Intonation and meaning:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York
Oxford University Press
2016
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford surveys in semantics and pragmatics
3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xvi, 313 Seiten Diagramme |
| ISBN: | 9780199226269 9780199226276 |
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Datensatz im Suchindex
| _version_ | 1804176210727534592 |
|---|---|
| adam_text | Contents
General Preface xi
Preface xiii
List of Abbreviations xv
1 Prominence, accent, focus 1
1.1 Prominence, accent (and stress) 1
1.1.1 Perceived prominence and pitch accenting i
1.1.2 The nuclear pitch accent 3
1.2 Default intonation 4
1.2.1 Default accenting 4
1.2.2 Predicting default accenting: a sketch 6
1.3 Focus 9
1.3.1 When default accenting is not normal accenting 9
1.3.2 Focus realization and focus projection 11
1.3.3 Introducing information structure 14
1.4 Summary and outlook 15
2 Focus and givenness in flexible accent languages 17
2.1 Givenness 18
2.2 Focus and background 19
2.2.1 F-alternatives 20
2.2.2 Focus and accenting 20
2.2.3 Focus semantics, first inspection 21
2.3 A grammar of focus and givenness 23
2.3.1 Representation 23
2.3.2 Interpretation 24
2.3.3 Realization 25
2.3.4 Enforcement 26
2.4 Arguments for keeping focussing and givenness separate 27
2.4.1 Partially given foci: given elements within a broader focus 28
2.4.2 Completely given foci 28
2.5 Larger foci and focus ambiguities 29
2.5.1 Focus ambiguity 29
2.5.2 Focus sizes: broad, wide, narrow 31
2.5.3 Focus and ellipsis 32
2.5.4 Sentential contrastive focus? 34
2.6 Chapter summary 35
VI
CONTENTS
3 Focus and givenness theories 36
3.1 Alternative Semantics: Rooth (1985,1992b) 36
3.1.1 Composing alternatives 36
3.1.2 The Squiggle Theory 37
3.1.3 Notable properties 39
3.1.4 Rooth (1992a): bridging by entailment 41
3.1.5 Desiderata 42
3.2 F/FOC-Theory: Selkirk (1984,1995b) 44
3.2.1 Notable properties 46
3.2.2 Problems 47
3.3 GIVENness Theory: Schwarzschild (1999) 48
3.3.1 The GIVEN relation 49
3.3.2 AvoidF 53
3.3.3 Notable properties 54
3.3.4 Open ends 55
3.4 Chapter summary 56
3.4.1 Comparing F-conditions 56
3.4.2 Comparing F~/G-relations 57
3.4.3 Comparison of the theories 59
3.5 Appendix: definitions and technical details 59
3.5.1 Focus Semantic Values 60
3.5.2 Existential closure 61
3.5.3 Existential focus closure 61
4 More on focus/givenness representation 63
4.1 Back to F-marking plus G-marking 64
4.2 Using stacked F-domains to replace G-marking 68
4.3 Interim summary 72
4.4 Focus projection rules 76
4.4.1 The idea 76
4.4.2 Integration 79
4.4.3 F-Projection Rules revisited 83
4.4.4 Bottom up and top down 86
4.4.5 Competition-based analyses of focus projection 87
4.5 Lesser studied focus configuration 91
4.5.1 Discontinuous foci and multiple foci 91
4.5.2 Multiple foci 94
4.5.3 Focus in questions 96
5 More on the semantics of focus and givenness 99
5.1 Givenness 99
5.1.1 Salient, not familiar 99
5.1.2 Salient, not previously mentioned 100
5.1.3 Salient, not presupposed 100
CONTENTS
Vil
5.2 Focussing 103
5.2.1 No truth conditions for focussing 103
5.2.2 Focus-mentaiism 104
5.3 Contrast 105
5.3.1 Deaccenting requires local contrast 106
5.3.2 Wagner (2012b) 107
5.3.3 On the notion of contrast 109
5.3.4 Where and when is focus contrastive? 112
5.4 Open ends in Alternative Semantics 117
5.4.1 Focus on semantic functions 117
5.4.2 Givenness distributivity 119
5.4.3 Focus/background compared to new/given once more 122
5.4.4 The role of context and world knowledge 128
5.5 Chapter summary and outlook 131
6 Prosodic structure 133
6.1 Introducing prosodic structure 133
6.1.1 Metrical structure: prosodic constituents, heads, and stress 134
6.1.2 Stress and accent 135
6.1.3 Intonational structure 136
6.1.4 Phrasal prosody 138
6.2 Building prosodic structure: phrasal stress and integration 141
6.2.1 Phrasal stress: Wrap-xp and Stress-xp 141
6.2.2 Integration 142
6.2.3 Non-integration 144
6.2.4 Function words and integration 146
6.2.5 iP-Head-Right 148
6.2.6 Appendix: alternative approaches to the syntax-prosody
mapping 149
6.3 Towards more complex stress (and accent) patterns 154
6.3.1 Additional levels of phrasing above the intermediate phrase 154
6.3.2 Left-branching sub-constituents 156
6.3.3 Left-branching and stress equalization 159
6.3.4 Excursus: free recursion? 161
6.3.5 Right-branching structures 162
7 Prosodic structure and information structure 164
7.1 Focus 164
7.1.1 How to reassign sentential stress: head misalignment vs
de-phrasing 165
7.1.2 Accent assignment within the focus 168
7.1.3 Focus Realization effects below the iP-level 169
7.1.4 iP-heads and focus 170
7.1.5 Pre-nuclear accent shift 171
Vlll
CONTENTS
7.2 Givenness 173
7.2.1 Nuclear deaccenting 173
7.2.2 Pre-nuclear deaccenting 175
7.3 Second occurrence focus 176
7.3.1 Thebasic generalization and how to derive it 177
7.3.2 Further aspects of second occurrence focus 182
7.3.3 Open questions 185
7.3.4 Outlook 186
7.4 Summary 187
8 More on focus/givenness realization 189
8.1 Italian: two focus types and no givenness 189
8.1.1 Clause-final focus only 189
8.1.2 Lack of givenness accenting 190
