From art to science: experiencing nature in the European garden 1500-1700
Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
Treviso
Zel Edizioni
[2016]
|
| Schriftenreihe: | Festina Lente
Indagini d'arte e cultura ; 4 |
| Schlagworte: | |
| Zusammenfassung: | Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study by amateurs and natural philosophers. This ambivalence incited the development of new and original art forms, in which naturalistic representation acquired an epistemological function, and became as such an integral part of the scientific process. Thus, the distinction between art and science, subtle as it was in the Renaissance, tended to fade away completely in gardens. Artists used the emerging botanical or zoological gardens to the benefit of their own training, and the images of flora and fauna they created for educated collectors or botanical treatises were appreciated for their aesthetic qualities as well as for their naturalism. The fashion for rustic grottoes mirrored artistically the ongoing heated debate over the formation of matter; and fountains, displays and waterworks in their turn sparked the study of hydraulics. The essays collected in this volume show the state of the art in regards to this topic and explore the dialectic of the interrelationship between the study of nature and the design of gardens. |
| Beschreibung: | 127 Seiten Illustrationen, Pläne 24cm |
| ISBN: | 9788896600924 |
Internformat
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| 505 | 8 | |a Contents:<br>J. Ferdinand, In the "Hortus universalis" - science, technique, and delight in gardens<br>F. Egmond, The gardens of nature - visualizing botanical research in Northern and Southern Europe in the 16th century<br>L. Ciancio, The Many Gardens - Real, Symbolic, Visual - of Pietro Andrea Mattioli<br>A. Fleischer, Hydraulics in Horto - levelling between and power in seventeenth-century gardens in France and Holland<br>S. Taglialagamga, Facciasi fonti in ciascuna piazza - Congegni idraulici e fontane di Leonardo per i committenti francesi<br>M. Simonsen, Geometry and botany artistically united at Wollaton Hall at the end of the 16th century<br>J. Ferdinand, Placere et docere - le jardin mineral de Bernard Palissy | |
| 520 | |a Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study by amateurs and natural philosophers. This ambivalence incited the development of new and original art forms, in which naturalistic representation acquired an epistemological function, and became as such an integral part of the scientific process. Thus, the distinction between art and science, subtle as it was in the Renaissance, tended to fade away completely in gardens. Artists used the emerging botanical or zoological gardens to the benefit of their own training, and the images of flora and fauna they created for educated collectors or botanical treatises were appreciated for their aesthetic qualities as well as for their naturalism. The fashion for rustic grottoes mirrored artistically the ongoing heated debate over the formation of matter; and fountains, displays and waterworks in their turn sparked the study of hydraulics. The essays collected in this volume show the state of the art in regards to this topic and explore the dialectic of the interrelationship between the study of nature and the design of gardens. | ||
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Datensatz im Suchindex
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| author | Ferdinand, Juliette |
| author_GND | (DE-588)143198572 |
| author_facet | Ferdinand, Juliette |
| author_role | aut |
| author_sort | Ferdinand, Juliette |
| author_variant | j f jf |
| building | Verbundindex |
| bvnumber | BV043533782 |
| contents | Contents:<br>J. Ferdinand, In the "Hortus universalis" - science, technique, and delight in gardens<br>F. Egmond, The gardens of nature - visualizing botanical research in Northern and Southern Europe in the 16th century<br>L. Ciancio, The Many Gardens - Real, Symbolic, Visual - of Pietro Andrea Mattioli<br>A. Fleischer, Hydraulics in Horto - levelling between and power in seventeenth-century gardens in France and Holland<br>S. Taglialagamga, Facciasi fonti in ciascuna piazza - Congegni idraulici e fontane di Leonardo per i committenti francesi<br>M. Simonsen, Geometry and botany artistically united at Wollaton Hall at the end of the 16th century<br>J. Ferdinand, Placere et docere - le jardin mineral de Bernard Palissy |
| ctrlnum | (OCoLC)953273145 (DE-599)BVBBV043533782 |
| era | Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1500-1700 |
| format | Book |
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| language | English French |
