The Oxford handbook of modern Irish theatre:
The Oxford handbook of modern Irish theatre' provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late ninetee...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2016
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Oxford handbook of modern Irish theatre' provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.0 |
| Beschreibung: | xxix, 764 Seiten Illustrationen |
| ISBN: | 9780198706137 0198706138 |
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Datensatz im Suchindex
| _version_ | 1804176170569170944 |
|---|---|
| adam_text | Contents
List of Illustrations xiii
Notes on Contributors xix
Modern Irish Theatre: A Chronology xxv
Introduction i
Nicholas Grene and Chris Morash
PARTI NINETEENTH-CENTURY LEGACIES
1. The Inheritance of Melodrama 9
Stephen Watt
2. Oscar Wilde: International Politics and the Drama of Sacrifice 24
Michael McAteer
PART II THEATRE AND NATION
3. The Abbey and the Idea of a Theatre 41
Ben Levitas
4. Theatre and Activism 1900-1916 58
P. J. Mathews
5. W. B. Yeats and Rituals of Performance 72
Terence Brown
6. The Riot of Spring: Synge’s ‘Failed Realism’ and the Peasant Drama 87
Mary Burke
PART III MODELS AND INFLUENCES
7. ‘We Were Very Young and We Shrank From Nothing’:
Realism and Early Twentieth-Century Irish Drama 105
Shaun Richards
viii CONTENTS
8. Modernism and Irish Theatre 1900-1940 121
Richard Cave
9. Missing Links: Bernard Shaw and the Discussion Play 138
Brad Kent
PART IV REVOLUTION AND BEYOND
10. Imagining the Rising 155
Nicholas Allen
11. The Abbey Theatre and the Irish State 169
Lauren Arrington
12. O’Casey and the City 183
Christopher Murray
PART V PERFORMANCE 1
13. Design and Direction to i960 201
Paige Reynolds
14. The Importance of Staging Oscar: Wilde at the Gate 217
Eibhear Walshe
15. Irish Acting in the Early Twentieth Century 231
Adrian Frazier
PART VI CONTESTING VOICES
16. Twisting in the Wind: Irish-Language Stage Theatre 1884-2014 251
Brian 0 Conchubhair
17. Women and Irish Theatre before i960 269
Cathy Leeney
18. The Little Theatres of the 1950s 286
Lionel Pilkington
CONTENTS iX
PART VII THE NEW REVIVAL
19. Urban and Rural Theatre Cultures: M. J. Molloy, John B. Keane, and
Hugh Leonard 307
Lisa Coen
20. Brian Friel and Tom Murphy: Forms of Exile 322
Anthony Roche
21. Thomas Kilroyand the Idea of a Theatre 337
Jose Lanters
PART VIII DIVERSIFICATION
22. Brian Friel and Field Day 357
Marilynn Richtarik
23. From Troubles to Post-Conflict Theatre in Northern Ireland 372
Mark Phelan
24. ‘As We Must’: Growth and Diversification in Ireland s Theatre Culture
1977-2000 389
Victor Merriman
25. From Druid/Murphy to DruidMurphy 404
Shelley Troupe
PART IX PERFORMANCE 2
26. Places of Performance 425
Chris Morash
27. Directors and Designers since i960 443
Ian R. Walsh
28. Defining Performers and Performances 459
Nicholas Grene
29. Beckett at the Gate
Julie Bates
478
X
CONTENTS
PART X CONTEMPORARY IRISH THEATRE
30. Negotiating Differences in the Plays of Frank McGuinness 497
Helen Heusner Lojek
31. Drama since the 1990s: Memory, Story, Exile 515
Emilie Pine
32. Irish Drama since the 1990s: Disruptions 529
Clare Wallace
33. Shadow and Substance: Women, Feminism, and Irish Theatre
after 1980 545
Melissa Sihra
34. Irish Theatre Devised 559
Brian Singleton
PART XI IRELAND AND THE WORLD
35. Global Beckett 577
Ronan McDonald
36. Irish Theatre and the United States 593
John P. Harrington
37. Irish Theatre in Britain 607
James Moran
38. Irish Theatre in Europe 623
Ondrej Pilny
39. ‘Feast and Celebration’: The Theatre Festival and Modern
Irish Theatre 637
Patrick Lonergan
40. Reinscribing the Classics, Ancient and Modem: The Sharp Diagonal of
Adaptation 654
Christina Hunt Mahony
CONTENTS Xi
PART XII CRITICAL RESPONSES
41. Irish Theatre and Historiography 673
Eamonn Jordan
Bibliography 695
Index 719
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