8.1.3 Clause-initial (and clause-medial) focus 196
8.2 Hungarian 200
8.3 Outlook: focus, sentential stress, and verb adjacency 204
8.4 A note on Nuclear Stress Rules 207
8.5 Integration revisited 210
8.5.1 Some more cases of non-integration 210
8.5.2 Intransitive subject integration 211
8.5.3 Special cases of object integration 215
9 The meaning of tones 219
9.1 Intonational morphemes and text-to-tune alignment 219
9.2 Boundary tones 223
9.2.1 Rising vs falling declaratives 223
9.2.2 Phrase tone meanings 226
9.2.3 Boundary tone meanings 229
9.2.4 Interim summary: phrase and boundary tone meanings 231
9.3 Accent tone(s) 233
9.3.1 Paradigmatic accent tone choice 233
9.3.2 Accent alignment in German 242
9.3.3 Paradigmatic accent choice in German 243
9.3.4 Another interim summary 247
9.4 Theme/topic vs rheme/focus accents 248
9.4.1 A brief natural history of contrastive topics 251
9.4.2 Single CT and F+CT 254
9.4.3 Representation and interpretation of CT 256
9.4.4 Realization of CT 258
9.5 Chapter summary 260
10 Association with focus 261
10.1 Focus Sensitive Elements 262
10.2 Probing focus size with Focus Sensitive Elements 268
10.2.1 Detecting maximal focus size: also 268
10.2.2 Detecting minimal focus size: only 269
CONTENTS
IX
10.3 FSE and pseudo-FSEs 270
10.3.1 Strong, weak, and intermediate theories of AwF 270
10.3.2 On strong theories 271
1 o.3.3 Focus sensitivity vs context sensitivity 272
10.3.4 Other instances of (apparent) focus sensitivity 274
10.4 Odds and ends about FSEs 277
10.4.1 Presupposition and assertion 277
10.4.2 Scope and domain of FSEs 278
10.4.3 Binding into focus (alternatives) 281
10.5 Indexed foci 284
10.3.1 Nested foci 285
10.5.2 Formal intermezzo: a semantics for indexed foci 286
10.5.3 Tanglewood 288
10.5.4 Are foci ever “absorbed”? 291
Bibliography 293
Index 311
Supplementary material for this book is available on a companion website at
www.oup.co.uk/companion/Buring
Speakers can modulate the meaning and effects of their utterances by changing the
location of stress or of pauses, and by choosing the melody of their sentences. Although
these factors often do not change the literal meaning of what is said, linguists have in recent
years found tools and models to describe these more elusive aspects of linguistic meaning.
This volume provides a guide to what we know about the interplay between prosody—stress
phrasing, and melody—and interpretation—felicity in discourse, inferences, and emphasis.
Daniel Biiring presents the main phenomena involved, and introduces the details of current
formal analyses of prosodic structure, relevant aspects of discourse structure, intonational
meaning, and, most importantly the relations between them. He explains and compares
the most influential theories in these areas, and outlines the questions that remain open
for future research.
This wide-ranging book involves aspects of phonetics, phonology, syntax, semantics,
and pragmatics, and will be of interest to researchers and students in all of these fields,
from advanced undergraduate level upwards.
|
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| dewey-sort | 3414.6 |
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| discipline | Sprachwissenschaft Anglistik / Amerikanistik Literaturwissenschaft |
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| language | English |
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| spelling | Büring, Daniel 1962- Verfasser (DE-588)1112684611 aut Intonation and meaning Daniel Büring First edition Oxford ; New York Oxford University Press 2016 xvi, 313 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Oxford surveys in semantics and pragmatics 3 Oxford linguistics Hier auch später erschienene, unveränderte Nachdrucke Englisch (DE-588)4014777-0 gnd rswk-swf Thema-Rhema-Gliederung (DE-588)4059734-9 gnd rswk-swf Intonation Linguistik (DE-588)4129204-2 gnd rswk-swf Semantik (DE-588)4054490-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Intonation Linguistik (DE-588)4129204-2 s Semantik (DE-588)4054490-4 s DE-604 Thema-Rhema-Gliederung (DE-588)4059734-9 s Oxford surveys in semantics and pragmatics 3 (DE-604)BV036106111 3 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028963700&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028963700&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Büring, Daniel 1962- Intonation and meaning Oxford surveys in semantics and pragmatics Englisch (DE-588)4014777-0 gnd Thema-Rhema-Gliederung (DE-588)4059734-9 gnd Intonation Linguistik (DE-588)4129204-2 gnd Semantik (DE-588)4054490-4 gnd |
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| title | Intonation and meaning |
| title_auth | Intonation and meaning |
| title_exact_search | Intonation and meaning |
| title_full | Intonation and meaning Daniel Büring |
| title_fullStr | Intonation and meaning Daniel Büring |
| title_full_unstemmed | Intonation and meaning Daniel Büring |
| title_short | Intonation and meaning |
| title_sort | intonation and meaning |
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| topic_facet | Englisch Thema-Rhema-Gliederung Intonation Linguistik Semantik |
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