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| spelling | Ferdinand, Juliette Verfasser (DE-588)143198572 aut From art to science experiencing nature in the European garden 1500-1700 edited by Juliette Ferdinand Treviso Zel Edizioni [2016] 127 Seiten Illustrationen, Pläne 24cm txt rdacontent n rdamedia nc rdacarrier Festina Lente : Indagini d'arte e cultura 4 Contents:<br>J. Ferdinand, In the "Hortus universalis" - science, technique, and delight in gardens<br>F. Egmond, The gardens of nature - visualizing botanical research in Northern and Southern Europe in the 16th century<br>L. Ciancio, The Many Gardens - Real, Symbolic, Visual - of Pietro Andrea Mattioli<br>A. Fleischer, Hydraulics in Horto - levelling between and power in seventeenth-century gardens in France and Holland<br>S. Taglialagamga, Facciasi fonti in ciascuna piazza - Congegni idraulici e fontane di Leonardo per i committenti francesi<br>M. Simonsen, Geometry and botany artistically united at Wollaton Hall at the end of the 16th century<br>J. Ferdinand, Placere et docere - le jardin mineral de Bernard Palissy Since ancient times, gardens have been a special place of inspiration for both artistic creativity and study of nature. In sixteenth-century Europe, the garden evolved into a playing field for direct experimentation. Nature was experienced as a source of delight but also viewed as an object of study by amateurs and natural philosophers. This ambivalence incited the development of new and original art forms, in which naturalistic representation acquired an epistemological function, and became as such an integral part of the scientific process. Thus, the distinction between art and science, subtle as it was in the Renaissance, tended to fade away completely in gardens. Artists used the emerging botanical or zoological gardens to the benefit of their own training, and the images of flora and fauna they created for educated collectors or botanical treatises were appreciated for their aesthetic qualities as well as for their naturalism. The fashion for rustic grottoes mirrored artistically the ongoing heated debate over the formation of matter; and fountains, displays and waterworks in their turn sparked the study of hydraulics. The essays collected in this volume show the state of the art in regards to this topic and explore the dialectic of the interrelationship between the study of nature and the design of gardens. Beiträge überwiegend englisch, ein Beitrag französisch Geschichte 1500-1700 gnd rswk-swf Naturerlebnis (DE-588)4325735-5 gnd rswk-swf Garten (DE-588)4019286-6 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Garten (DE-588)4019286-6 s Naturerlebnis (DE-588)4325735-5 s Geschichte 1500-1700 z DE-604 Festina Lente Indagini d'arte e cultura ; 4 (DE-604)BV041545316 4 |
| spellingShingle | Ferdinand, Juliette From art to science experiencing nature in the European garden 1500-1700 Festina Lente Contents:<br>J. Ferdinand, In the "Hortus universalis" - science, technique, and delight in gardens<br>F. Egmond, The gardens of nature - visualizing botanical research in Northern and Southern Europe in the 16th century<br>L. Ciancio, The Many Gardens - Real, Symbolic, Visual - of Pietro Andrea Mattioli<br>A. Fleischer, Hydraulics in Horto - levelling between and power in seventeenth-century gardens in France and Holland<br>S. Taglialagamga, Facciasi fonti in ciascuna piazza - Congegni idraulici e fontane di Leonardo per i committenti francesi<br>M. Simonsen, Geometry and botany artistically united at Wollaton Hall at the end of the 16th century<br>J. Ferdinand, Placere et docere - le jardin mineral de Bernard Palissy Naturerlebnis (DE-588)4325735-5 gnd Garten (DE-588)4019286-6 gnd |
| subject_GND | (DE-588)4325735-5 (DE-588)4019286-6 (DE-588)4015701-5 (DE-588)4143413-4 |
| title | From art to science experiencing nature in the European garden 1500-1700 |
| title_auth | From art to science experiencing nature in the European garden 1500-1700 |
| title_exact_search | From art to science experiencing nature in the European garden 1500-1700 |
| title_full | From art to science experiencing nature in the European garden 1500-1700 edited by Juliette Ferdinand |
| title_fullStr | From art to science experiencing nature in the European garden 1500-1700 edited by Juliette Ferdinand |
| title_full_unstemmed | From art to science experiencing nature in the European garden 1500-1700 edited by Juliette Ferdinand |
| title_short | From art to science |
| title_sort | from art to science experiencing nature in the european garden 1500 1700 |
| title_sub | experiencing nature in the European garden 1500-1700 |
| topic | Naturerlebnis (DE-588)4325735-5 gnd Garten (DE-588)4019286-6 gnd |
| topic_facet | Naturerlebnis Garten Europa Aufsatzsammlung |
| volume_link | (DE-604)BV041545316 |
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