Middlebrow cinema:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2016
|
| Schriftenreihe: | Remapping world cinema
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 224 Seiten Illustrationen 25 cm |
| ISBN: | 9781138777132 9781138777125 1138777129 |
| DOI: | 10.4324/9781315630564 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of figures vü
List of tobies ix
Acknowledgements x
lextual note xii
List of contributors xiii
Introduction. Approaching the middlebrow: audience; text;
institution 1
Solly Faulkner
PARTI
Mapping middlebrow 13
1 Hollywood middlebrow: a dialectical approach to
1940s cinema 15
Chris Cagle
2 Middlebrow taste: towards a new middle class — a certain
tendency of 1950s French cinema 33
Susatt Hayuwrd
3 Mumbai middlebrow: ways of thinking about the middle
ground in Hindi cinema 51
Rachel Dwyer
vl Contents
PART II
Case studies 69
4 Time and the middlebrow in 1940s British cinema 71
Lxiwrence Mapper
5 Rehearsing for democracy in dictatorship Spain: middlebrow
period drama 1970—77 88
Sally Faulkner
6 The Mexican romantic sex comedy: the emergence of
Mexican middlebrow filmmaking in the 1990s 107
Deborah Shaw
7 Wealth and justice: contemporary Chinese middlebrow
cinema 122
Ting Guo
8 Counter-heritage, middlebrow and the fiction patrimoniale:
reframing ‘middleness’ in the contemporary French
historical film 139
Will Higbee
9 Radical politics, middlebrow cinema: Salvador (Puig Antich)
and the search for a new consensus 156
Belén Vidal
PART III
Middlebrow across borders 179
10 ‘Kings of the Middle Way’: continental cinema on
British screens 181
Lucy Mandón
11 Hypotheses on the queer middlebrow 196
Rosalind Galt and Karl Schoonover
Index
212
Middlebrow Cinema challenges an often on interrogated hostility to middlebrow culture
that frequently dismisses it as conservative, which it often is not, and feminized or middle-
class, which it often is. The volume defines the term relational^ against shifting concepts
of ‘high* and; iowh and considers its deployment in connection with text, audience and
institution.
In exploring the concept of the middlebrow, this book recovers films that were widely
meaningful to contemporary audiences, yet sometimes overlooked by critics interested
in popular and arthouse extremes, it also addresses the question of socially mobile
audiences, who might express their aspirations through film-watching, and traces the
cultural consequences of the movement of films across borders and between institutions.
The first study of its kind, the volume comprises of 11 original essays that test the
purchase of the term ‘middlebrow across cultures, including those of Europe, Asia and
the Americas, from the 1930s to the present day. Middlebrow Cinema brings into view a
popular and aspiratsona! - and thus especially relevant and dynamic - area of film and film
culture, ideal for students and researchers in this area, this book;
* remaps ‘popular* and ‘arthouse* approaches;
* explores British, Chinese, French, Indian, Mexican and Spanish ‘national* cinemas
alongside Continental, Hollywood, queer and transnational cinemas;
* analyses biopic, heritage, historical film, melodrama, musical and sex comedy genres.
Sally Fattltaer is Professor of Hispanic Studies and Film Studies at the University of
Exeter, and author of Literary Adaptations tn Spanish Cinema (2004), A Cinema of
Contradiction: Spanish Film m the 1960s (2006) and A History of Spanish Film: Cinema
and Society 1910 2010 (2013).
|
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| era | Geschichte gnd |
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