Benjamin Britten and Russia:
This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, bu...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Woodbridge
The Boydell Press
2016
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Schriftenreihe: | Aldeburgh studies in music
Volume 11 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians - why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. Benjamin Britten and Russia will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely. - CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London. |
Beschreibung: | 367 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781783271139 |
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505 | 8 | |a Earliest and lifelong Russophilia. - Britten and Shostakovich, 1934-63. - Britten and Prokofiev. - Britten and Stravinsky. - Hospitality and politics. - Pushkin and performance. - Britten and Shostakovich Again: Dialogues of war and Death, 1963-76. - Conclusion. - Appendix I: Letter from Lord Armstrong of Ilminster, 16 May 2010. - Appendix II: Interview with Alan Brooke Turner CMG (1926-2013), London, 24 September 2009. - Appendix III: Interview with Keith Grant, London, 25 September 2009. - Appendix IV: Interview with George, Earl of Harewood (1923-2011), Harewood House, Leeds, 13 March 2009. - Appendix V: Interview with Lilian Hochhauser, London, 24 November 2011. - Appendix VI: Interview with Victor Hochhauser CBE, London, 4 November 2009. - Appendix VII: Letter from Sir Charles Mackerras CH (1925-2010), 26 January 2010. - Appendix VIII: Interview with Dr. Donald Mitchell CBE, London, 11 August 2008. - Appendix IX: Interview with Sir John Morgan KCMG (1929-2012), London, 16 March 2012. - Appendix X: Interview with Gennady Rozhdestvensky, 4 December 2014. - Appendix XI: Interview with Irina Antonovna Shostakovich, Shostakovich Centre, Paris, 31 March 2009. - Appendix XII: Letter from Boris Tishchenko (1939-2010), 21 May 2008. - Appendix XIII: Interview with Oleg Vinogradov, 8 September 2010. - Appendix XIV: Interview with Galina Vishnevskaya, Galina Vishnevskaya Opera Centre, Moscow, 11 June 2010. - Appendix XV: Letters from Dmitri Smirnov (b. 1948) and Elena Firsova (b. 1950), 13 January 2015. - Appendix XVI: Letter from Vladislav Chernushenko, 22 April 2015. - Appendix XVII: Britten's volumes of Tchaikovsky's "Complete Works". - Bibliography and Sources. - Index | |
520 | |a This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians - why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. Benjamin Britten and Russia will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely. - CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London. | ||
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adam_text |
Contents
List of Illustrations viii
Preface x
Acknowledgements xii
Abbreviations xv
Note on Transliteration and Sources xvi
1 Earliest and Lifelong Russophilia 1
2 Britten and Shostakovich, 1934-63 47
3 Britten and Prokofiev 84
4 Britten and Stravinsky 119
5 Hospitality and Politics 142
6 Pushkin and Performance 188
7 Britten and Shostakovich Again: Dialogues of War and Death,
1963-76 230
% Conclusion 275
APPENDICES
1 Letter from Lord Armstrong of Ilminster 281
2 Interview with Alan Brooke Turner 282
3 Interview with Keith Grant 286
4 Interview with Lord Harewood 293
5 Interview with Victor Hochhauser 296
6 Interview with Lilian Hochhauser 299
7 Letter from Sir Charles Mackerras 302
8 Interview with Donald Mitchell 303
9 Interview with Sir John Morgan 307
10 Interview with Gennady Rozhdestvensky 309
11 interview with Irina Shostakovich 312
12 Letter from Boris Tishchenko 314
13 Interview with Oleg Vinogradov 316
14 Interview with Galina Vishnevskaya 318
15 Letters from Dmitri Smirnov and Elena Firsova 323
