Verfügbarkeit: A history of the harpsichord

A history of the harpsichord:

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Bibliographische Detailangaben
1. Verfasser:	Kottick, Edward L. 1930- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Bloomington and Indianapolis Indiana University Press [2016]
Schlagworte:	Geschichte Clavecin - Histoire Klavecimbels Virginal - Histoire Épinette (Instrument de musique) - Histoire Harpsichord > History Cembalo Cembalobau
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XVI, 557 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen
ISBN:	9780253023476

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Datensatz im Suchindex

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adam_text	Contents Plates and Illustrations / xi Acknowledgments / xv Introduction 1 PART I THE FOURTEENTH AND 7 FIFTEENTH CENTURIES 1 From Psaltery and Monochord to Harpsichord and Virginal 9 Hermann Pom, and the clavickmbalum 10 The psaltery and the monochord i i Iconographical evidence of the harpsichord 13 A digression on pitch and scale 15 The manuscript 01 Henri Arnaut 18 Clavichords and virginals 21 The Royal College of Music clavicytherium 22 Summing up 26 PART II THE SIXTEENTH CENTURY 27 2 The Emergence of the Northern Harpsichord 29 Archival records 30 Germany and the Muller harpsichord 32 Antwerp and the virginals of Iof:s Rarest 37 France 44 England and the Theewes claviorganum 46 Summing up 50 3 Antwerp Harpsichord Building between Rarest and Ruckers 53 Antwerp 54 The surviving virginals 55 A virginal by Hans Ruckers 60 The surviving grands 62 Summing up 63 4 Early Italian Style 66 The earliest Italian harpsichords 68 Harpsichords, Italian style 70 7 6 77 79 82 94 97 9« i o i 103 104 107 1 1 1 1 5 1 20 1 21 1 24 128 130 132 !33 35 142 144 L51 54 156 157 158 59 160 161 163 171 74 176 177 179 190 191 94 95 99 VIII VlRGINALS ANI) SPINETS Italian scales Decoration Venice and thk tradition of opui.knck Milan Naples and ki.skwhkrk Sl MMINL LI* PART III THE SEVENTEENTH CENTURY 5 The Ruckers-Couchet Dynasty Thk Ri ok! rs-Coi cult family VlRCilNALS Singee-manual harpsichords Do I B LE- M A Ni; AI. H A R PS I ( a ior ds The harpsk;iiord/vir(;ina!, combination The late Couchet instruments The decora lion of harpsichords and viroinai.s The Flemish harpsichord as a cultural icon Si;mminc up 6 Later Italian Style New developments in the seventeenth century Rom e Florence Naples and elsewhere Anonymous instruments Summing up 7 Seventeenth-Century International Style Characteristics of International style Regional distinctions Summing; up 8 France Virginals and spinets Harpsichord making in Paris Lyons and elsewhere Summing up 9 Germany and Austria Virginals and spinets Harpsichords Austria Summing up 10 England Virginals Bentside spinets Contents Harpsichords 202 Summing up 203 PART IV THE EIGHTEENTH CENTURY 2o7 11 The Decline of the Italian Harpsichord 209 Florence 210 Rome and elsewhere 226 Summing up 231 12 The Iberian Peninsula 233 Spain 234 Maria Barbara’s inventory 235 Later Spanish instruments 239 Portugal 242 The Portuguese piano tradition 244 Summing up 245 13 Harpsichord Building in France up to the Revolution 247 Ra va lemen t 248 The development of the classic French harpsichord 257 The Ruckers-inspired French double 260 Decoration 263 The Blanghet-Taskin dynasty 266 Other Paris builders 272 Lyons and elsewhere 275 The late French harpsichord 277 Summing up 280 14 The Low Countries in the Post-Ruckers