Current controversies in philosophy of film:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2016
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| Schriftenreihe: | Current controversies in philosophy
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 211 Seiten Illustrationen |
| ISBN: | 9781138789517 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Contributors ix
Introduction 1
Katherine Thomson-Jones
Parti
What Is the Relation between the Art and the Technology of Film? 15
1 Cinematic Art and Technology 17
Berys Gaut
2 Movie Appreciation and the Digital Medium 36
Katherine Thomson-Jones
Part II
In What Ways Is Film a Realistic Medium? 55
3 Imagined Seeing and Some Varieties of Cinematic Realism 57
George M. Wilson
4 Realism in Film (and Other Representations) 76
Robert Hopkins
vii
viii • Contents
Part III
How Do Films Work as Narrative Fictions? 97
5 Fictional Indeterminacy, Imagined Seeing,
and Cinematic Narration 99
Angela Curran
6 Motion Picture Narration 115
Noel Carroll
Part IV
How Do Films Engage Our Emotions? 129
7 Putting Cognition in Its Place: Affect and the Experience
of Narrative Film 131
Carl Plantinga
8 Mirror Neurons and Simulation Theory: A
Neurophysiological Foundation for Cinematic Empathy 148
Dan Shaw
PartV
Can Films Philosophize? 163
9 Film as Philosophy: The Pro Position 165
Thomas E. Wartenberg
10 Film, Philosophy, and the Varieties of Artistic Value 182
Murray Smith
Index
203
This volume advances the contemporary debate on tive central issues in the philosophy of film.
These issues concern the relation between the art and technology of film, the nature of film
realism, how narrative fiction films narrate, how we engage emotionally with films, and whether
films can philosophize. Two new essays by leading figures in the field present different views on
each issue. The paired essays contain significant points of both agreement and disagreement:
new theories and frameworks are proposed at the same time as authors review the current
state of debate. Given their combination of richness and clarity, the essays in this volume can
effectively engage both students, undergraduate or graduate, and academic researchers.
Katherine Thomson-lones is an associate professor of philosophy at Oberlin College. She is
author of Aesthetics and Film (2008) and co-editor of New Waves in Aesthetics (2008), and she
is currently writing a book on the philosophy of digital art.
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| spelling | Current controversies in philosophy of film edited by Katherine Thomson-Jones New York ; London Routledge, Taylor & Francis Group 2016 x, 211 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Current controversies in philosophy Philosophie (DE-588)4045791-6 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmtheorie (DE-588)4071216-3 s Philosophie (DE-588)4045791-6 s DE-604 Thomson-Jones, Katherine (DE-588)136397433 edt Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028948275&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028948275&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Current controversies in philosophy of film |
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