16 Letter from Vladislav Chernushenko 326
17 Brittens Volumes of Tchaikovsky’s Complete Works 328
Bibliography and Sources 332
Index 353 |
any_adam_object | 1 |
author | Pyke, Cameron |
author_GND | (DE-588)105178493X |
author_facet | Pyke, Cameron |
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author_sort | Pyke, Cameron |
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building | Verbundindex |
bvnumber | BV043499691 |
classification_rvk | LP 91522 LQ 86007 |
contents | Earliest and lifelong Russophilia. - Britten and Shostakovich, 1934-63. - Britten and Prokofiev. - Britten and Stravinsky. - Hospitality and politics. - Pushkin and performance. - Britten and Shostakovich Again: Dialogues of war and Death, 1963-76. - Conclusion. - Appendix I: Letter from Lord Armstrong of Ilminster, 16 May 2010. - Appendix II: Interview with Alan Brooke Turner CMG (1926-2013), London, 24 September 2009. - Appendix III: Interview with Keith Grant, London, 25 September 2009. - Appendix IV: Interview with George, Earl of Harewood (1923-2011), Harewood House, Leeds, 13 March 2009. - Appendix V: Interview with Lilian Hochhauser, London, 24 November 2011. - Appendix VI: Interview with Victor Hochhauser CBE, London, 4 November 2009. - Appendix VII: Letter from Sir Charles Mackerras CH (1925-2010), 26 January 2010. - Appendix VIII: Interview with Dr. Donald Mitchell CBE, London, 11 August 2008. - Appendix IX: Interview with Sir John Morgan KCMG (1929-2012), London, 16 March 2012. - Appendix X: Interview with Gennady Rozhdestvensky, 4 December 2014. - Appendix XI: Interview with Irina Antonovna Shostakovich, Shostakovich Centre, Paris, 31 March 2009. - Appendix XII: Letter from Boris Tishchenko (1939-2010), 21 May 2008. - Appendix XIII: Interview with Oleg Vinogradov, 8 September 2010. - Appendix XIV: Interview with Galina Vishnevskaya, Galina Vishnevskaya Opera Centre, Moscow, 11 June 2010. - Appendix XV: Letters from Dmitri Smirnov (b. 1948) and Elena Firsova (b. 1950), 13 January 2015. - Appendix XVI: Letter from Vladislav Chernushenko, 22 April 2015. - Appendix XVII: Britten's volumes of Tchaikovsky's "Complete Works". - Bibliography and Sources. - Index |
ctrlnum | (OCoLC)954292577 (DE-599)BVBBV043499691 |
discipline | Musikwissenschaft |
format | Book |
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spelling | Pyke, Cameron Verfasser (DE-588)105178493X aut Benjamin Britten and Russia Cameron Pyke Woodbridge The Boydell Press 2016 367 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Aldeburgh studies in music Volume 11 Earliest and lifelong Russophilia. - Britten and Shostakovich, 1934-63. - Britten and Prokofiev. - Britten and Stravinsky. - Hospitality and politics. - Pushkin and performance. - Britten and Shostakovich Again: Dialogues of war and Death, 1963-76. - Conclusion. - Appendix I: Letter from Lord Armstrong of Ilminster, 16 May 2010. - Appendix II: Interview with Alan Brooke Turner CMG (1926-2013), London, 24 September 2009. - Appendix III: Interview with Keith Grant, London, 25 September 2009. - Appendix IV: Interview with George, Earl of Harewood (1923-2011), Harewood House, Leeds, 13 March 2009. - Appendix V: Interview with Lilian Hochhauser, London, 24 November 2011. - Appendix VI: Interview with Victor Hochhauser CBE, London, 4 November 2009. - Appendix VII: Letter from Sir Charles Mackerras CH (1925-2010), 26 January 2010. - Appendix VIII: Interview with Dr. Donald Mitchell CBE, London, 11 August 2008. - Appendix IX: Interview with Sir John Morgan KCMG (1929-2012), London, 16 March 2012. - Appendix X: Interview with Gennady Rozhdestvensky, 4 December 2014. - Appendix XI: Interview with Irina Antonovna Shostakovich, Shostakovich Centre, Paris, 31 March 2009. - Appendix XII: Letter from Boris