Era 283 Antwerp 284 Tournai 290 Elsewhere 296 Summing up 298 15 Germany, Scandinavia, Austria, and Switzerland 299 Rivals of the harpsichord 301 Hamburg 304 Scandinavia 318 Berlin 322 Hannover and Brunswick 326 Gross Breitenbach 329 Dresden 331 Freiberg 334 Augsburg 338 Austria 342 Switzerland 348 Summing up 350 16 Great Britain and America 353 Harpsichord building from 1700 to 1725 354 Contents ix 358 359 3^7 371 377 380 383 386 389 39J 394 39(* 397 400 4°3 4°5 407 4°9 4M 418 425 429 431 435 437 445 448 450 451 454 458 465 468 x Hermann Tabel Shudi, Kirkman, and their competitors The Ruckers-inspired English harpsichord Developments after 1760 Bentside spine i s Scotland and Ireland America Summing up PART V THE NINETEENTH AND TWENTIETH CENTURIES 17 The Harpsichord Hibernates Some builders The harpsichord played and preserved Historicism and antiqijarianism Collectors and collections Leopoldo Fkanc:iolini and the collectors Summinc; UP 18 The Harpsichord Revival from the Paris Exposition to World War II The Paris Exposition of 1889 and French builders The “Bach” harpsichord and German builders Arnold Dolmetsch and the English harpsichord Wanda Landowska and her Pleyel America and John Challis Summing up 19 The Modern Harpsichord Historically informed builders: Gough, Hubbard, and Dowd Authenticity with stability: Herz, Schütze, and Rutkowski and Robinette Built to last: de Blaise, Morley, and Sabathil The Serien builders: Ammer, Neupert, Wittmayer, and Sperrhake New directions: John Challis and John Paul The electronic harpsichord: Wittmayer, Baldwin, and the electronic keyboard Kits Summing up 20 Into the Future Glossary/ 471 Notes / 475 Bibliography/ 523 Index/ 541 CONTENTS Plates and Illustrations PLATES (following page 206) 1. Ca. 14 So Royal College of Music c Iavicythorium. 2. Apollo Crowning the Singrr Marc Antonio Pasqualini by Sac chi, ca. 1640. 3. Anonymous sixteenth-century octave spinet. 4. 1568 Duke of (Sieves virginal. 5a. 1 580 Martin van der Biest mother and child spinett virginal (child in case). 5b. 1 580 Martin van der Biest mother and child spinett virginal (child out of case). 6. 1581 Hans Ruckers mother and child musclar virginal. 7. 1 560 Guido Trasuntino harpsichord. 8. 1577 Annibale dei Rossi virginal. 9. 1666 Girolamo Zenti inner-outer harpsichord. 10. Michelle Todini’s “golden harpsichord.” 11. 1681 Vaudry harpsichord. 12.1678 or 1679 Gilbert Desruisseaux harpsichord. 13. 1619 Johann Mayer harpsichord. 14. Lid painting of the 1666 Adam Leversidge virginal. 15. 1697 Carlo Grimaldi harpsichord. 16. 1785 Joachim José Antunes harpsichord. 17* 1 77° Pascal Taskin harpsichord. 18. Soundboard painting of the ca. 1736 Henri Hemsch harpsichord. 19. 1733 François-Etienne Blanchet harpsichord. 20. Rose and wreath of the 1769 Pascal Taskin harpsichord. 2 i. 1736 Henri Hemsch harpsichord. 22. 1716 Pierre Donzelague harpsichord. 23. 1702-4 Michael Mietke harpsichord, finished by Gerard Dagly. I LLUSTR AT IONS 1-1. The Fountain of Life, school of van Eyck, early fifteenth century. 12 1-2. Guido of Arezzo and his pupil Theobaldus at the monochord. 13 1-3. Keyed psaltery in an anonymous ca. 1450 French Book of Hours. 4 1-4. Carving of a harpsichord from the Cathedral at Mindcn, 1425. 1 5 1-5. Arnaut’s plan of a harpsichord, ca. 1440. 19 ]-6. Woodcut of a harpsichord f rom the Weimarer Wunderhuch. 20 1-7. Adoration of the Magi by Adriaen van Wesel, 1475-77. 21 1-8. Virginal from Virdung’s Musirá gelutscht, 1511. 