Public Art in Canada: Critical Perspectives
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442697522 |
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| 505 | 8 | |a Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture | |
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Datensatz im Suchindex
| _version_ | 1824408265281241088 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Gérin, Annie |
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| building | Verbundindex |
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| contents | Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture |
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| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Gérin, Annie Verfasser aut Public Art in Canada Critical Perspectives Annie Gérin, James S. McLean Toronto University of Toronto Press [2016] © 2009 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture Geschichte gnd rswk-swf Public art Canada Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kanada Kanada (DE-588)4029456-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Kanada (DE-588)4029456-0 g Kunst (DE-588)4114333-4 s Öffentlicher Raum (DE-588)4172385-5 s Geschichte z 2\p DE-604 Kollektives Gedächtnis (DE-588)4200793-8 s 3\p DE-604 McLean, James S. Sonstige oth http://www.degruyter.com/doi/book/10.3138/9781442697522 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gérin, Annie Public Art in Canada Critical Perspectives Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture Public art Canada Kollektives Gedächtnis (DE-588)4200793-8 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Kunst (DE-588)4114333-4 gnd |
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| title | Public Art in Canada Critical Perspectives |
| title_auth | Public Art in Canada Critical Perspectives |
| title_exact_search | Public Art in Canada Critical Perspectives |
| title_full | Public Art in Canada Critical Perspectives Annie Gérin, James S. McLean |
| title_fullStr | Public Art in Canada Critical Perspectives Annie Gérin, James S. McLean |
| title_full_unstemmed | Public Art in Canada Critical Perspectives Annie Gérin, James S. McLean |
| title_short | Public Art in Canada |
| title_sort | public art in canada critical perspectives |
| title_sub | Critical Perspectives |
| topic | Public art Canada Kollektives Gedächtnis (DE-588)4200793-8 gnd Öffentlicher Raum (DE-588)4172385-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Public art Canada Kollektives Gedächtnis Öffentlicher Raum Kunst Kanada Aufsatzsammlung |
| url | http://www.degruyter.com/doi/book/10.3138/9781442697522 |
| work_keys_str_mv | AT gerinannie publicartincanadacriticalperspectives AT mcleanjamess publicartincanadacriticalperspectives |