Tishchenko (1939-2010), 21 May 2008. - Appendix XIII: Interview with Oleg Vinogradov, 8 September 2010. - Appendix XIV: Interview with Galina Vishnevskaya, Galina Vishnevskaya Opera Centre, Moscow, 11 June 2010. - Appendix XV: Letters from Dmitri Smirnov (b. 1948) and Elena Firsova (b. 1950), 13 January 2015. - Appendix XVI: Letter from Vladislav Chernushenko, 22 April 2015. - Appendix XVII: Britten's volumes of Tchaikovsky's "Complete Works". - Bibliography and Sources. - Index This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians - why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. Benjamin Britten and Russia will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely. - CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London. Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Britten, Benjamin 1913-1976 (DE-588)118515527 p Russland (DE-588)4076899-5 g Komponist (DE-588)4032009-1 s DE-604 Aldeburgh studies in music Volume 11 (DE-604)BV008311717 11 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028916117&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Pyke, Cameron Benjamin Britten and Russia Aldeburgh studies in music Earliest and lifelong Russophilia. - Britten and Shostakovich, 1934-63. - Britten and Prokofiev. - Britten and Stravinsky. - Hospitality and politics. - Pushkin and performance. - Britten and Shostakovich Again: Dialogues of war and Death, 1963-76. - Conclusion. - Appendix I: Letter from Lord Armstrong of Ilminster, 16 May 2010. - Appendix II: Interview with Alan Brooke Turner CMG (1926-2013), London, 24 September 2009. - Appendix III: Interview with Keith Grant, London, 25 September 2009. - Appendix IV: Interview with George, Earl of Harewood (1923-2011), Harewood House, Leeds, 13 March 2009. - Appendix V: Interview with Lilian Hochhauser, London, 24 November 2011. - Appendix VI: Interview with Victor Hochhauser CBE, London, 4 November 2009. - Appendix VII: Letter from Sir Charles Mackerras CH (1925-2010), 26 January 2010. - Appendix VIII: Interview with Dr. Donald Mitchell CBE, London, 11 August 2008. - Appendix IX: Interview with Sir John Morgan KCMG (1929-2012), London, 16 March 2012. - Appendix X: Interview with Gennady Rozhdestvensky, 4 December 2014. - Appendix XI: Interview with Irina Antonovna Shostakovich, Shostakovich Centre, Paris, 31 March 2009. - Appendix XII: Letter from Boris Tishchenko (1939-2010), 21 May 2008. - Appendix XIII: Interview with Oleg Vinogradov, 8 September 2010. - Appendix XIV: Interview with Galina Vishnevskaya, Galina Vishnevskaya Opera Centre, Moscow, 11 June 2010. - Appendix XV: Letters from Dmitri Smirnov (b. 1948) and Elena Firsova (b. 1950), 13 January 2015. - Appendix XVI: Letter from Vladislav Chernushenko, 22 April 2015. - Appendix XVII: Britten's volumes of Tchaikovsky's "Complete Works". - Bibliography and Sources. - Index Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Komponist (DE-588)4032009-1 gnd |
subject_GND | (DE-588)118515527 (DE-588)4032009-1 (DE-588)4076899-5 (DE-588)4006804-3 |
title | Benjamin Britten and Russia |
title_auth | Benjamin Britten and Russia |
title_exact_search | Benjamin Britten and Russia |
title_full | Benjamin Britten and Russia Cameron Pyke |
title_fullStr | Benjamin Britten and Russia Cameron Pyke |
title_full_unstemmed | Benjamin Britten and Russia Cameron Pyke |
title_short | Benjamin Britten and Russia |
title_sort | benjamin britten and russia |
topic | Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Komponist (DE-588)4032009-1 gnd |
topic_facet | Britten, Benjamin 1913-1976 Komponist Russland Biografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028916117&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV008311717 |
work_keys_str_mv | AT pykecameron benjaminbrittenandrussia |