by Robin Feuer Miller |
| title_full_unstemmed | Plots Robert L. Belknap ; with an introduction by Robin Feuer Miller |
| title_short | Plots |
| title_sort | plots |
| topic | Dostoevskij, Fëdor Michajlovič 1821-1881 Prestuplenie i nakazanie (DE-588)4099168-4 gnd Shakespeare, William 1564-1616 King Lear (DE-588)4099357-7 gnd Plots (Drama, novel, etc.) Fiction Technique Handlung Literatur (DE-588)4159031-4 gnd |
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