23 1-9. The soundboard end of a large, anonymous early-seventeenth-century Italian clavichord. 23 1- 10. Clavicytherium from Mercennc’s 1636 Harmonie universelle. 24 2- ia. 1 537 Müller harpsichord. 34 2-1 b. Jacks of the 1 537 Muller harpsichord. 35 2-2. 1548 Rarest virginal. 38 2-3. 1550 Rarest virginal in its outer case. 39 2-4. Paper or parchment rose of the 1548 Rarest virginal. 39 2-5. C/E and GG/BB short octaves. 40 2-6a. Excerpt of a Pavane by Peter Philips. 41 2-6b. Excerpt from Philips’s Pavane. 41 2-7. Key coverings of the 1550 Rarest virginal. 42 2-8. Girl at a Spinel by Catharina de Hemessen, 1548. 43 2-9. Virginal from Jacques Cellier’s Fantasie sur orgue ou espinette faicte par Monsieur Costelley, 1583—87. 45 2-10. Title page of Parthenia. 48 2- n. 1579 Lodewijk Theewes combined harpsichord and organ. 49 3- 1. Engraving Música by Cornelius Cort, 1565. 57 3-2. Rose from the ca. 1578 Hans Bos spinett virginal. 58 3-3. Ca. 1580Johannes Grouwels virginal. 59 3- 4. Cross section of the Hans Ruckers 1581 mother and child muselar virginal. 61 4- 1 a. Intarsia of a harpsichord from ca. 1520, Genoa, San Lorenzo Cathedral. 69 4-lb. Intarsia of a virginal in the Stanza della Segnatura in the Vatican, early sixteenth century. 69 4-2. Section through the side of a typical 5-7. Cross section of a Ruckers single-manual Italian harpsichord. 72 harpsichord. 116 4-3. Cross section from a sixteenth-century 5-8. Galliarda by William Byrd. 1 ll Italian harpsichord. 78 5-9. 1659 Gomniar van Everbroeck 4-4a. Moorish dome. 74 single-manual harpsichord. 1 18 4-4I3. Rose from anonymous 1540 virginal 5-10. Set of nonaligned keyboards. 1 9 owned bv Eleanor d’Esie. 74 5-1 1. 1638 Ioannes Ruckers harpsichord. 1 20 4~5a. Geometric rose from a sixteenth-centur y 5-1 2. Arrangement of the strings on the Flemish virginal. 74 Ek/G# transposing plates in the normal 4-ijb. Rose from a 1666 Zenti harpsichord. 74 Ruckers double-manual harpsichord. 1 2 ) 4~()a. Rose f rom the 1 606 Guido Trasuntino 5-13. Undated Ioannes Ruckers harpsichord harpsichord. 75 virginal combination. 123 4-iib. Upside-down wedding-cake rose. 75 5-14. 161 5 Andreas Ruckers double-manual 4-7. Anonymous ca. 1580 harpsichord. 76 harpsichord. 126 4-8. Clavichord with pedals, drawn in the 5-1 5. 1637 Andreas Ruckers single-manual fifteenth century. 7« harpsichord. 127 4()a. 1574 Joseph Salodiensis virginal. 80 6-1. Anonymous seventeenth-century Italian 4-()b. Outer case of the 1^74 Salodiensis clavicyt heiium. 1 34 virginal. 8i 6-2. Anonymous seventeenth-century false 4-10. Nameboard of a 1593 Giovanni inner-outer Italian harpsichord. 135 Cclestini virginal. 84 6-3. 1625 Valerius Peres harpsichord. 1 36 4-11. 1574 Giovanni Antonio Baifo 6-4. Keyboard of the 1619 Giovanni Battista harpsichord. «5 Boni harpsichord. i37 4-12. 1531 Alessandro Trasuntino 6-5. 1658 Zenti harpsichord. 138 inner-outer harpsichord. 86 6-6. 1631 Girolamo Zenti bentside spinet. 139 4-13. Keyboard of the 1606 Guido 6-7. 1679 Giovanni Battista Giusti 2x8 , Trasuntino archicembalo. 89 i X4 harpsichord. 140 4-14. 1561 Franciscus Patavinus 6-8. Michelle Todini’s gallery of remotely harpsichord. 9° controlled instruments. 141 4-15. 1533 Dominicus Pisaurensis 6-9. 1586 Francesco Poggio inner-outer harpsichord. 91 virginal. M3 4-16. 1543 Dominicus Pisaurensis octave 6-10. 1612 Vincentius Pratensis harpsichord. 92 harpsichord. 144 4-17. 1543 Dominicus Pisaurensis 6-1 1. 1612 “Nicolaus de Quoco” clavichord. 92 harpsichord. H5 4-18. 