Supercinema: film-philosophy for the digital age
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Berghahn Books
2015
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 186 Seiten |
| ISBN: | 9781782389019 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176190995431424 |
|---|---|
| adam_text | Contents
Acknowledgements ix
Introduction 1
Chapter 1: Digital Cinemas Conquest of Space 21
Chapter 2: The Nonanthropocentric Character of Digital Cinema 51
Chapter 3: From Temporalities to Time in Digital Cinema 81
Chapter 4: The Film-Spectator-World Assemblage 123
Chapter 5: Concluding With Love 147
Bibliography 157
Index
179
Film-Philosophy for the Digital Age
William Brown
The author presents... an innovative perspective on cinema in the digital
age. From the opening page, we encounter an articulate writing voice
that presents a broad agenda for the study of contemporary cinema -
with Fight Club standing in as a constant reference point.
Warren Buckland, Oxford Brookes University
This is an excellent, provocative book that I enthusiastically recommend....
The author succeeds In helping to forge a new paradigm by which to
conceptualize and theorize cinema in the era of the digital. This is
important work, because too often, when writing about contemporary
cinema that is digital՛either in its technical specifications or aesthetics,
we are forced to rely on terminology and concepts imported from
pre-dlgital cinema. Nicholas Rombes, University of Detroit Mercy
Drawing on a variety of popular films, including Avatar, Enter the Void,
Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, this
book studies the ways in which digital special effects and editing
techniques require a new theoretical framework in order to be properly
understood. The author proposes that while analogue cinema often tried
to hide the technological limitations of its creation through ingenious
methods, digital cinema hides its technological omnipotence through the
use of continued conventions more suited to analogue cinema, in a way
that is analogous to that of Superman hiding his powers behind the
persona of Clark Kent. Locating itself on the cusp of film theory, film-
philosophy and cognitive approaches to cinema, this volume also looks at
the relationship between the spectator and film that utilizes digital
technology to maximum, ‘supercinematic’ effect.
William Brown is Senior Lecturer in Film Studies at the University of
Roehampton, London. He has written articles for journals and edited
collections with a particular emphasis on the use of digital technology in
contemporary cinema across a range of national and transnational
contexts. He is also a filmmaker, having made seven feature films since 2009.
|
| any_adam_object | 1 |
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| dewey-ones | 777 - Cinematography and videography |
| dewey-raw | 777 |
| dewey-search | 777 |
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| discipline | Kunstgeschichte Allgemeines |
| edition | First paperback edition |
| format | Book |
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| spelling | Brown, William 1977- Verfasser (DE-588)1038249910 aut Supercinema film-philosophy for the digital age William Brown First paperback edition New York, NY Berghahn Books 2015 186 Seiten txt rdacontent n rdamedia nc rdacarrier Film Motion pictures Digital cinematography Film (DE-588)4017102-4 gnd rswk-swf Computeranimation (DE-588)4199710-4 gnd rswk-swf Spezialeffekt (DE-588)4260107-1 gnd rswk-swf Computeranimation (DE-588)4199710-4 s Spezialeffekt (DE-588)4260107-1 s Film (DE-588)4017102-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardback 978-0-85745949-7 Erscheint auch als Online-Ausgabe 978-0-85745-950-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brown, William 1977- Supercinema film-philosophy for the digital age Film Motion pictures Digital cinematography Film (DE-588)4017102-4 gnd Computeranimation (DE-588)4199710-4 gnd Spezialeffekt (DE-588)4260107-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4199710-4 (DE-588)4260107-1 |
| title | Supercinema film-philosophy for the digital age |
| title_auth | Supercinema film-philosophy for the digital age |
| title_exact_search | Supercinema film-philosophy for the digital age |
| title_full | Supercinema film-philosophy for the digital age William Brown |
| title_fullStr | Supercinema film-philosophy for the digital age William Brown |
| title_full_unstemmed | Supercinema film-philosophy for the digital age William Brown |
| title_short | Supercinema |
| title_sort | supercinema film philosophy for the digital age |
| title_sub | film-philosophy for the digital age |
| topic | Film Motion pictures Digital cinematography Film (DE-588)4017102-4 gnd Computeranimation (DE-588)4199710-4 gnd Spezialeffekt (DE-588)4260107-1 gnd |
| topic_facet | Film Motion pictures Digital cinematography Computeranimation Spezialeffekt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028951781&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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