The autobiography of video: the life and times of a memory technology
In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic fr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Sternberg Press
[2016]
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| Schlagworte: | |
| Zusammenfassung: | In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video’s emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom’s new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology. |
| Beschreibung: | 242 Seiten Illustrationen, Karten 16 x 23 cm |
| ISBN: | 9783956791895 |
Internformat
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| 245 | 1 | 0 | |a The autobiography of video |b the life and times of a memory technology |c Ina Blom |
| 264 | 1 | |a Berlin |b Sternberg Press |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 242 Seiten |b Illustrationen, Karten |c 16 x 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 505 | 8 | |a Includes bibliographical references | |
| 520 | |a In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video’s emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom’s new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology. | ||
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Datensatz im Suchindex
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| author | Blom, Ina 1961- |
| author_GND | (DE-588)118148516 |
| author_facet | Blom, Ina 1961- |
| author_role | aut |
| author_sort | Blom, Ina 1961- |
| author_variant | i b ib |
| building | Verbundindex |
| bvnumber | BV043548688 |
| classification_rvk | AP 14800 AP 48750 LK 10359 |
| contents | Includes bibliographical references |
| ctrlnum | (OCoLC)951252584 (DE-599)BVBBV043548688 |
| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1960-1980 gnd |
| era_facet | Geschichte 1960-1980 |
| format | Book |
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| id | DE-604.BV043548688 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:28:34Z |
| institution | BVB |
| isbn | 9783956791895 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028964017 |
| oclc_num | 951252584 |
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| physical | 242 Seiten Illustrationen, Karten 16 x 23 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Sternberg Press |
| record_format | marc |
| spelling | Blom, Ina 1961- Verfasser (DE-588)118148516 aut The autobiography of video the life and times of a memory technology Ina Blom Berlin Sternberg Press [2016] © 2016 242 Seiten Illustrationen, Karten 16 x 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references In this innovative take on early video art, Ina Blom considers the widespread notion that analog video was endowed with lifelike memory and agency. Reversing standard accounts of artistic uses of video, she follows the reflexive unfolding of a technology that seemed to deploy artists and artistic frameworks in the creation of new technical and social realities. She documents, among other things, video’s emergence through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. Enlisting a distinctly media-archaeological approach, Blom’s new book—her second from Sternberg Press—is a brilliant look at the relationship between video memory and social ontology. Geschichte 1960-1980 gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Videokunst (DE-588)4188229-5 s Geschichte 1960-1980 z DE-604 |
| spellingShingle | Blom, Ina 1961- The autobiography of video the life and times of a memory technology Includes bibliographical references Videokunst (DE-588)4188229-5 gnd |
| subject_GND | (DE-588)4188229-5 |
| title | The autobiography of video the life and times of a memory technology |
| title_auth | The autobiography of video the life and times of a memory technology |
| title_exact_search | The autobiography of video the life and times of a memory technology |
| title_full | The autobiography of video the life and times of a memory technology Ina Blom |
| title_fullStr | The autobiography of video the life and times of a memory technology Ina Blom |
| title_full_unstemmed | The autobiography of video the life and times of a memory technology Ina Blom |
| title_short | The autobiography of video |
| title_sort | the autobiography of video the life and times of a memory technology |
| title_sub | the life and times of a memory technology |
| topic | Videokunst (DE-588)4188229-5 gnd |
| topic_facet | Videokunst |
| work_keys_str_mv | AT blomina theautobiographyofvideothelifeandtimesofamemorytechnology |