1566 Dominicus Venetus virginal. 93 6-12. 1701 Giuseppe Mondini 3x8 4-19. “S-shape” keys. 93 harpsichord. 146 4-20. Anonymous ca. 1570 instrument 6-13. 1627 Stefano Bolcioni three-manual known as “Queen Elizabeth’s virginal.” 95 harpsichord. 147 4-21. Cheek piece of Rossi’s x 555 virginal. 95 6-14. 1598 Alessandro Fabri virginal. 148 4-22. Rose of Rossi’s 1577 virginal. 96 6-15. 1663 Honofrio Guarracino virginal. 149 4-23. Anonymous 1540 virginal made for 6-16a. 1694 Guarracino octave virginal. 150 Eleanor d’Este. 96 6-16b. Undated anonymous octave virginal. 150 4-24. Anonymous 1550 Neapolitan 56-17a. 1677 Pietro Faby harpsichord. i52 harpsichord. 98 6-17b. Keyboard and nameboard of the 5-1. Lady at the Virginal by Jan Vermeer, 1677 Faby harpsichord. 153 ca. 1670. 108 6-17c. Jackrail and wrestplank of the 5-2. Family Group by Giles von Tilborgh, 1677 Faby harpsichord. 153 1625-28. 109 8-1. Mersenne’s octave virginal. 162 5-3 a. Ca. 1614 Ioannes Ruckers muselar 8-2. 1681 Louis Denis bentside spinet. 164 virginal. 112 8-3. Mersenne’s single-manual clavessin. 169 5-3U 1598 Hans and/or Ioannes Ruckers 8-4. Cross section of a pair of French spinett virginal. 113 keyboards. 170 5-4. 1613 Andreas Ruckers 4-voet (quint) 8-5. Soundboard of the 1681 Vaudry spinett virginal. 114 harpsichord. 171 5-5. 1639 Andreas Ruckers motherless 8-6. Gilded rose of the 1678 or 1679 child virginal. 114 Gilbert Desruisseaux harpsichord. 172 5-6. Echo piece by Jan Pieterszoon 8-7. Rose of the 1679 Vincent Tibaut Sweelinck. 116 harpsichord. 173 XI Plates and Illustrations 8- 8. Keywell of the 1679 Vincent Tibaut harpsichord. 9- 1. Octave virginal, polygonal virginal, and oblong virginal from Praetorius’s Syntagma musicum. 9-2. Anonymous seventeenth-century German virginal. 9-^a. Ca. 1(340 Samuel Biderman automatic spinet. 9-3b. Keyboard, pinned barrel, and clockwork of the ca. 1640 Biderman automatic spinet. 9-4. 1587 Anton Meidting combined octave virginal-regal. 9-5. German harpsichord from Praetorius’s •S v n tagma must aim. 9-ha. Soundboard barring of an anonymous seventeenth-century German harpsichord. 9 ()b. Anonymous seventeenth-century German harpsichord. 9-bc. Double rose of the anonymous seventeenth-century German harpsichord. 9-7. Anonymous seventeenth-century German harpsichord. 9-8. Anonymous ca. 1 620 clavicytherium. 9-9. Clavicytherium from Praetorius’s Syntagma musicum,. 9- 10. 1639 Valentin Zeiss claviorganum. J 0-1. 1642 Thomas White virginal. 10- 2. 1668 Stephen Keene virginal. 10- 3. 1 700 Stephen Keene bentside spinet. 11- 1 a. 1693 Bartolomeo Cristofori 2x8 virginal. 1 l-ib. Keyboard to the 1693 Cristofori virginal. 11-2. 1720 Bartolomeo Cristofori spinettone de teatro. 11-3. 1726 Bartolomeo Cristofori harpsichord. 11-4. 1720 Bartolomeo Cristofori piano. 11-5. Hammer from 1726 Cristofori piano. 11-6. Schematic cross sections of Cristofori’s harpsichords and pianos. 11-7. 1710 Petrus Orlandus octave spinet. 1 i-8a. Carlo Grimaldi folding harpsichord. 1 i-8b. Carlo Grimaldi folding harpsichord. 11-9. Controtasti of 1725 Giuseppe Maria Goccini harpsichord. 11-10. 1753 Antonio Scotti harpsichord. 11- 11. 1 797 Aelpidio Gregori harpsichord. 12- 1. 1625 Raymundo Truchado Geigenwerk. 12-2. Double-ben tside anonymous Spanish (?) harpsichord. 12-3. Double-ben tside anonymous Spanish (?) harpsichord. 12- 4. 1767 Manuel An tunes piano. 13- 1. 1627 Ioannes Ruckers harpsichord. 13-2. 1646 Ioannes Couchet harpsichord. 13-3. 1680 Couchet/ 1750 Blanchet / 1781 174 Taskin harpsichord. 13-4. Anonymous “ 1573 Hans Ruckers” harpsichord. 178 13-5. Ca. 1749 “Hans Ruckers 1 590” Jean-Claude Goujon harpsichord. 179 13-6. 1610 Ioannes Ruckers muselar mother and child. 1 80 13-7. 1 700— 1 704 Jean Marius clavecin brisé. 13-8a. 1646 Andreas Ruckers/ 1 756 Blanchet (?)/ 1 780 Taskin harpsichord. 181 13-8I3. Detail of the vernis martin decoration of the 1646 Andreas Ruckers/ 1 756 1 81 Blanchet (?) / 1 780 Taskin harpsichord. 1 3~8c. Detail of the lid painting of the 182 1646 Andreas Ruckers/ 1756 Blanchet (?) / 1780 Taskin harpsichord. 13-9. 1746 Francois-Ktienne Blanchet 184 harpsichord. 1 3-1 o. 1 769 Pascal Taskin harpsichord. 185 13-11.1785 Jacques Germain harpsichord. 13- 12. 1 775 Joseph Col I esse harpsichord. 1 86 1 3-13. Ca. 1 770 Johann Heinrich Silbermann bentside spinet. 187 13-14. GenouiUeres of the 1646 Andreas 1 88 Ruckers/ 1 756 Blanchet (?) / 1 780 Taskin harpsichord. 1 89 14-1. Section through Johann Daniel 1 91 Dtilcken’s dogleg action. 196 14-2. 1745 Johann Daniel Dulcken 197 harpsichord. 201 14-3. 1 763 Jacob van den Elsche harpsichord. 213 14-4. 1779 Johann Peter Bull harpsichord. 14- 5. 1 750 Albert Delin hexagonal octave 214 virginal. 14-6. 1765 Albert Delin bentside spinet. 2 15 14“7* 1 750 Albert Delin harpsichord. 14- 8. Delin’s clavicytherium action. 2 1 7 14-9- 1760 Delin clavicytherium. 218 15-1.171 o Johann Christoph Fleischer 219 harpsichord. 15- 2.1716 Carl Conrad Fleischer 221 harpsichord. 227 15-3- 1720 Carl Conrad Fleischer 228 harpsichord. 228 15~4a. Rose of the 171 o Johann Christoph Fleischer harpsichord. 2 29 15~4b. Rose of the 1716 Carl Conrad 230 Fleischer harpsichord. 231 15-5. 1723 Hieronymus Albrecht Hass 236 harpsichord. 15-6. Internal case structure and bottom 240 of the soundboard of the 1760 Johann Adolph Hass harpsichord. 241 15-7. 1760—61 Johann Adolph Hass 244 harpsichord. 251 15-8. 1728 Christian Zell harpsichord. 252 15-9. 1756Johan Broman harpsichord. Plates and Illustrations 2 58 2 54 2 5.5 256 258 264 265 265 269 271 2 / 4 276 277 2 79 286 287 288 289 291 292 293 294 295 306 3 7 308 309 309 310 313 3X4 3X7 322 Xlll 15-10. 1738 Christian Vater harpsichord. 327 15-11. Ca. 1700 harpsichord attributed to Johann Heinrich Harrass. 330 15-12. 1782 Karl August Grâbner harpsichord. 333 15 13- 174° harpsichord, likely by Gottfried Silbermann. 33b 15-14. Silbermann rose design. 33b 15-15. “Mystery” harpsichord with Silbermann-like rose. 337 15-16. 1 777 Johann Andreas Stein vis-à-vis combination harpsichord-piano. 340 15-1 7. 1 783 Johann Andreas Stein vis-à-vis combination harpsichord-piano. 341 15-18. Viennese “multiple-broken” short octave. 345 15-19. 1747 Johann Christoph Pantzner harpsichord. 34 b 15-20. 1755 Johann Leydecker harpsichord. 347 15- 21. Anonymous late-seventeenth-centurv Viennese octave spinet. 347 16- 1. 1700 Joseph Tisseran harpsichord. 355 16-2. Ca. 1720 William Smith harpsichord. 356 16-3. 1 725 Thomas Hitchcock double-manual harpsichord. 358 16-4. Brass lid and flap hinges of the 1738J°seph Mahoon double-manual harpsichord. 369 16-5. 1772 Shudi and Broadwood double-manual harpsichord. 370 16-6. 1782 Shudi and Broadwood double-manual harpsichord. 371 16-7. 1761 Jacob Kirkman harpsichord. 372 16-8. Machine stop of a 1785 Longman and Broderip harpsichord. 374 16-9a. Nag’s-head swell of a 1780 Jacob and Abraham Kirkman double-manual harpsichord. 375 ib-c)b. Venetian swell of an 1800 Jacob and Abraham Kirkman double-manual harpsichord. 375 16-10. 1 7(14 Thomas I faxby bentside spinet. 380 ib-i 1. 1774 Henry Rolher clavicytherium. 382 16- 12. 1 739Johann Gottlob Clemm bentside spinet. 384 ib-13. Ca. 1 76i)John Harris bentside spinet. 385 17- 1. Ga. 1820 anonymous Italian virginal. 395 18- 1. 1889 Louis Tomasini harpsichord. 4 1 o 18-2. 1889 Krard harpsichord. 4 1 1 18-3. Louis Diemer seated at the* 1889 Pleyel harpsichord. 4 1 2 18-4. 1896 Krard harpsichord. 4 13 18-5. Karl Maendler harpsichord. 4 1 7 18-b. 1923 Gaveau harpsichord designed by I)ol met sell. 421 18- 7. Thomas Golf harpsichord. 423 1 8-8. Robert (ioble and Sons harpsichord. 4 25 19- 1. Delrin jack by Her/.. 44 1 19-2. 1972 Sabathil Sc Son vis-a-vis harpsichord. 450 19-3. Pre-i969John Paul clavicytherium. 453 19-4. 1970 Wittmayer harpsichord. 455 19-5. Baldwin electronic harpsichord. 456 19-6. Allen electronic harpsichord. 458 19-7. Zuckermann harpsichord kit construction manual. 459 19-8. Zuckermann 5 slant-side harpsichord. 460 XIV Plates and Illustrations
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author	Kottick, Edward L. 1930-
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id	DE-604.BV043539459
illustrated	Illustrated
indexdate	2024-07-10T07:28:20Z
institution	BVB
isbn	9780253023476
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-028954952
oclc_num	951777591
open_access_boolean
owner	DE-20 DE-12 DE-355 DE-BY-UBR
owner_facet	DE-20 DE-12 DE-355 DE-BY-UBR
physical	XVI, 557 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen
publishDate	2016
publishDateSearch	2016
publishDateSort	2016
publisher	Indiana University Press
record_format	marc
spelling	Kottick, Edward L. 1930- Verfasser (DE-588)14043836X aut A history of the harpsichord Edward L. Kottick Bloomington and Indianapolis Indiana University Press [2016] © 2003 XVI, 557 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Clavecin - Histoire Klavecimbels gtt Virginal - Histoire Épinette (Instrument de musique) - Histoire Geschichte Harpsichord History Cembalo (DE-588)4009667-1 gnd rswk-swf Cembalobau (DE-588)4281285-9 gnd rswk-swf Cembalo (DE-588)4009667-1 s Cembalobau (DE-588)4281285-9 s Geschichte z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028954952&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Kottick, Edward L. 1930- A history of the harpsichord Clavecin - Histoire Klavecimbels gtt Virginal - Histoire Épinette (Instrument de musique) - Histoire Geschichte Harpsichord History Cembalo (DE-588)4009667-1 gnd Cembalobau (DE-588)4281285-9 gnd
subject_GND	(DE-588)4009667-1 (DE-588)4281285-9
title	A history of the harpsichord
title_auth	A history of the harpsichord
title_exact_search	A history of the harpsichord
title_full	A history of the harpsichord Edward L. Kottick
title_fullStr	A history of the harpsichord Edward L. Kottick
title_full_unstemmed	A history of the harpsichord Edward L. Kottick
title_short	A history of the harpsichord
title_sort	a history of the harpsichord
topic	Clavecin - Histoire Klavecimbels gtt Virginal - Histoire Épinette (Instrument de musique) - Histoire Geschichte Harpsichord History Cembalo (DE-588)4009667-1 gnd Cembalobau (DE-588)4281285-9 gnd
topic_facet	Clavecin - Histoire Klavecimbels Virginal - Histoire Épinette (Instrument de musique) - Histoire Geschichte Harpsichord History Cembalo Cembalobau
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028954952&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT kottickedwardl ahistoryoftheharpsichord

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